Patrick Kramer News

Summer's here, and it's hotter than blue blazes in Tennessee, as theater companies from one end of the state to the other are hard at work to keep audiences engaged and entertained throughout what promises to be one long hot summer. But think of it this way, with yesterday's Summer Solstice-which means we've survived the year's longest day-everything will get just a little bit shorter, promising a respite from the heat and humidity. This week also marked the celebration of National Martini Day, so may we humbly suggest that you grab a shaker, add some ice, vodka and a whisper of vermouth and shake yourself up an ice-cold drink…

Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot...featuring some of the Volunteer State's best-known-or soon-to-be-known all over the freakin' world-thespians. And have you ever wondered who the amazing photographers are who make them look damn good? We're gonna tell ya…Today's actor/subject/model is the handsome and talented Patrick Kramer.

Luckily (for me and for you, the rest of the audience who may or may not have seen the show in any of its multiple onstage incarnations), director Patrick Kramer, choreographer Kate Adams-Johnson and musical director Randy Craft have fashioned a rendition of Hairspray-that indomitable musical about one determined and ambitious Baltimore teenager in 1962-that fairly snaps, crackles and pops with its fresh delivery, its clever staging and the laudable and thoroughly committed performances of a cast of thousands.

Smokey Joe's Cafe is a show features nine performers, who take audiences back to the 1950s and 1960s with their renditions of many wonderful hits of the rock and roll era. Four of the male singers come together to form a group reminiscent of the two famous quartets Leiber and Stoller wrote for-the Drifters and the Coasters-while other cast members deliver songs made famous by some of the most powerful figures in the world of music, including Elvis Presley, Dion and Big Mama Thornton.

Now onstage at The Larry Keeton Theatre, in a winning production directed by Ginger Newman and choreographed by Kate Adams-Johnson, Smokey Joe's Cafe offers audiences one of the best nights of theater they'll ever have the pleasure of attending. Seriously! In fact, my love of the musical revue-which features 39 songs written by Jerry Leiber and Mike Stoller, who provided much of the soundtrack for the lives led in the middle of the last century-is almost stupefyingly of the adoring variety. Truthfully, I can't pinpoint exactly what it is about Smokey Joe's Cafe that I love so much, but alas, there it is: I love the show without question (hell, I'd marry it if we could get a marriage license down here in the South) and I am particularly in love with the rendition served up by Newman, Adams-Johnson and company out in Donelson.

Smokey Joe's Cafe is a show features nine performers, who take audiences back to the 1950s and 1960s with their renditions of many wonderful hits of the rock and roll era. Four of the male singers come together to form a group reminiscent of the two famous quartets Leiber and Stoller wrote for-the Drifters and the Coasters-while other cast members deliver songs made famous by some of the most powerful figures in the world of music, including Elvis Presley, Dion and Big Mama Thornton.

Smokey Joe's Cafe is a show features nine performers, who take audiences back to the 1950s and 1960s with their renditions of many wonderful hits of the rock and roll era. Four of the male singers come together to form a group reminiscent of the two famous quartets Leiber and Stoller wrote for-the Drifters and the Coasters-while other cast members deliver songs made famous by some of the most powerful figures in the world of music, including Elvis Presley, Dion and Big Mama Thornton.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

In a town where everyone from your next-door neighbor to your favorite barista - from your dental hygienist to your manicurist, your seatmate on the bus, your friendly neighborhood bartender and maybe even the guy who does your taxes - is a songwriter, you'll find that there's never a shortage of opinions on the topic of favorite songs. Ask a cross-section of Nashville theater-types what their favorite love song is from the annals of musical theater and you're going to get a barrage of answers.

Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Nashville productions of Aida and The Color Purple highlight the 63rd season announced today by Circle Players, the community theatre that's been treating audiences to award-winning shows since 1949. In addition, the company will mount a production of The Piano Lesson, the August Wilson classic that was first produced by Circle Players in its 1993-94 season, the acclaimed musical Next to Normal (which is currently running in Memphis in its Tennessee premiere starring Belmont University graduate Ben Laxton and will be produced later this season by Boiler Room Theatre), and the regional premiere of Band Geeks, an all-youth production directed by Catherine McTamaney.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

There's just a few weeks left to go in voting for the 2011 Nashville Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Nashville Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday December 05, 2011.

There's just 4 weeks left to go in voting for the 2011 Nashville Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Nashville Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Tuesday November 29, 2011.

Voting is now well underway for the 2011 Nashville Awards and here is the latest update! Now, it's time for you to get out and vote for your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Nashville Award. No time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday November 21, 2011.

I can now feel the tiny pin pricks of the needles piercing the flesh of the Jef Ellis voodoo dolls held about the neck by various members of the cast and crew as they exact their revenge while they continue reading this review. I say: Bring it on! Sticks and stones and all that...

Nashville theater mavens and the fans of internet-borne musicals (it's a sub-genre of some group, look it up!) are fairly a-dither in anticipation of this week's opening night for ACT 1's production of A Fann-Made, Permission-Granted, Unofficial Production of Dr. Horrible's Sing-Along Blog (yep, that's the unwieldy name, thanks to the fine print, legal kinda stuff at the bottom of the page), as it takes over Darkhorse Theatre for six performances (Friday and Saturday nights only) November 18-December 3.

Voting is now open for the 2011 Nashville Awards! Now it's time for you to get out and vote for your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Nashville Award. No time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday November 14, 2011.