The Marsh San Francisco announces award-winning performer Brian Copeland will offer free performances of his acclaimed The Waiting Period, a deeply moving and surprisingly funny work on his own struggles with depression and suicidal thought. This performance is particularly directed at those struggling with depression that would be otherwise unable to attend due to the cost of admission.
Community, belonging, family-these are three words many people use to describe their experience with community theatre. In the production of Joseph and the Amazing Technicolor Dreamcoat at Gettysburg Community Theatre that sense of family is literal. One family has three generations represented on stage--Pat and Dave Conklin, their daughter and son-in-law Carrie and Greg Trax, and their daughters Tessa and Audrey Trax. Before opening night of Joseph, some of the family members were trying to recall when they started performing. Third grader Audrey Trax traced her stage experience back to when she was three years old. For Audrey and Tessa's grandmother, Pat, the answer was easy, as this performance of Joseph is her debut performance.
Get your heart pumping just in time for Valentine's Day as The Chicago League of Lady Arm Wrestlers (CLLAW) presents CLLAW XXIX: CLLAWentine's Day Brawl on Saturday, February 3 at Logan Square Auditorium, 2539 N. Kedzie Ave. in Chicago. CLLAW's 29th benefit match will feature Chicago's biggest, baddest lady-identified arm wrestlers, live musical entertainment and a cash bar. Doors open at 9 pm with the first match beginning at 9:30 pm. Tickets, priced at $20, are available in advance at www.cllaw.org or $25 at the door (the ladies will gladly take cash or credit at the door).
The Marsh San Francisco announces a new solo show by Jill Vice, A Fatal Step. Turning the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale.
The Marsh San Francisco kicks off the New Year with an extension of 2017 United Solo Theatre Festival winner My Stroke of Luck, from January 4 through February 3, 2018.
The Marsh San Francisco announces a new solo show by Jill Vice, A Fatal Step. Flipping the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale. When Sarah's footing with her handsome podiatrist boyfriend is undermined by an archrival, she takes drastic steps to keep her man. Returning to The Marsh after her highly acclaimed run of Tipped & Tipsy, Vice's A Fatal Step was hailed as a delicious turn on noir by the Winnipeg Free Press. A Fatal Step, directed by Mark Kenward and developed with David Ford, will be presented 8:00pm Thursdays and 8:30pm Saturdays January 18-March 3, 2018 (press opening: January 25) at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).
The Marsh San Francisco kicks off the New Year with an extension of 2017 United Solo Theatre Festival winner My Stroke of Luck, from January 4 through February 3, 2018.
La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment present the third show of its 2017-2018 season (and the 40th anniversary of the iconic theatre) with CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb with musical direction by David O, choreography by Dana Solimando and directed by Larry Carpenter.
The Marsh welcomes a new solo show to the Berkeley stage, What They Said About Love by Steve Budd, which was awarded the Best of Fringe at the 2016 San Francisco Fringe Festival. In this absorbing solo show, Steve wonders why other people can and why he can't tie the knot. Budd sheds light on how people meet and make it to the altar, the push and pull of relationships, singles who can't seem to settle down, and more. The Oakland-based actor captures the physical and vocal nuances of more than a dozen Bay Area characters, using their own words taken from hours of interviews, and weaves in his relentless search for the one.
Town Stages is now open at 221 West Broadway, NYC. Located in the heart of Tribeca, TOWN is New York's premier venue to celebrate, collaborate and put on a show.
Town Stages is now open at 221 West Broadway, NYC. Located in the heart of Tribeca, TOWN is New York's premier venue to celebrate, collaborate and put on a show.
In My Stroke of Luck, a new solo show at The Marsh San Francisco, Barnes recounts her experience of having a stroke, her path to recovery, and more. A spellbinding and funny look at love, family, and seemingly insurmountable obstacles, Barnes shares the story of a single adoptive mother of special needs and gifted sons and how she forges a new identity after a debilitating stroke.
The Marsh San Francisco welcomes a new solo show to the Studio stage, Ain't That Rich by Kate Robards. A favorite of the 2016 Capital Fringe Fest in DC, the show was named one of the Best of Fringe by DC Metro Theater Arts and won first prize at the 2017 Maui Fringe Festival. In this compelling work, Kate describes growing up poor in an East Texas town, where she tries to keep up with the small-town wealthy people.
The Marsh San Francisco announces award-winning performer Brian Copeland is performing his final free show for this year of his acclaimed solo piece, The Waiting Period, an unflinching examination of depression. This performance is particularly directed at those struggling with depression that would be otherwise unable to attend due to the cost of admission. Featuring humorous, poignant, and riveting insights, the solo show is written by Copeland and directed by David Ford, which will return in 2018 at The Marsh. Also performing his hit show Not a Genuine Black Man for the month, this added performance of The Waiting Period will take place 5:30pm Sunday, November 19, at The Marsh San Francisco Studio, 1062 Valencia Street. General admission for this performance is free, although reservations are recommended. To reserve tickets or for more information, the public may visit www.themarsh.org or call 415-282-3055 Monday through Friday between 1:00pm and 4:00pm.
The Marsh San Francisco announces Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland, will extend with performances in November at The Marsh due to popular demand.
Produced with the support of Latvia's greatest authorities in entertainment and theatre, B The Underwater Bubble Show is a mesmerizing blend of drama, mime, dance, puppetry, juggling, contortionism, sand art, and magic. After another long day of deadlines and meetings, Mr. B finds himself magically transported to a colorful, happy place called Bubblelandia where his only job is to daydream.
More than leaves are falling this autumn... join The Chicago League of Lady Arm Wrestlers (CLLAW) for CLLAW XXVIII: FALL of the Patriarchy on Friday, November 3, 2017 at Logan Square Auditorium, 2539 N. Kedzie Ave. in Chicago. CLLAW's 28th benefit match will feature Chicago's biggest, baddest lady-identified arm wrestlers, live musical entertainment from The Fox & The Hounds and a cash bar. Doors open at 9 pm with the first match beginning at9:30 pm. Tickets, priced at $15, are available in advance at www.cllaw.org or $20 at the door (the ladies will gladly take cash or credit at the door).
In My Stroke of Luck, a new solo show at The Marsh San Francisco, Barnes recounts her experience of having a stroke, her path to recovery, and more. A spellbinding and funny look at love, family, and seemingly insurmountable obstacles, Barnes shares the story of a single adoptive mother of special needs and gifted sons and how she forges a new identity after a debilitating stroke.
The Marsh San Francisco announces award-winning performer Brian Copeland is continuing with a free performance of his acclaimed solo piece, The Waiting Period, an unflinching examination of depression in October.