Adapted by Anne Washburn (Shipwreck, Mr. Burns) and directed by the multi award-winning director (winner of 7 Olivier Awards), Richard Jones, this production of the acclaimed classic CBS television series The Twilight Zone is an ingenious mixture of morality tales, fables and fantasy that are as relevant today as when audiences first encountered them.
The UC San Diego Department of Theatre and Dance presents a university production of EVERYBODY BLACK, by Dave Harris and directed by Steve Broadnax.
As part of the closing week of the Brenda Starr, Reporter: The Art of Dale Messick exhibit at the Society of Illustrators (128 East 63rd Street New York, NY 10065), The Waverly Writers Collective will present a staged reading of Reporter Girl, a full-length play written by Laura Rohrman (My Life As You at Studio 54/Shetler), Dale Messick's Granddaughter and co-curator of the exhibit.
David Gow will join the cast of the US Premiere of BLEACH by Dan Ireland-Reeves beginning March 6. This award-winning underground hit, seen throughout the UK as well as in Paris, Stockholm and Dublin, made its US premiere in January in an intimate, immersive production performed for an audience of 10. Gow will join current performers Eamon Yates and Brendan George, sharing the role of Tyler, a young man trying to find his way while paying the rent in NYC. Audiences are invited to join Tyler at Tyler's Basement in Bushwick, Brooklyn for this dark and humorous look at sex, violence, and city living. Directed by Zack Carey, performances run through March 24.
The UC San Diego Department of Theatre and Dance presents a university production of EVERYBODY BLACK, by Dave Harris and directed by Steve Broadnax.
La MaMa in association with Out of the Box Theatrics presentsthe World Premiere of DYING IN BOULDER (or the perfect place to die if you have good karma) by Linda Faigao-Hall, directed by Ian Morgan (Associate Artistic Director of The New Group).
After a sold out run of last season's The Roommate, Director Eileen Phelan brings We Can Eat Love to Portland Stage Studio Series. Written by Maine native, Margie Castleman We Can Eat Love, A New Play with Heart, Soul, and a Little Music will run March 22-31 for eight performances with music by Wilder Zoby and Little Shalimar, and performed by Portland actors Grace Bauer, Whip Hubley, Khalil LeSaldo, Erik Moody, and Casey Turner.
When is the last time a teenager taught you something? Impressed you? Surprised you? If it's been awhile, when was the last time you engaged a teenager?
After the 2018 breathtaking production of The Passengers, the show which expanded the actors' stories beyond stage, Decameron Art Studio is proud to announce the next premiere shows of The Passengers in New York.
La MaMa in association with Out of the Box Theatrics presents the World Premiere of DYING IN BOULDER (or the perfect place to die if you have good karma) by Linda Faigao-Hall, directed by Ian Morgan (Associate Artistic Director of The New Group). Previews begin February 28, 2019 at The Downstairs at La MaMa with opening night slated for March 3.
After the 2018 breathtaking production of The Passengers, the show which expanded the actors' stories beyond stage, Decameron Art Studio is proud to announce the next premiere shows of The Passengers in New York.
The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.
goose, written by Michael Yichao, will run for six performances at the 30th Annual Rhinofest, directed by Brent Ervin-Eickhoff. The production will run January 19th - February 24th, 2019 todays at 12:00pm in The Back Space at Prop Thtr, 3502 N Elston Ave, Chicago, IL 60618.
The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.
THE ROAD THEATRE COMPANY and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, present the third show of its 2018-2019 season, the world premiere of FRIENDS WITH GUNS, written by Stephanie Alison Walker and directed by Randee Trabitz. FRIENDS WITH GUNS will preview on Tuesday, March 12 at 8pm; Wednesday, March 13 at 8pm & Thursday, March 14 and will open on Friday, March 15 at 8pm and run through Sunday, May 5 at the Road Theatre on Magnolia, located in The NoHo Senior Arts Colony, 10747 Magnolia Blvd. in North Hollywood.
New theater company comes to Maplewood, NJ from the prolific vision of Gregory Omar Osborne. The launch of Progressive Theater is made possible through the support of South Orange/Maplewood Coalition on Race & Maplewood Township bringing you THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN in lieu of Black History Month, February 16th & 17th. Progressive Theater aims to tell culturally enriched stories that empower people of color, and captivate all audiences with the focus being on the change we want to see in the theater community.
The Factory Theater continues its 26th season with May the Road Rise Up, February 15 - March 30, 2019, at the Factory Theater, 1623 W. Howard St., Chicago. The play is written by Factory Theater Ensemble Member Shannon O'Neill and directed by Factory Theater Ensemble Member and Jeff Award-winning director Spenser Davis.
THE ROAD THEATRE COMPANY and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, are thrilled to announce that the second show of its 2018-2019 season, the critically acclaimed, world premiere of DEATH HOUSE, written by Jason Karasev and directed by Michael Peretzian is EXTENDING through SATURDAY, MARCH 23 at the Road Theatre on Lankershim, 5108 Lankershim Blvd. in North Hollywood.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
59E59 Theaters welcomes THE WAITING GAME, written by Charles Gershman and directed by Nathan Wright.
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