The Cleveland Orchestra and Music Director Franz Welser-Most have announced details of the Orchestra's 2017-18 calendar. The season will be the ensemble's 100th year of concerts and marks the launch of its Second Century. 2017-18 is also the 16th year of the Orchestra's acclaimed partnership with Franz Welser-Most.
The Met's new production of Wagner's Tristan und Isolde, conducted by Sir Simon Rattle in his first Met performances since his 2010 debut, opens the new season of THIRTEEN'S GREAT PERFORMANCES at the Met
San Francisco Opera General Director Matthew Shilvock and Music Director Nicola Luisotti today announced plans for the 2017-18 repertory season. The Company's 95th season will open Friday, September 8 with a gala performance of Giacomo Puccini'sTurandot led by Maestro Luisotti and an international cast starring Martina Serafin, Maria Agresta and Brian Jagde.
Am gestrigen Dienstag, 25. Oktober 2016 startete mit Strauss' Ariadne auf Naxos in Tokios Bunka Kaikan das bereits 9. Japan-Gastspiel der Wiener Staatsoper.
For the sheer magnitude of its singing, there hasn't been anything like the Met's ecstatic new production of TRISTAN UND ISOLDE--seen a week after it opened the season on September 26--in a very long time.
For the first time, the lobby of the Metropolitan Opera House will be open to the public, free of charge, on weekday mornings (10 a.m. to 2 p.m.) beginning Tuesday, October 4 and continuing through the end of the opera season. Visitors to the Met can walk up the famous grand staircase of the opera house, admire the iconic crystal chandeliers, or step out onto the balcony overlooking Lincoln Center Plaza. Personal photography will be permitted in all public areas of the house, allowing tourists or locals to capture a picture of a classic New York moment. In addition, a large television monitor will give visitors a live look at what's happening on the Met stage, where rehearsals happen every morning for the 225 opera performances the company presents each season. Refreshments will be available for purchase.
The Metropolitan Opera will open its 132nd season, the 50th anniversary of its iconic Lincoln Center home, on Monday, September 26 with a new production of Wagner's epic tragedy Tristan und Isolde.
San Francisco Opera announces the installation of a new, permanent photography exhibition Looking Through the Lens: The Glory of San Francisco Opera, Past and Present. Located in the Diane B. Wilsey Center for Opera, the exhibition features 135 photos drawn from the newly formalized Edward Paul Braby San Francisco Opera Archive collections. Many of the photographs in the exhibition have never before been published, displayed or seen by anyone outside of the Company staff and archive volunteers. The retrospective marks the beginning of the Company's public celebration of San Francisco Opera's Centennial in 2022.
Elektra, Richard Strauss's blazing tragedy about an ancient Greek princess hell-bent on revenge, comes to THIRTEEN'S Great Performances at the Met.
The Warner Theatre is excited to announce its 2016-17 Met Opera: Live in HD Season, featuring 10 operas, 5 new to the series, and 2 encores, streaming live from the Met. A complimentary pre-opera lecture will be offered to all ticketholders in the Nancy Marine Studio Lobby for 45 minutes of pre-opera information and entertainment, 2 hours before broadcast. Full and Half Season Subscriptions are available.
When South African soprano Elza van den Heever made her debut at the Met, as Elizabeth I in Donizetti's MARIA STUARDA, it was something that was totally memorable in every way--not only for her intelligent and gorgeous bel canto singing but for the lurching gait that helped show her character as unbalanced. What does she have in mind for her role debut as Leonore, in Beethoven's FIDELIO, at the Caramoor Festival?
Puccini's final opera, Turandot, which is one of the most spectacular productions in the Met repertory, comes to THIRTEEN'S GREAT PERFORMANCES AT THE MET Sunday, June 12 at 12 p.m. on PBS.
In the third installment of the Washington National Opera's mammoth staging of Richard Wagner's The Ring of the Nibelung at the Kennedy Center, a new Brunnhilde awakens, Fafner's dragon turns out to be more of a monster truck, and the titular star of the work, Siegfried, turns out to be much more of a jerk than you'd ever want him to be.
Washington National Opera (WNO) concludes its landmark 60th anniversary season with its first complete presentation of Richard Wagner's four-part The Ring of the Nibelung, perhaps the most challenging production to mount in all of opera. Three cycles of Wagner's epic will be presented from tonight, April 30 to May 22, 2016 in the Kennedy Center Opera House. These performances will be the first time the company has presented The Ring in complete cycles in its history, and they are the only complete cycles to be presented in North America in 2016. Conceived and directed by WNO Artistic Director Francesca Zambello and with the WNO Orchestra led by WNO Music Director Philippe Auguin, the production brings together an internationally renowned cast, including British soprano Catherine Foster (Brünnhilde, Cycles I & II), Swedish soprano Nina Stemme (Brünnhilde, Cycle III), American tenor Daniel Brenna (Siegfried), American bass-baritone Alan Held (Wotan/The Wanderer), and many other of today's great Wagnerian singers.
Washington National Opera (WNO) presents its first complete presentation of Richard Wagner's four-part Ring cycle. Three full cycles will be presented from tonight, April 30, to May 22, 2016 and will be directed by Artistic Director Francesca Zambello and conducted by WNO Music Director Philippe Auguin.
Shortly after conquering the opera world with his scandalous masterpiece Salome, Richard Strauss turned to Hugo von Hofmannsthal's recent adaptation of Sophocles's Electra for his next project. The resulting opera is an intense and still-startling work that unites the commanding impact of Greek tragedy with the unsettling insights of early-20th-century Freudian psychology. The drama unfolds in a single act of rare vocal and orchestral power.
The Met's new production of Richard Strauss's ELEKTRA is something to behold, with Vincent Huguet recreating the original by the late Patrice Chereau from France's Aix-en-Provence Festival. Starring the glorious Nina Stemme in the title role--and backed by the stellar performances of Waltraud Meier as Klytamnestra, Adrianne Pieczonka as Chrysothemis and Eric Owens as Orest--this is a cast that would be hard to better. Add to it conductor Esa-Pekka Salonen's insightful, propulsive performance with the great Met orchestra. And, yet, there was…something missing: catharsis--no burst of rapture and the urge to jump up and applaud.
Legendary director Patrice Chéreau's final work, an acclaimed staging of Richard Strauss's tragedy Elektra, comes to the Met April 14 with Esa-Pekka Salonen leading a cast headed by Nina Stemme in her first Met performances of the bloodthirsty princess.
The French Institute Alliance Française (FIAF) and the Metropolitan Opera in association with the International Friends of the International Lyric Art Festival Aix-en-Provence will present the talk Discovering Chéreau'sElektra at the Metropolitan Opera, on Wednesday, April 6 at 7pm at FIAF's Florence Gould Hall.
Washington National Opera (WNO) concludes its landmark 60th anniversary season with its first complete presentation of Richard Wagner's four-part The Ring of the Nibelung, perhaps the most challenging production to mount in all of opera. Three cycles of Wagner's epic will be presented from April 30 to May 22, 2016 in the Kennedy Center Opera House. These performances will be the first time the company has presented The Ring in complete cycles in its history, and they are the only complete cycles to be presented in North America in 2016. Conceived and directed by WNO Artistic Director Francesca Zambello and with the WNO Orchestra led by WNO Music Director Philippe Auguin, the production brings together an internationally renowned cast, including British soprano Catherine Foster (Brünnhilde, Cycles I & II), Swedish soprano Nina Stemme (Brünnhilde, Cycle III), American tenor Daniel Brenna (Siegfried), American bass-baritone Alan Held (Wotan/The Wanderer), and many other of today's great Wagnerian singers.
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