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Mint Theater Announces Upcoming Lineup; MEET MISS BAKER and More

Mint announced "Meet Miss Baker," Mint's latest effort in its ongoing commitment to create new life for neglected women playwrights. From Pulitzer-Prize winning plays by Zona Gale and Susan Glaspell, to forgotten works by Rachel Crothers, Cicely Hamilton, Githa Sowerby, Hazel Ellis, Maurine Dallas Watkins, Lillian Hellman, Rose Franken and Dawn Powell, Mint has long been a champion of neglected plays by women. Up next is English playwright Elizabeth Baker, who will receive three productions, each getting their American premiere, over the next two years.

TheaterWorks Presents HAND TO GOD

TheaterWorks - Rob Ruggiero, Producing Artistic Director announced today that TheaterWorks will present HAND TO GOD by Robert Askins as the fifth and final show of the 2017-2018 Season. Directed by Tracy Brigden, the Broadway smash hit and Tony Award nominated play begins previews July 20 and runs through August 26, 2018.

BWW Review: HAND TO GOD at TheaterWorks

Grief can be a very strange thing and people react to traumatic events in very different ways. Some may become reserved and avoid contact with people. Some may turn to their faith for support during trying times. Others, like the young man in TheaterWorks' HAND TO GOD, channel anger, fear and confusion into a demonic and controlling puppet. Yes, you read that right. In Robert Askins' Tony Award nominated play, young Jason and his evil puppet alter ego, Tyrone, wreak havoc on a small Texas church and raunchy, rude, unhinged hilarity ensues.

HAND TO GOD Comes to TheaterWorks

Rob Ruggiero, Producing Artistic Director announced today that TheaterWorks will present HAND TO GOD by Robert Askins as the fifth and final show of the 2017-2018 Season. Directed by Tracy Brigden, the Broadway smash hit and Tony Award nominated play begins previews July 20 and runs through August 26, 2018.  

BWW Review: The Repertory Theatre of St. Louis's Brilliant THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

The Repertory Theatre of St. Louis opens their season with an amazing bit of brilliance called THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, adapted from the novel by Mark Haddon by playwright Simon Stephens. It's a story filled with marvelous touches that plunges you into a world filtered through the view of a fifteen year old boy who is dealing with what we might perceive as a kind of autism, with aspects of Asperger syndrome, among other personality traits. In fact, it's never truly specified as such. But the story itself is really a mystery, and one that, when solved, only produces further inquiry. It's a superbly acted, imaginatively staged tale, that will engage, stun, and delight you. It's a must-see experience on every level!

'THE CURIOUS INCIDENT' to Bring Supreme Stage Magic to The Rep This September

The Repertory Theatre of St. Louis kicks off its 51st season with The Curious Incident of the Night-Time, the 2015 Tony Award winner for Best Play. Featuring a script by Simon Stephens, based on the book by Mark Haddon and directed by Marcia Milgrom Dodge, the production runs September 6 to October 1.

'THE CURIOUS INCIDENT' to Bring Supreme Stage Magic to The Rep This September

The Repertory Theatre of St. Louis kicks off its 51st season with The Curious Incident of the Night-Time, the 2015 Tony Award winner for Best Play. Featuring a script by Simon Stephens, based on the book by Mark Haddon and directed by Marcia Milgrom Dodge, the production runs September 6 to October 1.

BWW Review: Thought- Provoking HOW I LEARNED TO DRIVE at Syracuse Stage

Paula Vogel's Pulitzer Prize-winning drama of How I Learned to Drive is currently playing at Syracuse Stage in co-production with the Cleveland Play House. Astutely directed by Cleveland Play House Artistic Director Laura Kepley, this edgy, intermission-less 90-minute production is captivating, deeply thought-provoking, and controversial, and showcases the tremendous talents of the cast.

Syracuse Stage presents Pulitzer-Prize Winning Drama HOW I LEARNED TO DRIVE

Come along for the ride as Syracuse Stage presents Paula Vogel's Pulitzer Prize-winning drama How I Learned to Drive.This deeply compassionate play looking into how one woman's courage to face a troubled time in her past leads her to take control of her own life opens April 7 in the Archbold Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St. There will be two preview performances on Wednesday, April 5, and Thursday, April 6.

Paula Vogel's HOW I LEARNED TO DRIVE Set for Cleveland Play House This March

Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.

Paula Vogel's HOW I LEARNED TO DRIVE Set for Cleveland Play House This March

Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.

City Theatre Announces Extension of Hit Comedy HAND TO GOD

With sold-out performances through the planned closing date of October 16, City Theatre is thrilled to announce an extension of the wildly popular Broadway comedy, Hand to God by Robert Askins.Directed by Artistic Director Tracy Brigden, Hand to God features a cast of five local and national performers and nine wayward puppets.

BWW Reviews: WAR HORSE is Spectacular

On the heels of Memorial Day, Broadway Across America - Houston is presenting the First US National Tour of the acclaimed play WAR HORSE. The visually spectacular production first premiered on London's Off-West End in the Olivier Theatre at the National Theatre. It transferred to the West End's New London Theatre, where it is still running. It enjoyed Broadway success at the Vivian Beaumont Theatre at New York City's Lincoln Center. It has since been produced in Canada, Australia, and Germany. After seeing this tour, it is no surprise that everywhere the play goes, it leaves tear-soaked audiences speechless and amazed.

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