Imagine stepping off Orange Avenue into the lobby of what feels like an old-time New York Hotel. Then, you take what looks and feels like an old-time elevator up to the ninth floor where you arrive at Macbeth studio. The inside has been transformed to what appears to be the inside of an apartment belonging to a teenager from the 1980s. 'Who Knows the Sun,' by Velvet Underground is playing, and around the room are Frank Zappa posters. You can still hear the sounds coming from Orange avenue, which only adds to the New York feel of the apartment.
I had the pleasure of attending the 7th Annual Clive Barnes Awards on January 9, 2017 at the Walter Reade Theater of Lincoln Center. Last year, I also attended this ceremony, which supports artists from both the theater and dance worlds through financial gifts and accolades in memory of the indefatigable Mr. Barnes. Interestingly enough, I believe that having the privilege to be there again allowed me to see how much this foundation impacts the nominees and the winners.
Directors Guild of America President Paris Barclay today announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2016.
The Clive Barnes Foundation announced today, Monday, January 9, 2017, that Khris Davis (The Royale) has won the Seventh Annual Clive Barnes Award for Theater and that Indiana Woodward (New York City Ballet) has won the Seventh Annual Clive Barnes Award for Dance.
CEK Productions presents the World Premiere of WHEN JAZZ HAD THE BLUES, book by Carole Eglash-Kosoff, musical direction and arrangements by Rahn Coleman, choreography by Cassie Crump and direction by John Henry Davis. WHEN JAZZ HAD THE BLUES begins previews Friday, November 11, 2016 and opens Friday, November 18 at 8pm. The production runs through Sunday, December 18 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood.
CEK Productions presents the World Premiere of LUSH LIFE, book by Carole Eglash-Kosoff, musical direction and arrangements by Rahn Coleman, choreography by Cassie Crump and direction by John Henry Davis. LUSH LIFE begins previews Today, November 11, 2016 and opens Today, November 18 at 8pm. The production runs through Sunday, December 18 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood.
CEK Productions presents the World Premiere of WHEN JAZZ HAD THE BLUES, book by Carole Eglash-Kosoff, musical direction and arrangements by Rahn Coleman, choreography by Cassie Crump and direction by John Henry Davis.
CEK Productions presents the World Premiere of LUSH LIFE, book by Carole Eglash-Kosoff, musical direction and arrangements by Rahn Coleman, choreography by Cassie Crump and direction by John Henry Davis. LUSH LIFE begins previews Today, November 11, 2016 and opens Today, November 18 at 8pm. The production runs through Sunday, December 18 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood.
CEK Productions presents the World Premiere of LUSH LIFE, book by Carole Eglash-Kosoff, musical direction and arrangements by Rahn Coleman, choreography by Cassie Crump and direction by John Henry Davis. LUSH LIFE begins previews Friday, November 11, 2016 and opens Friday, November 18 at 8pm. The production runs through Sunday, December 18 at the Matrix Theatre, 7657 Melrose Ave. in West Hollywood.
After a record-breaking twenty-eight years on Broadway (and nearly the same timespan on the road), THE PHANTOM OF THE OPERA is an international sensation that's been seen by virtually everyone. In fact, nearly 150 million people have sat in the audience for a performance and listened to the Andrew Lloyd Webber score in more than 15 languages! Up until the 2004 feature film, each of these performances followed the blueprint created by director Harold Prince and CATS choreographer Gillian Lynn, first staging it in London where it currently celebrates its 30th year of success. But, in 2012, producer Cameron Mackintosh recruited West End director Laurence Connor to helm a sparkling new production, later inspiring a new US tour that has just returned to Bass Hall in its second DFW-area appearance. And while 'Phans' of the original production might miss a few iconic elements, the new tour offers an exciting opportunity to experience the show through a new pair of opera glasses.
Seattle Attorney Christopher Davis realized that many of the injured victims calling his office had been involved in a collision with a semi-truck or other commercial vehicle. Most had waited months or even years after their accident to call in, believing that it was wise to prioritize recovering from their often catastrophic injuries before pursuing a legal case. But that delay meant that trucking companies had more time to prepare their case-and that victims who should entitled to compensation were at a serious disadvantage.
Seattle attorney Christopher M. Davis has spent more than 20 years working to help all sorts of accident victims better understand their legal rights through the Washington Accident Books, a series of free legal guides designed to educate people about personal injury law. Now, Mr. Davis is adding yet another book to the lineup that aims to demystify the personal injury legal process for motorcyclists.
Jennifer Hudson, who recently made her Broadway debut in the Tony-winning revival of THE COLOR PURPLE, has signed an exclusive contract with Epic Records. The news was announced by Epic Chairman and CEO L.A. Reid.
Prior to my attendance at Dallas Theater Center's DREAMGIRLS this weekend, my familiarity with the show was based on the 2006 motion picture and the 2001 Actors Fund concert recording (not to mention the Tony Awards clip featuring Jennifer Holliday). Basically knowing only the film, I had often considered how smoothly the stage show could handle the onstage to backstage transitions, given the fast-paced musical score it followed. And, although the DTC production offers a slick, seamless interpretation of the piece, I'm afraid I left the theatre with the impression that the (gasp) movie adaptation was superior to the stage version. That being said, there are still many reasons to head to the Wyly to see this production.
Critically acclaimed actor Bruce Davison joins the cast of f**k MY LIFE, Grey Ensemble Theatre's inaugural production at this year's Hollywood Fringe Festival in a pre-recorded cameo as 'The Interviewer'.
Critically acclaimed actor Bruce Davison joins the cast of f**k MY LIFE, Grey Ensemble Theatre's inaugural production at this year's Hollywood Fringe Festival in a pre-recorded cameo as 'The Interviewer'.
At the Salvatore Capezio Theater at Peridance, located near Union Square, on April 9, 2016 the New York Jazz Choreography Project (NYJCP) had a line-up of thirteen jazz dances. Some of those acts ranged from duets to large ensembles. Their co-artistic director, Marian Hyun, spoke to the audience briefly to describe the goals of this not-for-profit organization. One of these goals is to keep American jazz dance thriving. The dance style of jazz is very important to me because this is what fuels many of the steps in numerous Broadway shows. Jazz has also showcased many great artists over the decades-Bob Fosse, Luigi, Ann Reinking, Jerome Robbins, and hundreds more. For this review, I will be highlighting my five favorite pieces. Each piece of the evening was a joy, yet I want to discuss those dancers and acts that significantly stood out to me.
