USVAA Vets Repertory and Revenant Stage (formerly The Elephant Theatre) present the world premiere of A 60's Trilogy, written by playwright and screenwriter Tommy Carter (Hellz Kitchen Ablaze, Remake for BET).
After a critically-acclaimed run at Theater For The New City, Lady With a Lapdog, With Jokes and a Happy Ending will return to NYC for an encore run at The Russian Arts Theater and Studio.
Hunter College President Jennifer J.
LAMDA (London Academy of Music & Dramatic Art) presents its 2018 Summer Season featuring a diverse range of nine productions, playing across its three stages from 30 May.
Clever, moving, poetical, and long, watching The Last Days feels like enjoying the best part of a poetry recital and the worst part of a jail sentence.
Arlekin Players Theatre is happy to announce a re-run of the stage version of Mikhail Bulgakov's unfinished novel Dead Man's Diary: A Theatrical Novel, a memoir that focuses on the author's inexplicable and comical love of the world of theatre.
Das Fest is at its core a mind-reading experience.
The Old Globe will present a free, one-night-only event, Barry Edelstein In Conversation with Richard Nelson, Richard Pevear, and Larissa Volokhonsky, supported by the Fuson Family, on Wednesday, February 14 at 5:30 p.
After a sold-out run of Mikhail Bulgakov's The Master and Margarita, Or, The Devil Comes to Moscow, acclaimed director Aleksey Burago and The Russian Arts Theater and Studio returns with Lady With a Lapdog, With Jokes and a Happy Ending, a heart-warming, larger-than-life comedy celebrating the short
The Old Globe's 2017 2018 Season continues with today's announcement of the complete cast and creative team for Anton Chekhov's masterpiece Uncle Vanya, which has received a Globe-commissioned world premiere translation from Richard Nelson, Richard Pevear, andLarissa Volokhonsky.
The creative mind of Alex Goldberg Jero is currently working on the new CGI animation film MASTER AND MARGARITA .
The Russian Arts Theater and Studio (TRATS) continues its 2017 season with The Master and Margarita, Or, The Devil Comes to Moscow, a play based on Mikhail Bulgakov's cult masterpiece The Master and Margarita, adapted by Jean-Claude Van Itallie from a translation by Sergei Kobiakoff.
The Russian Arts Theater and Studio (TRATS) continues its 2017 season with The Master and Margarita, Or, The Devil Comes to Moscow, a play based on Mikhail Bulgakov's cult masterpiece The Master and Margarita, adapted by Jean-Claude Van Itallie from a translation by Sergei Kobiakoff.
The Russian Arts Theater and Studio (TRATS) continues its 2017 season with The Master and Margarita, Or, The Devil Comes to Moscow, a play based on Mikhail Bulgakov's cult masterpiece The Master and Margarita, adapted by Jean-Claude Van Itallie from a translation by Sergei Kobiakoff.
Theatre Communications Group (TCG) has announced the publication of the two-play volume Moliere, or The Cabal of Hypocrites and Don Quixote by audacious Russian political writer Mikhail Bulgakov.
New York Magazine editor-in-chief Adam Moss announced today that Sara Holdren is joining New York and its entertainment site Vulture as theater critic.
The Russian Arts Theater and Studio (TRATS) continues its 2017 season with The Master and Margarita, Or, The Devil Comes to Moscow, a play based on Mikhail Bulgakov's cult masterpiece The Master and Margarita, adapted by Jean-Claude Van Itallie from a translation by Sergei Kobiakoff.
Mikhail Bulgakov never finished "Theatrical Novel," his magnum opus about a playwrights backroom negotiations, but Golyak saw the unfinished work's potential and brought it to life on stage in a mysterious and thrilling new production.
Arlekin Players Theatre presents a stage version of Mikhail Bulgakov's unfinished novel Dead Man's Diary: A Theatrical Novel, a memoir that focuses on the author's inexplicable, mysterious, and comical love of the world of theatre.
The Old Globe today announced its 2017-2018 Season, which will kick off with the world premiere musical Benny & Joon, with book by Kirsten Guenther, music by Nolan Gasser, and lyrics by Mindi Dickstein.
