Deafinitely Theatre today announce the creation of the Hub - a new theatre training course for emerging deaf artists to gain structured, accessible, professional theatre training, with the aim of equipping participants for mainstream arts employment. The Hub will launch its inaugural year in September 2018.
With the original run and four-week extension completely sold out, Steep Theatre Company is adding three more performances of Simon Stephens' Birdland on June 10, 14, and 15. With the ensemble's next production (Penelope Skinner's Linda directed by Robin Witt) right around the corner, June 15 will be the last chance to catch this runaway hit at Steep.
David Horovitch is currently starring in Mike Bartlett's Not Talking. Originally broadcast on radio, the play is now being performed on stage for the first time at Arcola Theatre.
Nick Hern Books has today (2 May) announced Amateur Theatre Fest, an exciting new event for amateur theatre-makers to be held on Saturday 8 September 2018 at The Questors Theatre, Ealing, West London.
As Mike Bartlett's first play Not Talking receives its world stage premiere at Arcola Theatre, Defibrillator and Arcola Theatre, today announce a post-show Q&A session with the Olivier Award-winning playwright. Journalist, Mark Lawson will host a post-show talk with Bartlett on Monday 14 May - the play beings at 7.30pm with the talk following at 8.45pm.
Artistic Director of Defibrillator James Hillier directs David Horovitch (James), Gemma Lawrence (Amanda), Kika Markham (Lucy) and Lawrence Walker (Mark) in Not Talking. The production opens at the Arcola Theatre on 1 May, with previews from the 25 April, and runs until 2 June.
With the original run completely sold out, Steep Theatre Company is adding sixteen more performances of Simon Stephens' Birdland. Tickets for the extension will go on sale at 3:00pm on Monday, April 16, and they're expected to sell very quickly. Tickets will be available at steeptheatre.com/birdland.
Second Stage Theater (Carole Rothman, Artistic Director; Casey Reitz, Executive Director) has announced additional casting for the New York Premiere of TRACY LETTS' acclaimed play, MARY PAGE MARLOWE.
Defibrillator and Arcola Theatre, today announces cast for world stage premiere of Mike Bartlett's, Not Talking. Artistic Director of Defibrillator James Hillier directs David Horovitch (James), Gemma Lawrence (Amanda), Kika Markham (Lucy) and Lawrence Walker (Mark). The production opens at the Arcola Theatre on 1 May, with previews from the 25 April, and runs until 2 June.
When you can have whatever you want, whenever you want it, what do you ask for next? When you've pushed every boundary until there's nothing left to hold you in, how do you find your way back home? Birdland is a sexy, searing exploration of empathy and the impact of unchecked privilege by Olivier and Tony Award winner Simon Stephens.
Athol Fugard's THE ROAD TO MECCA is back on stage in South Africa in a major production mounted by The Fugard Theatre. At the helm of this new staging of the classic play is Greg Karvellas, who shared his thoughts on directing this well-loved South African play in this week's edition of 'Five on Friday' for BroadwayWorld South Africa.
Burning Coal Theatre Company will present Mike Bartlett's future history play King Charles III directed by Karen O'Brien. The play will run April 12 - April 29, 2018 (April 12 - 14, 19 - 21, 26 - 28 at 7:30 PM, and April 15, 22, and 29 at 2:00 PM) at Burning Coal's Murphey School Auditorium, 224 Polk Street, Raleigh, NC 27604.
Zoetic Stage (@ZoeticStageMIA) and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@ArshtCenter) are proud to present the South Florida premiere of FUN HOME, the five-time Tony Award-winning musical and tragicomedy based on Alison Bechdel's best-selling memoir. Playing April 12 - May 13, 2018 in the intimate Carnival Studio Theater (Ziff Ballet Opera House), FUN HOME closes Zoetic Stage's 2017-2018 season and the Center's Theater Up Close Series.
When you can have whatever you want, whenever you want it, what do you ask for next? When you've pushed every boundary until there's nothing left to hold you in, how do you find your way back home? Birdland is a sexy, searing exploration of empathy and the impact of unchecked privilege by Olivier and Tony Award winner Simon Stephens.
Defibrillator and Arcola Theatre, today announces cast for world stage premiere of Mike Bartlett's, Not Talking. Artistic Director of Defibrillator James Hillier directs David Horovitch (James), Gemma Lawrence (Amanda), Kika Markham (Lucy) and Lawrence Walker (Mark). The production opens at the Arcola Theatre on 1 May, with previews from the 25 April, and runs until 2 June.
Nuffield Southampton Theatres, Theatr Clwyd and English Touring Theatre today announce casting for their co-production of Tennessee Williams' masterpiece A Streetcar Named Desire. 2017 RTST Sir Peter Hall Director Award winner Chelsea Walker directs Nicole Agada (Woman/Nurse), Will Bliss (Steve), Dexter Flanders (Mitch), Kelly Gough (Blanche), Amber James (Stella), Patrick Knowles (Stanley), Marai Louis (Eunice) and Joe Manjon (Pablo/Doctor/Paperboy). The second production in the inaugural season at NST City, A Streetcar Named Desire opens at Nuffield Southampton Theatres on 28 March with previews from 23 March, running until 31 March. The production will tour the UK with English Touring Theatre ahead of opening at Theatr Clwyd, where it plays from 15 March until 2 June, before returning to NST City.
Adrian Lester stars opposite John Simm in new psychological thriller Trauma, as - respectively - a top surgeon and the father of a boy who dies after an unsuccessful operation, and who holds the surgeon responsible. Following a hit run on ITV, Trauma premieres in the US on BritBox tomorrow.
The Orchard Project (Artistic Director, Ari Edelson) announced the eleven writers, composers, directors and companies for its 2018 New York City Greenhouse. In its first year, the Orchard Project NYC Greenhouse is a new NYC-based accelerator for directors, writers, composers and other generative artists to seed ambitious and unexpected work, form new relationships and develop a new generation of theater. For the Orchard Project, it aims to parlay the strength of support that has set the organization apart and transform it into a resource for its growing network of artists.