Birth Place: New York
This June, July and August, 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street.
hotINK at the Lark is proud to present three play readings, written by playwrights who hail from outside of the United States: DEBACLES by Marion Aubert (France), translated by Kimberly Jannarone and Erik Butler; ALPENVORLAND by Thomas Arzt (Austria), translated by Neil Blackadder; LOS ASESINOS by David Olguin (Mexico), translated by Daniel Jaquez.
Hilda Morales was born in N.Y. City, and grew up in Puerto Rico. Her early training was with Ana Garcia of the Ballet San Juan. At 14 years of age, Ms. Morales received a Ford Foundation Scholarship to study at George Balanchine's School of American Ballet. She danced as a principal dancer with the Pennsylvania Ballet, soloist with American Ballet Theatre, artist-in-residence with the Colorado Ballet and guest appearances with Les Grands Ballets Canadiens, Albuquerque Ballet and Jacksonville Ballet. During her dancing career, Ms. Morales performed in full-length classic ballets as well as works by George Balanchine, Jerome Robbins, Agnes de Mille, Antony Tudor, John Butler, Alvin Ailey, and Jose Limon. Ms. Morales was featured in the movie The Turning Point, in the role of Sandra, directed by Herbert Ross. She guest teaches and is on the faculty of the Central Pennsylvania summer programs, and joined The Hartt School faculty in 1998.
Music, Lyrics, and Book duo Michael Roberts and Charlie Schulman reunite once again after their recent production of The Fartiste, which had a successful run Off-Broadway in 2011-12 and West End Concert following its 2006 FringeNYC Outstanding Musical Award. Their newest venture, The Goldstein Variations, after concert presentations at the JCC in Manhattan, American University, and Abingdon Theater, will be seen by supporters at The Playroom Theater in a limited, developmental presentation from May 12th through 15th, open to the general public. The Goldstein Variations will be directed by Daniel Kutner.
Greed: A Musical for Our Times, written by Michael Roberts and directed by Christopher Scott with music direction & arrangements by Steven Gross, will end its Off-Broadway, open-ended premiere engagement at New World Stages/Stage 2 (340 West 50th Street) on Saturday April 19th. Greed: A Musical for Our Times is presented Off-Broadway by Eric Krebs.
hotINK at the Lark is proud to present three play readings, written by playwrights who hail from outside of the United States: DEBACLES by Marion Aubert (France), translated by Kimberly Jannarone and Erik Butler; ALPENVORLAND by Thomas Arzt (Austria), translated by Neil Blackadder; LOS ASESINOS by David Olguin (Mexico), translated by Daniel Jaquez.
Greed: A Musical for Our Times, written by Michael Roberts and directed by Christopher Scott with music direction & arrangements by Steven Gross, will begin its Off-Broadway, open-ended premiere engagement at New World Stages/Stage 2 (340 West 50th Street). Opening Night is set for April 3rd. Greed: A Musical for Our Times is presented Off-Broadway by Eric Krebs.
Silk Road Rising, Golden Thread Productions, and Lark Play Development Center are proud to announce that Mona Mansour, author of Urge for Going, The Hour of Feeling and The Way West, has been chosen to receive the 2014 Middle East America Distinguished Playwright Award. Honorable mentions went to playwrights Bianca Bagatourian, Ismail Khalidi, Daria Polatin, Mishael Shulman and Zohar Tirosh-Polk.
GREED: A Musical for Our Times will run off-Broadway at New World Stages, beginning previews tonight, March 19, 2014.
GREED: A Musical for Our Times will run off-Broadway at New World Stages, beginning previews on March 19, 2014.
On the evening of March 10, 2014, Lark Play Development Center held a benefit entitled 'A Transformative Moment, A Celebration with Songs and Scenes Honoring Edward Albee'. The benefit celebrated Lark's 20th anniversary, Edward Albee's inspiring work and the power of playwriting. Scroll down for photos!
Greed: A Musical for Our Times, written by Michael Roberts and directed by Christopher Scott with music direction & arrangements by Steven Gross, will begin its Off-Broadway, open-ended premiere engagement on March 19th at New World Stages/Stage 2 (340 West 50th Street). Opening Night is set for April 3rd. Greed: A Musical for Our Times is presented Off-Broadway by Eric Krebs.
The Eugene O'Neill Theater Center will co-host the first North American gathering of The Fence at its Waterford campus from January 20-22. The Fence is an international network for 'working playwrights and people who make playwriting happen,' and is interested promoting greater international collaboration between theater artists. In its tenth year, the network comprises over 200 members from 40 countries.
GREED: A Musical for Our Times will have its debut production by The Tank, Ltd from tonight, January 17 through February 5, 2014.
What do Jamie Dimon, Pope Francis, Lance Armstrong, Chico Marx, and A-Rod all have in common? They will be sharing the stage, nightly, starting January 18th on West 46th Street.
GREED: A Musical for Our Times will have its debut production by The Tank, Ltd from January 17 through February 5, 2014. With book, music, and lyrics by Michael Roberts, GREED's exploits range from the outrageous Ponzi scheme of 1910 to the subtle sales pitches of retirement planners and mortgage bundlers. With songs like "A Little Juice," "Inside Information," and "The Ballad of Jamie Dimon," GREED takes aim at the obvious, and not so obvious, targets.
The Lark Play Development Center in collaboration with Mexico's National Fund for Culture and Arts (FONCA) is pleased to announce the 2013 Mexico/ U.S. Playwright Exchange Program. For the eighth year the Lark will host playwrights from Mexico and pair them with bilingual U.S. playwrights, actors, and directors for a ten day cultural exploration that establishes ongoing channels of communication between artists in both countries.
London director, Ian Marshall Fisher has rediscovered the long lost play written by the unique collaboration of Orson Welles and Cole Porter, AROUND THE WORLD. This historical Welles and Porter partnership (Citizen Kane & Touch Of Evil meets Kiss Me, Kate & Anything Goes) is based on their take on Jules Verne's Around The World in 80 Days. AROUND THE WORLD will play a series of 'Benefit/Fundraising' performances in London's Lilian Baylis Theatre, Sadler's Wells, and will be unveiled to Americans for the first time in over seventy years at New York's Mint Theatre.
The unknown play written by Orson Welles and Cole Porter Around The World, based on Jules Verne's Around The World in 80 Days, is to play a series of benefit performances in London's Sadler's Wells and New York City's Mint Theater. The performances are fundraising events for The Lost Musicals Charitable Trust (UK). This production marks the first time it will be seen in NYC since the original production in 1946. Some 70 years after the original Broadway production, a new generation of New Yorkers will get the rare opportunity of seeing Around The World.
The Lark Play Development Center in collaboration with Mexico's National Fund for Culture and Arts (FONCA) is pleased to announce the 2013 Mexico/ U.S. Playwright Exchange Program. For the eighth year the Lark will host playwrights from Mexico and pair them with bilingual U.S. playwrights, actors, and directors for a ten day cultural exploration that establishes ongoing channels of communication between artists in both countries.
