One of Broadway's busiest and most respected set designers, Tony Award winner John Lee Beatty, swings by Shetler Studios to sit down with Rob and Kevin and review his portfolio which includes over 100 Broadway credits including the set designs for Ain't Misbehavin, Talley's Folly, Baby, The Most Happy Fella, Chicago, Once Upon a Mattress, Wonderful Town, and so many shows over at Encores!
Registration is now open for Broadway Dance: Fosse Adult Master Class at Playhouse on Park. All performers (ages 16 and up!) who have a vested interest in the performing arts are encouraged to attend these classes to learn from the 'pros'. Stephanie Pope, who stars as Camilla in Playhouse on Park's current production of In The Heights, and seasoned Broadway Actor, will instruct this class onMonday, July 9 from 6:30pm to 8:30pm.
THE GREEN ROOM 42 - Broadway's newest intimate concert venue - will present the music and lyrics of JAIME CEPERO on Sunday, May 20 at 9:30 PM for the latest of the venue's "New Writers" series.
De Funes Dance is thrilled to share its newest full-length program, INTERIOR DIALOGUES. This trio of works includes two world premieres, 'Fragments,' and 'V.,' and an encore presentation of 'Crisalida'. The writings of Friedrich Nietzsche in 'Fragments,' and Virginia Woolf in 'V,' and the music of Argentinian composer Astor Piazzolla in 'Crisalida,' combine with the literature of our own personal histories to reveal the interior language of our minds. INTERIOR DIALOGUES is conceived and choreographed by Diego Funes in collaboration with the dancers.
De Funes Dance is thrilled to share its newest full-length program, INTERIOR DIALOGUES. This trio of works includes two world premieres, 'Fragments,' and 'V.,' and an encore presentation of 'Crisalida'. The writings of Friedrich Nietzsche in 'Fragments,' and Virginia Woolf in 'V,' and the music of Argentinian composer Astor Piazzolla in 'Crisalida,' combine with the literature of our own personal histories to reveal the interior language of our minds. INTERIOR DIALOGUES is conceived and choreographed by Diego Funes in collaboration with the dancers.
Marilyn D'Honau is not only the youngest surviving cast member of the original production of West Side Story, she was also the youngest when the show opened in 1957. D'Honau was a sixteen- year-old high school senior when she was cast as Clarice, one of the Jet girls. Though she'd been performing professionally since she was twelve, she credits having good ballet training for her successful audition.
Marilyn D'Honau is not only the youngest surviving cast member of the original production of West Side Story, she was also the youngest when the show opened in 1957. D'Honau was a sixteen- year-old high school senior when she was cast as Clarice, one of the Jet girls. Though she'd been performing professionally since she was twelve, she credits having good ballet training for her successful audition.
Delicious dancing, gorgeous design, and great Gershwin songs are a joy but can't mask the musical theatre shortcomings of another film-to-stage transfer in AN AMERICAN IN PARIS.
Come be part of musical theatre history with the world premiere of An Extra Penny at the Seby B. Jones Performing Arts Center (JPAC) on July 26- August 6.
Come be part of musical theatre history with the world premiere of An Extra Penny at the Seby B. Jones Performing Arts Center (JPAC) on July 26- August 6.
Gene Kelly & Stanley Donen's IT'S ALWAYS FAIR WEATHER (1955), starring Kelly, with music by Andre Previn and screenplay and lyrics by Betty Comden and Adolph Green, will have a special screening at 8:15 pm at Film Forum on May 3, the 100th anniversary of Betty Comden's birth. The screening will be introduced by Green's daughter, actress, singer, and Tony-nominated lyricist/songwriter Amanda Green.
This week, we go around our Broadway World to feature stories in Chicago, Madison, Sydney and more. Check out our top 10 stories around our Broadway World below, which include HOW TO SUCCEED in Chicago, ENDGAME in Madison, and MY FAIR LADY directed by Julie Andrews in Sydney, just to name a few.
I already knew Disney's NEWSIES had developed cult status before I saw the show. Its legions of loyal 'Fansies' have championed it from the very beginning. But even I wasn't prepared for the audience's screams of appreciation for the hard-working boys - and one girl - who form the heart of the current national tour playing at the Hollywood Pantages through September 4th.
Squeals of delight and blood-curdling screams of fright will fill the Allen Theatre as Cleveland Play House's (CPH) Centennial Season continues with a humorous and heartfelt production of Little Shop of Horrors. Hearkening back to its very first productions in 1915 that featured sophisticated marionettes, CPH is bringing the cheeky and blood-thirsty plant Audrey II to life in a production that will be every vocal coach's dream - and every hemophobic's worst nightmare!
Squeals of delight and blood-curdling screams of fright will fill the Allen Theatre as Cleveland Play House's (CPH) Centennial Season continues with a humorous and heartfelt production of Little Shop of Horrors. Hearkening back to its very first productions in 1915 that featured sophisticated marionettes, CPH is bringing the cheeky and blood-thirsty plant Audrey II to life in a production that will be every vocal coach's dream - and every hemophobic's worst nightmare!
Luck has nothing to do with it. Mary Zimmerman's GUYS AND DOLLS is a well thought out, surprisingly fresh reinvention of one of the best golden age musicals ever written. The charming production just concluded a 9-month run at Oregon Shakespeare Festival and can now be seen on stage at the Wallis Annenberg Center for the Performing Arts through December 20. It is the second musical to make such a transition following last December's enchanting Into the Woods, also directed by Zimmerman. Let us hope the tradition will continue.
A lover of big, splashy musicals, Walski pared down an enormous playlist, added lava lamps and an enormous magic mushroom and put it all on an Off-Broadway stage.
American Dance Machine for the 21st Century (ADM21), for those who love the dance in Broadway musicals, will return to New York City's Joyce Theater (175 Eighth Avenue) after their sold out run last year, it was announced today by founder and producing artistic director Nikki Feirt Atkins. Performances begin Monday, December 21st and run through Sunday, January 3rd. Tickets start at $10.
Nick Winston began his career as a performer, appearing in the West End productions of Chicago, Fosse, Kiss Me Kate and Disney's Beauty & The Beast. His extensive choreographic work has been seen across Europe, America and Asia. Credits include, Annie (National Tour), Flash Mob (Sadler's Wells), White Christmas (West Yorkshire Playhouse), Calamity Jane (National Tour), Sweeney Todd (The Royal Exchange), Sondheim at 80 (Royal Albert Hall), Loserville (West End), The Wizard of Oz (Royal Festival Hall), The Adventures of Pinocchio (Opera North), Il Turco in Italia (Garsington Opera) & Fortunio (Grange Park Opera).