PTP/NYC (Potomac Theatre Project), in association with Middlebury College, proudly presents its 30th repertory season, its 10th consecutive in New York City, running now through August 7, 2016 in a limited 5-week Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues. This season's line-up includes a revival of C.P. Taylor's GOOD, directed by PTP's Co-Artistic Director Jim Petosa. BroadwayWorld has new shots from GOOD below!
This season's line-up includes a revival of Howard Barker's No End of Blame: Scenes of Overcoming, directed by PTP's Co-Artistic Director Richard Romagnoli (a NYIT Award nominee), and a revival of C.P. Taylor's Good, directed by PTP's Co-Artistic Director Jim Petosa. Previews begin on July 5 and openings begin on July 12. BroadwayWorld has a first look at the shows below!
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, presents its 30th repertory season, its 10th consecutive in New York City, running from July 5 - August 7, 2016 in a limited 5-week Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, presents its 30th repertory season, its 10th consecutive in New York City, running from July 5 - August 7, 2016 in a limited 5-week Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.
Featuring seven productions, New Rep's 2016-2017 season includes Regular Singing, the fourth and final play in Richard Nelson's Apple Family series, presented in collaboration with Stoneham Theatre; Good, CP Taylor's historical, political drama; Fiddler on the Roof, a revival of the Tony award- winning musical, featuring Jeremiah Kissel as Tevye and directed by original Broadway cast member Austin Pendleton; Thurgood, a one-man play featuring Johnny Lee Davenport as Supreme Court Justice Thurgood Marshall; Brecht on Brecht, a play with music based on the collective works of Bertolt Brecht; Golda's Balcony, a one-woman play featuring Bobbie Steinbach as Israeli Prime Minister Golda Meir; and The Gift Horse, a sharp comedy by nationally-acclaimed local playwright Lydia R. Diamond in a Boston-area premiere.
The Independent Reviewers of New England (IRNE) today announced the nominees for the 20th Annual IRNE Awards, which honors the best of the previous year's actors, directors, choreographers, designers and companies across the full spectrum of large, mid-size and fringe theater companies.
New Repertory Theatre joins the nationwide celebration of the late playwright Arthur Miller's 100th birthday with the Boston area premiere of BROKEN GLASS, one of his last plays. In keeping with New Rep's season theme of "Identity," Miller's Olivier Award-winning and Tony-nominated drama is a multi-faceted exploration of what it means to be Jewish, set against the backdrop of the ascent of the Nazi Party in Germany in the days following Kristallnacht in November, 1938. A stellar cast under the thoughtful direction of Artistic Director Jim Petosa inhabits Miller's characters, intuiting their emotional journeys with remarkable authenticity.
From tonight, May 8 to June 6, 2015, SpeakEasy Stage Company will present the New England Premiere of MOTHERS & SONS, a timely and touching new play about love, loss, and family, written by Terrence McNally.
From May 8 to June 6, 2015, SpeakEasy Stage Company will present the New England Premiere of MOTHERS & SONS, a timely and touching new play about love, loss, and family, written by Terrence McNally.
The Boston Center for American Performance and Boston Playwrights' Theatre co-production of Michael Hammond's comedy UNCLE JACK is a modern-day retelling of Chekhov's UNCLE VANYA relocated to a small summer theater in the Berkshire hills.
The Boston Center for American Performance (BCAP) and Boston Playwrights' Theatre (BPT) co-production of Michael Hammond's comedy Uncle Jack opens next week. Running from tonight, February 12 to March 1 at the Boston University Theatre's Lane-Comley Studio 210, the newest play from Boston University's New Play Initiative is directed by the playwright.
The Boston Center for American Performance (BCAP) and Boston Playwrights' Theatre (BPT) co-production of Michael Hammond's comedy Uncle Jack opens next week. Running from February 12 to March 1 at the Boston University Theatre's Lane-Comley Studio 210, the newest play from Boston University's New Play Initiative is directed by the playwright.
New Repertory Theatre announces its 30th season opening play THE ELEPHANT MAN by Bernard Pomerance, tonight, September 7 through 29, 2013. Directed by Jim Petosa, THE ELEPHANT MAN performs in the Charles Mosesian Theater at the Arsenal Center for the Arts, 321 Arsenal Street, in Watertown, MA.
New Repertory Theatre announces its 30th season opening play THE ELEPHANT MAN by Bernard Pomerance, September 7 through 29, 2013. Directed by Jim Petosa, THE ELEPHANT MAN performs in the Charles Mosesian Theater at the Arsenal Center for the Arts, 321 Arsenal Street, in Watertown, MA.
Virtuosic performances, perfectly orchestrated direction and exquisite period detail render the decadence and divinity beautifully in Peter Shaffer's Tony Award-winning 'Amadeus' at New Repertory Theatre in Watertown, Mass.
Boston audiences have one last chance to see both the Huntington Theatre Company's knockout production of Lorraine Hansberry's landmark 1959 drama 'A Raisin in the Sun' and its modern-day follow-up, 'Clybourne Park,' running coincidentally in tandem at SpeakEasy Stage in the Boston Center for the Arts.
Due to unprecedented demand, SpeakEasy Stage Company is adding one additional week of performances to its acclaimed production of the 2012 Tony Award-winning play CLYBOURNE PARK. The show will now play thru - and must close on - Saturday, April 6. Tickets for these new dates go on sale this Friday, March 22 at 9am for web sales, and at noon for phone and walk-up purchases.
The sight and smell of smoke, the surrounding walls draped in sheets of white fabric, and a brew of eerie sounds and lights combine to set the mood for Boston Center for American Performance's MONSTER, a rendering of the oft-told FRANKENSTEIN tale that is not likely to be confused with earlier film or theatrical versions. Obie Award-winning playwright Neal Bell's edition will not evoke images of Boris Karloff or Mel Brooks, but it elevates the underlying themes of one man's attempt to play God and discover a way to defeat death to an inescapable level of consciousness.
Olney Theatre Center's Artistic Director Jim Petosa directs violist-turned-playwright Michael Hollinger's Opus, winner of the Barrymore Award for Outstanding New Play in 2006.
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