?Are you frustrated? Repressed? Horny? Or do you just regard sexuality as a glorious window into humanity? For those of you for whom these questions haunt you daily, The Brick is pleased to announce the first ever F*ckfest, taking place during June 2015 in Brooklyn, New York! F*ckfest, quite simply, is a festival about sex. A sextival, if you will.
une 23-29, Opera on Tap presents an immersive evening of sex education, opera-style, as part of The Brick's first ever F*ckfest (a 'sextival' featuring new works with unique, playful, and subversive approaches to sexuality).
Why is it so hard to just ask for what we want? Playwright Kati Frazier and director Corinne Woods propose a few answers, and introduce more questions on the subject in the new play a sex thing (or, a bunch of liberals getting uptight about the sociopolitical implications of their desires), presented in June as a part of The Brick's F*ckfest.
Filled with authentic sea chanties and idealized sailor dances of old Hollywood, Tugboat Collective's interpretation of S.A. Harkham's iconic and nearly wordless graphic novel comes to the stage for the first time.
Filled with authentic sea chanties and idealized sailor dances of old Hollywood, Tugboat Collective's interpretation of S.A. Harkham's iconic and nearly wordless graphic novel comes to the stage for the first time.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
?Are you frustrated? Repressed? Horny? Or do you just regard sexuality as a glorious window into humanity? For those of you for whom these questions haunt you daily, The Brick is pleased to announce the first ever F*ckfest, taking place during June 2015 in Brooklyn, New York! F*ckfest, quite simply, is a festival about sex. A sextival, if you will.
The Growing Stage, The Children's Theatre of New Jersey, located in the Historic Palace Theatre on Route 183 in Netcong, New Jersey completes its 2014 - 2015 Main Stage season with A YEAR WITH FROG AND TOAD. The show runs tonight, April 17th through May 10th with performances Saturday and Sunday matinees at 4:00 PM and a special Opening Night performance at 7:30PM.
The Growing Stage, The Children's Theatre of New Jersey, located in the Historic Palace Theatre on Route 183 in Netcong, New Jersey completes its 2014 - 2015 Main Stage season with A YEAR WITH FROG AND TOAD. The show runs April 17th through May 10th with performances Saturday and Sunday matinees at 4:00 PM and a special Opening Night performance at 7:30PM.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
When two drifters arrive at Sistine's door, she offers them mismatched coffee cups and something called breakfast. Outside the dogs are barking. Probably dogs. The drifters are now lodgers. They meet the family. There's a house and people live in it. Vegetables in the garden. Board games. History. Stories. Rituals. Songs. Do we sing songs? We've lived this way for centuries. Or decades. Anyway, a long time. We know how to survive.
When two drifters arrive at Sistine's door, she offers them mismatched coffee cups and something called breakfast. Outside the dogs are barking. Probably dogs. The drifters are now lodgers. They meet the family. There's a house and people live in it. Vegetables in the garden. Board games. History. Stories. Rituals. Songs. Do we sing songs? We've lived this way for centuries. Or decades. Anyway, a long time. We know how to survive.
When two drifters arrive at Sistine's door, she offers them mismatched coffee cups and something called breakfast. Outside the dogs are barking. Probably dogs. The drifters are now lodgers. They meet the family. There's a house and people live in it. Vegetables in the garden. Board games. History. Stories. Rituals. Songs. Do we sing songs? We've lived this way for centuries. Or decades. Anyway, a long time. We know how to survive.
When two drifters arrive at Sistine's door, she offers them mismatched coffee cups and something called breakfast. Outside the dogs are barking. Probably dogs. The drifters are now lodgers. They meet the family. There's a house and people live in it. Vegetables in the garden. Board games. History. Stories. Rituals. Songs. Do we sing songs? We've lived this way for centuries. Or decades. Anyway, a long time. We know how to survive.
Ensemble theater company The Syndicate draws on classical training and nightly dance parties in Civility!, a story of dangerous, sexy, wild collisions inspired by Euripides's The Bacchae. The play follows a chorus of women caught between order and chaos.
The Blood Brothers Present... BEDLAM NIGHTMARES: EXECUTION DAY, an anthology of horror plays, today, October 22 through November 1, 2014. Written by Nat Cassidy, Mariah MacCarthy and Mac Rogers, Bedlam Nightmares is directed by Pete Boisvert, Stephanie Cox-Williams and Patrick Shearer.
The Blood Brothers Present... BEDLAM NIGHTMARES: EXECUTION DAY, an anthology of horror plays, October 22 through November 1, 2014. Written by Nat Cassidy, Mariah MacCarthy and Mac Rogers, Bedlam Nightmares is directed by Pete Boisvert, Stephanie Cox-Williams and Patrick Shearer