Maryann Lopinto News

The Manhattan Association of Cabarets & Clubs presents the 30th Annual MAC Awards tonight, March 29, 2016, at 7:30pm, at BB King Blues Club & Grill on 42nd Street in New York City.

The 'Tomatoes Got Talent' show took place on Sunday, March 13, at the Triad on West72nd Street.  Randie Levine-Miller, emceed and co-produced the talent show competition featuring women over 40, with Cheryl Benton of The Three Tomatoes.  

In her new show, Café Society at Feinstein's/54 Below, Christine Andreas doesn't so much sing “Puttin' On the Ritz” (Irving Berlin) as personify it, channeling the attitude and era in which it was conceived. With just a tad of hip action, tipping shoulders, and an elongated ssss, the artist shares a really good time. “So, where are we going after the show . . . to Harlem's Savoy or The Copa? (The Copacabana) . . . ” This evening is about the late 1920s to the early '60s “an ongoing party of glamour and excess . . . when everybody was listening to the same music.”

In a follow-up to their 2013 presentation Sin Twisters, on Wednesday night at Feinstein's/54 Below, show biz veterans Anita Gillette and Penny Fuller offered stories from the Broadway trenches, songs from their musical history, and affectionate one-upmanship, again deftly directed by Barry Kleinbort.

The Manhattan Association of Cabarets & Clubs has just announced the 2016 MAC Award nominees and complete list of honorees for the 30th Annual MAC Awards.

The brainchild of Metropolitan Room managing partner Bernie Furshpan, his General Manager Joseph Macchia, and Cabaret Scenes Magazine Publisher Peter Leavy, New York's first International Cabaret Festival (February 17-21) debuted Wednesday night at the Met Room with performances and inductions into the newly established Cabaret Hall of Fame (an actual location for Hall and its memorabilia to be determined at a later date). Clubs hosting this year's festival include The Metropolitan Room, Don't Tell Mama, The Duplex, Feinstein's/54 Below, Iridium, Joe's Pub, and Stage 72 (formerly The Triad).

The Manhattan Association of Cabarets & Clubs has announced the 30th Annual MAC Awards.  The awards presentation and show will take place on Tuesday, March 29, 2016 at 7:30pm, at BB King Blues Club & Grill on 42nd Street in New York City.

Thursday night at Feinstein's/54 Below, Scott Siegel--the busiest cabaret show producer in town--hosted a tribute to Cole Porter's classic musical, Kiss Me Kate, as part of the 2015 BroadwayWorld Award-nominated 54 Below Sings . . . series. With Siegel at the lectern filling in plot, Musical Director Ross Patterson on piano, and contributions by The Broadway By the Year Chorus, the evening was vivacious and fun.

Last year during their annual Winter Rhythms Festival, Urban Stages presented a Jim Henson tribute show called The Lovers, The Dreamers, and Jim, and decided to bring it back again this season (presented last night) by "popular demand." Conceived, hosted, and authored by besotted fan, actor/singer Adam B. Shapiro, the well written, if top heavy script, takes us from the origins of Sesame Street, The Muppets, and Fraggle Rock through Henson's fantasy film work. Movie clips and stills refresh sentimental memories as a cavalcade of exceptional songs are performed.

Described as “An Afternoon of Famous Duets,” Saturday's Urban Stages Winter Rhythms presentation (Day Four of the 11-day, 20-show festival) was unexpectedly sweeping in its approach, covering duos that sang pop, folk, jazz, Great American Songbook, and musical theater tunes. With veteran cabaret singer Sue Matsuki serving as producer and host, and Musical Director Gregory Toroian on piano, the show encompassed both the predictable and the surprising and was a genuine pleasure.

These are timeless: Manners, elegance, wit, sincerity, lively intelligence; the ability to make it feel as if a vocalist inhabits a lyric, and as if she/he sees and is singing to you. Andrea Marcovicci, who brightened the heyday of stylish cabaret, remains undiminished in these qualities. Those who shone when the city was filled with sophisticated boites/clubs, and all fine hotels had cabaret rooms, tend to make the rest of the world look shabbier today.

Urban Stages (Frances Hill, Founding Artistic Director, Peter Napolitano, Producer/Director of Musical Programming) today announced the line-up for this year's Award-Winning Musical event WINTER RHYTHMS 2015, which will begin Wednesday, December 2 and will feature some of New York's best musical performances through December 13, 2015 at Urban Stages Theatre. WINTER RHYTHMS 2015 marks the seventh year that Urban Stages has brought noted musical artists to its stage during the holiday period. The mission of Winter Rhythms is to bring the talents of known and unknown singers, musicians, lyricists and composers to the attention of the New York theater community while performing at Urban Stages Theater. Winner of the 2015 Ruth Kurtzman Benefit Series MAC Award, WINTER RHYTHMS benefits Urban Stages' acclaimed Outreach Program, which brings more than 200 free "arts in education" presentations to libraries and schools throughout the five boroughs. This year's event features 20 shows and more than 100 artists.

On the second night of this year's 26th Annual Cabaret Convention, Jeff Harnar and Andrea Marcovicci hosted A Sentimental Journey: World War II Songs, inspired by Marcovicci's memorable Oak Room at The Algonquin show, I'll Be Seeing You--Love Songs of World War II. (The CD is highly recommended.) As always with this pair's Convention contribution, the show was a treat in part because of its singular glamour. Much of our audience was exceptionally familiar with and nostalgic about these songs. A few had to be politely quieted for singing along, more than a few took each other's hands. It seems I've heard that song before . . . the co-hosts begin, warming the room.

Ninety percent of the way into her ebullient show last night at Birdland, So, As I Was Saying, Anita Gillette quotes a 1977 review of her performance in Neil Simon's Chapter Two that stated the warmth she exudes could melt glaciers. (The artist wasn't bragging, but was referring to her then difficulty in finding any glaciers, i.e., men to melt.) The description applies today. A packed audience comprised both of devoted civilian fans and theatrical luminaries cheered on the latest iteration of Gillette's dramatized life. Once again directed by Barry Kleinbort with musically directed by Paul Greenwood (who also appealingly sings duets), with Ritt Henn on bass and John Redsecker on drums, the show is as sincere and bubbly as the lady herself.

Sunday night, Mark Walter topped off a year of Herculean accomplishment in preserving his father's legacy with a concert at the Cutting Room that went off like fireworks. Somewhere, composer /lyricist/arranger/pianist Cy Walter (right in Lloyd Diaz photo), was beaming. In 2015, Mark completed his father's discography filed with The Library of Congress, created a spanking new website, established The Cy Walter Foundation, and put out a two CD package of pre-1950's music with Harbinger Records. The Sunday concert, with expert Musical Direction by the inimitable Tedd Firth, was an opportunity not only to salute a multifaceted talent, but also for many, including Mark (photo below left), to hear songs that haven't been performed for 60 or 70 years.

On Saturday, September 12, 2015, William V. Madison, author of Madeline Kahn: Being the Music, A Life (University Press of Mississippi, 2015), hosted a musical tribute to the late singing actress as part of Metropolitan Room's GONE TOO SOON series, produced by Joseph Macchia. Directed by three-time MAC Award-winner Peter Napolitano, The Music of Madeline Kahn, with music director Jeff Cubeta on piano, featured friends & colleagues of the comic legend, as well as performers who have been inspired by her.

Back in January, BroadwayWorld's lead cabaret reviewer Stephen Hanks announced he was giving up critiquing shows to start his own company, Cabaret Life Productions, through which he would publicize, promote, and help book cabaret performers, and also produce cabaret shows. Hanks' first major production out of the box is a monthly series at the Metropolitan Room called New York Cabaret's Greatest Hits, that features talented artists recreating award-winning or highly-praised shows we wish we'd seen--a really good idea. Hanks' series launched Wednesday night with Mark Nadler's award-winning 2003 show Tschaikowsky (And Other Russians). The Metropolitan Room was filled to the gills and abuzz with anticipation, as most of the audience was only familiar with the show's second-hand praise and/or the CD version of Nadler's performance.

I could tell you that KT Sullivan and Jeff Harnar have done it again, but the truth is that they've done it even better. Their first foray into the Stephen Sondheim songbook last summer, Our Time, consisted of she sings, he sings--each watching the other perform then offering duets. This iteration titled Another Hundred People: Sullivan and Harnar Sing Sondheim—Act II (both at the Laurie Beechman Theatre), beautifully directed by Sondra Lee, considers both characters theatrically, not just vocally, but visually.