Nominated for a Golden Globe® for Best Television Comedy, audiences everywhere can see TV's hottest musical sensation as a full length feature film when GLEE: THE CONCERT MOVIE comes to Blu-ray and DVD from Twentieth Century Fox Home Entertainment on December 20th. Enjoy the breath-taking concert experience like never before with new exciting never-before-seen and extended performances, clips of fans' favorite characters, exclusive extras and more, all from the comfort of your living room.
Nominees for the 18th Annual Screen Actors Guild Awards® for outstanding performances in 2011 in five film and eight primetime television categories and for the SAG honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center's SilverScreen Theater in West Hollywood. Several Broadway favorites made the cut, including recent Kennedy Center inductee Meryl Street (The Iron Lady), Tony winner Viola Davis (The Help) and more!
Nominees for the 18th Annual Screen Actors Guild Awards® for outstanding performances in 2011 in five film and eight primetime television categories and for the SAG honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center's SilverScreen Theater in West Hollywood.
A television staple since the very beginnings of the format, the Christmas episode is a tried and true trope of TV this time of year and no show promises more hatfuls of holiday cheer and buckets of glee more than, well, GLEE does - and, last night, on the seasonally-themed "Extraordinary Merry Christmas" (titled after one of the two new original songs penned for the episode), GLEE was a cool, neon blue star in the oft-midnight black galaxy - one far, far away, evidently; especially given the Chewbacca cameo and STAR WARS CHRISTMAS SPECIAL nods - of network TV today (or ever, for that matter). Capturing the copious charm of the cast and commonalities of the holidays among us all, the Matthew Morrison-directed Christmas special was a jolly Santa, his decked-out sleigh and all the merry reindeer to go along with them. Positively overflowing with song selections from the simply spectacular GLEE: CHRISTMAS VOLUME 2 - available now - last night's GLEE was not only a holiday music lover's and gleek's dream, but it also came with a maraschino cherry on top for the Broadway babies among us - THE SOUND OF Music's "My Favorite Things"; sung in Summer in the famous Rodgers & Hammerstein show and Robert Wise film version, the song has nevertheless become widely associated with the season due in no small part to Barbra Streisand's unforgettable inclusion of it on her peerless 1967 classic, A CHRISTMAS ALBUM. "Extraordinary Merry Christmas" also gave Sue Sylvester some room to exact her ongoing revenge - and redemption - while the rest of the episode contained a multitude of New Directions-centric plot developments, surprises and, of course, seriously Santa-friendly musical numbers - all, fascinatingly enough, with an all-inclusive (and, even, religion-friendly; in Rory's nativity story scene) style. Not that Judy Garland's Christmas classic special wasn't paid as much homage as Santa and the baby Jesus were - as we should always expect from GLEE - because it was. More on that in a moment. So much to discuss!
The long-awaited return of Trouty Mouth himself - Chord Overstreet; singing Toby Keith's "Red Solo Cup", no less - was only the beginning of the big moves and even bigger events of last night's epic GLEE "Sectionals" episode. Yes, this year's sectionals competition certainly spelled a vast departure from less successful years' past and seeing and hearing New Directions taking on the vaunted catalog of Michael Jackson was the convergence of two true blue pop culture institutions coming together and making musical magic at long, long last - from "ABC" to "Man In The Mirror". Michael's sister Janet got her hotly anticipated GLEE treatment, as well, in the form of a syncopated and spirited "Control", during the stylishly executed Jackson tribute sequence. For the Broadway babies amongst the gleeks, we also were treated to an EVITA homage from Ohio's rival glee group, the Unitards, led by GLEE PROJECT's Lindsay Pearce. In addition to Finn and Rachel's discovery of White Chocolate (aka Sam) making ends meet as a stripper - as well as their subsequent reclaiming of him back to McKinley High and to the ranks of New Directions - "Sectionals" proved to be a strong and satisfying end to the journey of Season Three: Part 1 and next week's Christmas episode seems poised to provide ample entertainment value over the rushed tying up of loose dramatic ends as the series prepares to go on a brief hiatus until February. "Sectionals" displayed the continued rise to prominence - musical, dramatic and otherwise - of some featured players to the top of the star ranks and afforded Chord Overstreet and Darren Criss in particular with some delectable dramatic and musical moments - providing a distinct parallel to off-stage/off-show realities; Criss having become the biggest GLEE breakout star of all in a very short span of time - with Harry Shum, Jr. and Jenna Ushkowitz given solo moments to shine, as well. So, too, did Dianna Agron get her dramatic due at long last and her bumpy and grumpy story arc for Season 3 seems to be finding its footing and justification in the overall themes of the consistently strong season - her particularly well-delivered and delicately measured scene with Idina Menzel's Shelby (the adoptive mother to Quinn and Puck's baby, Beth) being a dramatic highlight of the season so far. So, too, was Finn and Blaine's scene in the gym an understated and sensitive reading of this episode's particularly smart and sharp script. Lea Michele continues to get short shrift in the musical department, but her leading of Fun.'s "We Are Young" was a welcome reminder of her golden instrument. So, while there were definitely many dramatic moments to remember in "Sectionals", the music - as always and forever - was the central delight and the payoff of the pairing of GLEE and the music of Michael Jackson (and Janet) was generally well worth the wait.
On Sunday, December 4, 2011, the Trevor Project presented 'Trevor Live,' a high-profile event to benefit the life-saving work of The Trevor Project. The evening featured moving performances from Hollywood's most talented and entertaining performers, including Mary J. Blige,Miley Cyrus, Queen Latifah, LeAnn Rimes, Barrett Foa and the Warblers, Diego Boneta and Julianne Hough, JC Chasez, American Idol contestants Kris Allen and Stefano Langone, Neil Patrick Harris and David Burtka, Jesse Tyler Ferguson,Darren Criss, Step up Dance, and Amber Riley.
Check out Broadway veteran Jesse Tyler Ferguson's performance of LITTLE SHOP OF HORRORS' 'Somewhere That's Green' from the event by clicking below!
On Sunday, December 4, 2011, The Trevor Project honored Lady Gaga with the Trevor Hero Award and Google Inc. with the Trevor 2020 Award during 'Trevor Live' presented by Audi of America and ING and directed by Adam Shankman.
As previously reported, among the next round of hits to get the GLEE treatment include a mash up of Destiny Child's 'Survivor' and Gloria Gaynor's 'I Will Survive', and Toby Keith's latest hit, 'Red Solo Cup', featured on his latest album 'Clancy's Tavern.' The newest epiosode of GLEE airs on FOX December 6 and 8pm EST.
Having already broken down barriers in Season Three insofar as the depiction of gay teenage romance in concerned, last night on GLEE Ryan Murphy and company addressed lesbianism and its similarly taboo place in society - both in school and out. Brave and daring, GLEE's "I Kissed A Girl" episode surely opened up the doors to closets and more open conversations pertaining to human sexuality, yet it also painted a complex and all-too-real picture of the challenges facing teens of any and all sexual persuasions and how challenging it really is to be a teenager at the edge of seventeen in 2011. On the musical side, last night's show boasted an eclectic assortment of Sapphic-themed songs to go along with the dramatic content, such as Dolly Parton's "Jolene", Melissa Etheridge's "I'm The Only One", KD Lang's "Constant Craving" and Katy Perry's recent hit "I Kissed A Girl". With Pink's "F-ing Perfect" given the duet treatment courtesy of Kurt and Blaine and a stripped-down, male-sung version of Cyndi Lauper's "Girls Just Wanna Have Fun" rounding out the seriously stupendous songstack, it was a night to remember for many more reasons than merely oh-so-fabulously spilled slushies and touching coming out stories - the music really, truly acted as an elemental ingredient; even more than usual. So, too, did Naya Rivera's seriously fine acting throughout make her turn as Santana this season a truly Golden Globe and Emmy-worthy performance - not unlike how Kurt's complex coming out story rightfully acted as award bait for Chris Colfer in seasons past. So, for all of that - and to recount the stunning "Constant Craving" and all of the rest of the superb musical sequences; as well as all about Rachel's surprising expulsion from McKinley High right when Sectionals are quickly approaching - read on.
On tonight's episode of GLEE, Finn tries to rally the rival show-choirs behind one of their own. Sue's bid for political office causes heartbreak for another teacher; and the student body elections turn scandalous. Check out photos and audio from the episode below!
According to reports from Fox News, Toby Keith's latest hit, 'Red Solo Cup' will be featured on an upcoming episode of GLEE in early December. 'Red Solo Cup' has had over 3 million online views and is off of Keith's latest album 'Clancy's Tavern.'
On the next episode of GLEE, airing November 29, Finn tries to rally the rival show-choirs behind one of their own. Sue's bid for political office causes heartbreak for another teacher; and the student body elections turn scandalous. Check out photos from the new episode below!
The fine art of the mash-up has been a hallowed tradition that has been explored to a significant extent on GLEE since the very beginning, so a night filled with only such two-stack tracks would seem to be the ideal way to celebrate the show's 300th musical performance to date, which came in last night's "Mash-Off" episode. The mash-ups blasted off in a grand manner and the carefully-constructed couplings were often quite brilliant twists on the sounds of the original singles - the spectacular 300th performance showcase of Adele's "Rumor Has It' and "Someone Like You" acting as the musical apotheosis of the evening. Mixing disparate elements from the incredibly diverse musical catalogs of Adele, Lady Gaga, Hall & Oates, Pat Benatar, Blondie, Van Halen, Eddie Rabbit and Crystal Gayle, "Mash-Off" managed to shine a light on the couples singing the musical mergings, as well as provide the high entertainment value implicit in any episode so far on the resoundingly strong third season of GLEE.
According to Entertainment Weekly, the upcoming GLEE holiday album is now streaming online on AOL Music. The album of Christmas classics is titled 'Glee: The Music, The Christmas Album Volume 2'. It will be available for purchase beginning Tuesday, November 15th.
Just in time for the holidays, Glee brings joy to the world with the release of Glee: The Music, The Christmas Album Volume 2, available Tuesday, November 15, 2011. The Glee holiday cheer is spread with the cast's own festive renditions of such Christmas staples as 'Little Drummer Boy', 'Let It Snow' and 'All I Want For Christmas Is You'. Especially poignant is the GLEE Cast's interpretation of Band Aid's 1984 hit 'Do They Know Its Christmas?,' which raised money to benefit famine relief in Ethiopia and sold 1 million copies in it's first week. New cast members, Lindsay Pearce, Alex Newell, and Damian McGinty, from the wildly popular show The Glee Project are featured on 'Do You Hear What I Hear?' and 'Blue Christmas', along with fellow discovery Samuel Larson accompanying the GLEE Cast on 'Santa Claus Is Coming To Town'. Among the 12 tracks on Glee: The Music, The Christmas Album Volume 2 are two original songs 'Extraordinary Merry Christmas' and 'Christmas Eve With You', both written by Adam Anders, Peer Astrom and Shelly Peiken (see full track listing below). Glee: The Music, The Christmas Album Volume 2 is available today for pre-order on iTunes.
Just in time for the holidays, Glee brings joy to the world with the release of Glee: The Music, The Christmas Album Volume 2, available Tuesday, November 15, 2011. The Glee holiday cheer is spread with the cast's own festive renditions of such Christmas staples as 'Little Drummer Boy', 'Let It Snow' and 'All I Want For Christmas Is You'. Especially poignant is the GLEE Cast's interpretation of Band Aid's 1984 hit 'Do They Know Its Christmas?,' which raised money to benefit famine relief in Ethiopia and sold 1 million copies in it's first week. New cast members, Lindsay Pearce, Alex Newell, and Damian McGinty, from the wildly popular show The Glee Project are featured on 'Do You Hear What I Hear?' and 'Blue Christmas', along with fellow discovery Samuel Larson accompanying the GLEE Cast on 'Santa Claus Is Coming To Town'. Among the 12 tracks on Glee: The Music, The Christmas Album Volume 2 are two original songs 'Extraordinary Merry Christmas' and 'Christmas Eve With You', both written by Adam Anders, Peer Astrom and Shelly Peiken (see full track listing below). Glee: The Music, The Christmas Album Volume 2 is available today for pre-order on iTunes.
Check out an audio preview of 'Let It Snow' below!
Coming after a nearly month-long mini-hiatus following the superb "Asian F" in early October, the gleeks of McKinley High on GLEE swept back onto the main stage last night with the hotly anticipated "Pot O' Gold" episode, which introduced new recurring cast members and THE GLEE PROJECT co-winner, Damian McGinty in the tailor-made role of sassy and offensive Rory Flanagan. While McGinty proved to be a winning addition to the roundly respectable line-up of GLEE Season Three, once again the musical performance highlight of the night goes to new GLEE regular Darren Criss - alongside show standout Lea Michele and the rest of the glee club - and their electrifying take on Katy Perry's campy anthem "Last Friday Night (T.G.I.F)". Much like with Lea Michele's emotionally shattering "Firework", once again a Katy Perry anthem has been rendered even better than the huge hit original by the gleeks of GLEE. Also, "Pot O' Gold" - directed by HAIRSPRAY movie musical helmer Adam Shankman - continued the season-long character arc of Tony-winning Broadway star Idina Menzel, in the role of rival McKinley glee club director Shelby Corcoran, and further developed her complex relationship with Quinn and Puck, played by sensitive Dianna Agron and imposingly forceful Mark Salling - the latter of whom contributed an emotionally charged and displayed his rarely seen softer side with his sensitive rendering of the 80s Foreigner power ballad "Waiting For A Girl Like You". McGinty's two selections - Teddy Thompson's "Take Care Of Yourself" and Kermit The Frog's "Bein' Green" - were relatively lucky and charmed introductions to the foreign exchange student character. Additionally, Mercedes, Santana and Brittany also got a Christina Aguilera/BURLESQUE-esque moment in the spotlight with their sweet and sexy "Candyman" (written by Linda Perry) as the newly formed girl-group The Troubletones. So, as for the rest of "Pot O' Gold" and how the songs stacked up in their dramatic context - as well as virtually everything else? Read on! The rainbow certainly ends with a shiny, gleaming pot o' gold - and maybe a leprechaun or two to love, too! Thank goodness it's Tuesday (or was) - and thank St. Patrick it's GLEE! After all, we've been waiting for a GLEE like this all October!
