Mark McCullough News

The Glimmerglass Festival, Central New York's opera and musical theater company, has announced its 2014 season.

Florida Grand Opera (FGO) announces its 73rd continuous season of grand opera featuring an innovative new vision with provocative repertoire under the direction of General Director and CEO Susan T. Danis. In addition to a wealth of exciting artists making their debuts with the company, the 2013-2014 season features: the Southeast American premiere of Marvin David Levy's Mourning Becomes Electra followed by Verdi's Nabucco, Puccini's Tosca, and Massenet's Thaïs.

SHOW BOAT is back in an appealing production by the Washington National Opera. The Kennedy Center Opera House is a fitting berth for Captain Andy's Cotton Blossom and the happy/troubled show folk who make it their home. Boasting a cast and chorus of 100, WNO's SHOW BOAT allows the story to roll along the 40-year time span and the glorious music to enthrall the audience once again.

WALLENSTEIN deserves to be considered a regular visitor to classical theatres throughout the world. Robert Pinsky's free adaptation of an 18th century epic is one more fabulous rediscovery of a near-forgotten classic to the company's production. The play is anchored by Steve Pickering's performance in the title role.

Shakespeare Theatre Company's new production of Coriolanus offers a no-nonsense approach to the text and memorable performances that go a long way to make a case for audiences to discover this difficult play.

The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award, probes the burdens of leadership and the price of power in its Hero/Traitor Repertory of Coriolanus and Wallenstein. In the hands of The Studio Theatre's Artistic Director David Muse and STC's Artistic Director Michael Kahn, this pairing of Shakespearean and German epics challenges the concept of control among military and government institutions. Coriolanus and Wallenstein play at Sidney Harman Hall (610 F Street NW) from tonight, March 28-June 2, 2013.

The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award, probes the burdens of leadership and the price of power in its Hero/Traitor Repertory of Coriolanus and Wallenstein. In the hands of The Studio Theatre's Artistic Director David Muse and STC's Artistic Director Michael Kahn, this pairing of Shakespearean and German epics challenges the concept of control among military and government institutions. Coriolanus and Wallenstein play at Sidney Harman Hall (610 F Street NW) from March 28-June 2, 2013.

Houston Grand Opera presents SHOW BOAT, which opened January 18. BroadwayWorld has a first look at the production below.

Houston Grand Opera presents SHOW BOAT, which opened January 18. BroadwayWorld has a first look at highlights from the show below.

With rehearsals underway this week, Houston Grand Opera welcomes Lara Teeter to the role of Cap'n Andy in the new production of SHOW BOAT opening January 18. Teeter takes on the role after Tommy Tune stepped down because he is on vocal rest.

Following REBECCA's cancellation on Broadway and the news that financier and stock broker Mark C. Hotton was arrested yesterday for his role in the show's collapse, Bloomberg reports that REBECCA's producers now have 10 weeks-until Dec. 31-to raise $4.5 million or face returning millions more to their investors.

The twisting tale of REBECCA's cancellation on Broadway made a new turn this morning with multiple news outlets reporting that troubled financier and stock broker Mark C. Hotton was arrested this morning at 6am for his role in the show's collapse.

According to the New York Post, Ronald Russo , lawyer for producer Ben Sprecher has now said that 'Sprecher had been led to "Abrams" by shadowy Long Island businessman, Mark Hotton, who told him Abrams died before he could hand over the dough, sources have said. There also were three other investors Hotton told Sprecher about who supposedly promised another combined $2 million for the show, the sources have said. But "following an extensive search over the last week, I can now confirm that there is no evidence whatever that "Paul Abrams" or any of the other three investors brought to this production by Mr. Hotton, ever existed," said Sprecher's lawyer, Ronald Russo. The lawyer said they conducted an investigation in both the US and England.'

This morning, October 3, the following letter was composed by one of the Principal cast members of REBECCA, Karen Mason, in hopes of clearing up the ongoing speculation of the cancelled Broadway prodution of REBECCA

Now according to the New York Times, the United States attorney's office is investigating whether the investor ever existed in the first place. Sprecher told NYT: "I never made up or fabricated any investor, and I never made up Paul Abrams." He also revealed that a new production of Rebecca is in the works that he 'hoped to mount soon, on Broadway or elsewhere.'

Ben Sprecher and Louise Forlenza, producers for Rebecca, the Musical, announced this afternoon that they were left with no option but to postpone the show. A new timeline has not been announced.