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Birth Place: Hackensack, NJ, USA

BWW Review: The Scarlet Letter Stands For Abortionist in Suzan-Lori Parks' f**kING A

Nathaniel Hawthorne's 'The Scarlet Letter' may have served as the initial inspiration for Suzan-Lori Parks' ferocious 2000 drama, f**kING A, but, especially in director Jo Bonney's chilling Signature Theatre production, her sardonically abstract portrait of human cruelty may remind playgoers of another writer, Bertolt Brecht.

Photo Coverage: Signature Theatre Celebrates Opening Night of Suzan-Lori Parks' F***ING A

Signature Theatre is presenting Pulitzer Prize-winner Suzan-Lori Parks' The Red Letter Plays: f**king A & In the Blood. This is the first time these acclaimed plays will be presented together; they will run simultaneously at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). These two plays mark the final productions of Parks' Signature Residency One.

The Theater People Podcast Welcomes Broadway Star and Recording Artist Morgan James

On Monday, September 11, Theater People podcast welcomes Broadway favorite Morgan James. For the episode, James shares her story of first moving to New York City to attend the Julliard School as a voice major. Attending Julliard had been a life-long dream and when she was wait listed, she had to get creative in order to make her admission a reality. After graduating and deciding to pursue a career in musical theater, James struggled to find work and had to figure out how she best fit into 'the business.'

Lea Salonga and More to Tribute Lynn Ahrens & Stephen Flaherty at Primary Stages' 2017 Gala

Primary Stages announced today that the Primary Stages 2017 Gala will take place on Monday, October 16, 2017 at 6:30 pm. The event, which will be held at Tribeca 360º (10 Desbrosses Street), will honor Lynn Ahrens & Stephen Flaherty, the Tony-winning songwriting team of Ragtime, Once on This Island, and Anastasia (Artistic Honorees); Janet B. Rosen and Marvin Rosen, producers of In Transit on Broadway (Producer Honorees); and Jose Mendez and Katie Graziano of The Excel Group and MIC Floor Covering, LLC (Corporate Honorees).

The Theater People Podcast Welcomes CATS Star Tyler Hanes

On Wednesday, August 30, Theater People podcast welcomes CATS star Tyler Hanes. Since making his Broadway debut as a teenager in 2002's OKLAHOMA, Hanes has racked up nine Broadway credits including HAIRSPRAY, THE BOY FROM OZ, SWEET CHARITY, A CHORUS LINE, and ON THE TOWN.

Casts Set for VILLAIN: DeBLANKS This Fall at The Green Room 42

Upcoming casting has been announced for Brenda Braxton presents Billy Mitchell's Villain: DeBlanks, the uproarious improvisational comedy playing weekly at The Green Room 42 where 'Clue' meets adult 'Mad Libs' and audiences never see the same show twice.

The Theater People Podcast Welcomes Actress & Author Alexandra Silber and Tony-Winner Reed Birney

On Monday, August 7th Theater People podcast welcomes Alexandra Silber and Reed Birney in a two-part episode. In the first segment, Silber discusses her new novel 'After Anatevka' which tells the story of Hodel, the middle daughter in FIDDLER ON THE ROOF, after the action of the beloved musical ends. Silber also discusses her career in The West End (THE WOMAN IN WHITE, FIDDLER ON THE ROOF) and on Broadway (MASTER CLASS, FIDDLER ON THE ROOF) and shares how her life journey prepared her to write her book. In the second segment, Tony winner Reed Birney discusses his work in the provocative new production of 1984, a play based on George Orwell's 1949 novel.

BWW Photo Exclusive: Go Backstage at the Muny's THE UNSINKABLE MOLLY BROWN

Hannibal Missouri's own brash and beguiling Molly Brown shines in this exhilarating adaptation of Meredith Willson's 1960 musical. Her rags-to-riches story sparkles with a new book by Dick Scanlan(Thoroughly Modern Millie), and new songs from the Meredith Willson songbook. The tempestuous can't-live-with-him/can't-live-without-him love story that survived the Silver Boom, Gold Rush and sinking of the Titanic returns to the stage with more fun and flair than ever. This is one of those classic musicals that will have your heart soaring!

Review Roundup: THE UNSINKABLE MOLLY BROWN at The Muny

Hannibal Missouri's own brash and beguiling Molly Brown shines in this exhilarating adaptation of Meredith Willson's 1960 musical. Her rags-to-riches story sparkles with a new book by Dick Scanlan (Thoroughly Modern Millie), and new songs from the Meredith Willson songbook.

The Theater People Podcast Welcomes the Incomparable Julia Murney

On Monday, July 24, Theater People podcast welcomes Broadway favorite Julia Murney. Murney discusses growing up in New York City where she attended La Guardia High school during the year and the famed Stagedoor Manor during the summer.

Signature Announces Cast for THE RED LETER PLAYS; Tickets Now On Sale

Casting is confirmed and tickets are now on sale for the Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) productions of Pulitzer Prize-winner Suzan-Lori Parks' The Red Letter Plays: f**king A & In the Blood. This is the first time these acclaimed plays will be presented together; they will run simultaneously at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). These two plays mark the final productions of Parks' Signature Residency One. All tickets for the initial runs of the productions are $30 as part of the Signature Ticket Initiative: A Generation of Access.

The Theater People Podcast Chats with BANDSTAND's Laura Osnes and THE PLAY THAT GOES WRONG's Henry Lewis and Jonathan Sayer

On Monday, July 10, the Theater People podcast welcomes two-time Tony nominee Laura Osnes and Henry Lewis and Jonathan Sayer of THE PLAY THAT GOES WRONG. For the first part of the episode, host Patrick Hinds chats with Osnes (who is making her fourth appearance on Theater People) about her work in BANDSTAND. Osnes, who has been with the show since it's very first reading, shares stories about how the show has developed, why she turned down other roles to stay with the piece, and a personal family story about why she feels so connected to the role.

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