The Potomac Theatre Project, currently presenting their 22nd repertory season, have added two additional performances of Howard Barker's Scenes From An Execution, which features Broadway star Jan Maxwell in her 3rd collaboration with PTP.
Potomac Theatre Project opens their 'After Dark' series this evening. Described as a 'sandbox for young artists', 'After Dark' is a free series of new and experimental work, which will be taking place during their current summer rep season at the Atlantic Stage 2. The 'After Dark' series begins tonight, July 7, and runs until July 24.
The Potomac Theatre Project (PTP) proudly presents its
22nd repertory season (and its second consecutive in NY) that includes Howard Barker's Scenes From An Execution (featuring Broadway star Jan Maxwell in her 3rd collaboration with PTP).
The Potomac Theatre Project (PTP) proudly presents its 22nd repertory season (and its second consecutive in NY) that includes Howard Barker's Scenes From An Execution (featuring Broadway star Jan Maxwell in her 3rd collaboration with PTP), Sarah Kane's Crave, and the NY Premiere of Neal Bell's Somewhere in the
Pacific.
The Potomac Theatre Project (PTP) is presenting its 21st repertory season (and its first in New York), which includes three of Anthony Minghella's early works in an evening entitled Politics of Passion: The Plays of Anthony Minghella, and Howard Barker's provocative No End of Blame
The Potomac Theatre Project (PTP) will present its 21st repertory season (and its first in New York) that includes three of Anthony Minghella's early works in an evening entitled Politics of Passion: The Plays of Anthony Minghella, and Howard Barker's provocative No End of Blame
The Potomac Theatre Project (PTP) will present its 21st repertory season (and its first in New York) that includes three of Anthony Minghella's early works in an evening entitled Politics of Passion: The Plays of Anthony Minghella, and Howard Barker's provocative No End of Blame -- the story of a political cartoonist whose pen is dipped in poison.
