At an online media announcement - pre-taped in front of Meridian Hall with physically distanced protocols in place - streamed June 8 on the Dora Awards YouTube channel, the Toronto Alliance for the Performing Arts (TAPA) announced 243 nominations for the 41st annual Dora Mavor Moore Awards.
England's first female regent is often forgotten and relatively unknown, but in Soulpepper's remount of MOTHER'S DAUGHTER, Queen Mary gets her moment in the sun - whether she wants it or not.
A Streetcar Named Desire recently opened at Soulpepper Theatre. Read what critics had to say!
Weyni Mengesha's new production of the Tennessee Williams classic is a solid undertaking, a technically precise, error-free interpretation of a story we know well.
The Stratford Festival is celebrating the World Premiere of Michael Healey's adaptation of Ben Hecht and Charles MacArthur's THE FRONT PAGE at the Festival Theatre. A beloved American satire set in 1920's Chicago, THE FRONT PAGE tells the story of journalists in a courthouse pressroom doing whatever they need to do to get their story while at the same time being the only potential failsafe against political corruption at a time when the seedy Chicago subculture was in full swing. Directed by Graham Abbey, this adaptation is updated to include more diversity among the characters. It is a knee slapping night at the theatre whilst also providing a seemingly timeless commentary about the flaws and biases of the criminal justice system.
The Front Page, one of the great satires about the world of journalism, hits the stage in Stratford today, under the direction of Festival veteran Graham Abbey. Written by former Chicago reporters Ben Hecht and Charles MacArthur, and newly adapted by Canadian playwright Michael Healey, this comedy-drama is now in previews at the Festival Theatre and will officially open on Thursday, August 15.
Soulpepper takes on a classic American script in their new production of Sam Shepard's FOOL FOR LOVE, directed by Frank Cox-O'Connell. With simple staging and a compact ensemble, the production implements some interesting and timely ideas but overall leaves something to be desired.
The 40th Anniversary Dora Mavor Moore Awards for the 2018-2019 season were handed out in a star-studded celebratory ceremony in Toronto on the evening of Tuesday, June 25 at the Sony Centre for the Performing Arts, hosted by the multi-talented, multi-award-winning Rick Miller, well-known for his widely acclaimed one-man shows that include MacHomer, BOOM and Bigger Than Jesus (Dora Award for Outstanding Performance, 2006).
MOTHER'S DAUGHTER, the third and final installment of playwright Kate Hennig's 'Queenmaker Trilogy' had its world premiere at the Stratford Festival's Studio Theatre Friday night. The play follows the reign of Mary I Queen of England and like the two previous instalments, it is reimagined (or perhaps 'restored') to be told from the perspective of the women at the centre of the story. Directed by Alan Dilworth, this production provides a fitting end to the intimate story of tradition, family, faith, imperfection and sisterhood that audiences first became immersed in 4 years ago.
At a press conference held May 28 in the Davies Takacs Lobby of the Elgin and Winter Garden Theatre Centre, the Toronto Alliance for the Performing Arts (TAPA) announced 282 nominations for the 40th Anniversary Dora Mavor Moore Awards, which recognize excellence in professional theatre, dance and opera in Toronto. On Tuesday, June 25 at the Sony Centre for the Performing Arts, 49 Dora Mavor Moore Awards, the Silver Ticket Award and the Jon Kaplan Audience Choice Award will be presented.
Mother's Daughter, the highly anticipated final instalment of Kate Hennig's Queenmaker Trilogy, is now on stage at the Studio Theatre. The production officially opens on Friday, June 14.
ROSE follows the highs and lows of a nine-year-old on a journey to find herself, with a lively soundtrack and well-rounded cast pushing the plot through a busy storyline.
A gender-bending, English and American Sign Language (ASL) bilingual production of Shakespeare's Hamlet may sound ambitious - but it plays as compellingly human. Maybe you're not familiar with the story. Maybe you've seen it a hundred times. Regardless, Why Not Theatre's PRINCE HAMLET will defy your expectations. Ravi Jain has adapted Shakespeare's most famous play in a way that is relevant and, as the title suggests, focuses more intimately on its protagonist's struggle to understand human nature.
How can a life be described when the only constants are a name and a poem? In Soulpepper's production of ORLANDO, the title character struggles with existentialism and a fixation on death - something that seems to constantly elude them.
At a press conference held May 31 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 237 nominations for the 39th Annual Dora Mavor Moore Awards, which recognize excellence in the performing arts in Toronto.
'That's not what happened.' Soulpepper's IDOMENEUS tells the story of a famous Greek myth - but plays with the mode of storytelling to create something remarkable. Roland Schimmelpfennig's modern play comes to life in a timeless zone of monochromatic universality in Alan Dilworth's production, designed by Lorenzo Savoini. Using a chorus of voices, the narrative weaves between past and present, fact and fiction - presenting themes that resonate not only within the world of Soulpepper, but within the world at large.
'You don't understand,' repeats Martin. You'll have to see it to really understand. Soulpepper presents Edward Albee's shocking Tony Award-winning play, THE GOAT OR, WHO IS SYLVIA? (2002) Featuring an outstanding cast, including Soulpepper's Artistic Director, Albert Schultz, this production is proof that tremendous performances can sell any subject matter - no matter how taboo.
Beckett's masterpiece, WAITING FOR GODOT proves its relevance in Soulpepper's riveting revival, opening their 2017-18 season. GODOT's structure, atmosphere and design plays like a contemplation on mindfulness - a search for meaning, in the seemingly meaningless.
Tickets are on sale for the US debut for SOULPEPPER, Toronto's largest and most celebrated theatre company, in a four-week engagement Off-Broadway at The Pershing Square Signature Center, 480 West 42nd Street in New York City. A true repertory program of plays, musicals and concert performances, featuring a company of over 65 artists, the festival, entitled SOULPEPPER ON 42nd STREET, will be presented July 1-July 29, 2017. BroadwayWorld has a sneak peek at the productions below!
At a press conference held May 30 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 235 nominations for the 38th Annual Dora Mavor Moore Awards, which recognize excellence in the performing arts in Toronto.
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