5 Lesbians Eating a Quiche runs July 5 - July 28 as part of the POTS@TheWorks series at TheatreWorks, Thursdays, Fridays, and Saturdays at 8pm, and Sundays at 2pm. The Pay What You Can performance is Thursday, July 11 at 8pm. TheatreWorks is located at 2085 Monroe Ave. For more information or to make reservations, please call 901-726-4656 or purchase tickets online at playhouseonthesquare.org.
The Circuit Playhouse hosts New Colony Theatre of Chicago's The Warriors for Newtown, a benefit to support the Sandy Hook Elementary Victims Relief Fund. The evening will include a one-night-only reading of The Warriors written by former Playhouse on the Square Company Member Evan Linder, and conceived by actress Mary Hollis Inboden, also a former Memphis actress and a Jonesboro, Arkansas native. The Warriors for Newtown will be held on Monday, February 4, 2013 at 7:00 p.m. at The Circuit Playhouse, 51 S. Cooper Street in Midtown.
Kenny Barrett did something that has everyone worried. He wishes he could just make it through the rest of his senior year unnoticed, but that's going to be hard since he has to publicly apologize to his entire high school.
Kenny Barrett did something that has everyone worried. He wishes he could just make it through the rest of his senior year unnoticed, but that's going to be hard since he has to publicly apologize to his entire high school.
It's 1957, and Chaos in Belleville, an anti-lynching Broadway play, has started rehearsals. After years spent in parts beneath her intelligence and talent, Wiletta Mayer is finally playing the leading lady. As the company begins its work, Wiletta and the white director clash over her 'take' on the role and whether the play has begun to say the things that can't be said.
It's 1957, and Chaos in Belleville, an anti-lynching Broadway play, has started rehearsals. After years spent in parts beneath her intelligence and talent, Wiletta Mayer is finally playing the leading lady. As the company begins its work, Wiletta and the white director clash over her 'take' on the role and whether the play has begun to say the things that can't be said.