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BWW Blog: Bob Marks - Building Your Book of Audition Songs

Even when an audition provides specific music to be prepared, you might be asked to 'bring your book.' Every performer requires a collection of songs that are ready to be sung at a moment's notice. In our industry, your 'book' is a physical binder that holds all of these songs, and is also the term for this repertoire of pieces that you have mastered and can perform with little or no preparation.

The Theater People Podcast Welcomes PARAMOUR Star Jeremy Kushnier

Kushnier made his Broadway debut in the lead role of Ren McCormack in the 1998 production of FOOTLOOSE. He went on to star on Broadway in RENT, JERSEY BOYS, and JESUS CHRIST SUPERSTAR. He was a part of the original New York company of SHEAR MADDNESS, and he can currently be seen in PARAMOUR, Cirque Du Soliel's first-ever Broadway production.

The Theater People Podcast Welcomes Tony-Winning Producer Kevin McCollum

On Monday, August 15, the Theater People podcast welcomes three-time Tony-winning producer Kevin McCollum. Best known for producing Broadway mega-hits RENT, AVENUE Q, and, IN THE HEIGHTS, McCollum is also know for taking chances on smaller shows and shepherding them to Broadway. He brought THE DROWSY CHAPERONE to Broadway in 2006--it would go on to win five Tony Awards--and [TITLE OF SHOW] to Broadway in 2009.

The Theater People Podcast Welcomes Emily Skinner and Alice Ripley

On Friday, July 22, the Theater People podcast welcomes Broadway favorites Emily Skinner and Alice Ripley. Skinner and Ripley first worked together when they were cast as Daisy and Violet Hilton in the 1998 production of SIDE SHOW. The pair reunited on stage in 2000 in the Broadway production of JAMES JOYCE'S THE DEAD.

BWW Blog: Bob Marks - Your Performance Goals in the Context of Your Lifestyle

As one of the pianists for the original Broadway production of Annie, many of my voice teacher colleagues were horrified at the thought of little girls being asked to belt out songs such as 'Tomorrow' and 'Hard Knock Life.' And yet, many of these teachers refused to accept those young girls as students! At that time, many voice teachers would not agree to teach students who had unchanged, prepubescent voices. They were under the impression that voice lessons could permanently damage a child's voice, which remained a widely accepted belief for many years. 

The Theater People Podcast Welcomes ALADDIN Tony-Winner James Monroe Iglehart

On Monday, July 11, the Theater People podcast welcomes Tony winner James Monroe Iglehart. Iglehart made his Broadway debut in 2007 as Mitch in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. In 2009 he originated the role of Bobby in the Tony Award winning Best Musical, MEMPHIS.

SUNDAY SHOW TUNES to Welcome Scott Evan Davis

The UK's Sunday Show Tunes, in collaboration with Executive Producer Maureen Rejali, presents composer/lyricist Scott Evan Davis in concert live at The Pheasantry in London. UK artists will join Davis in performing music from his new recording, NEXT, his debut CD, Cautiously Optimistic, and other originals. Artists include: Rosemary Ashe, Ilan Galkoff, Joel Harper Jackson, Stuart Matthew Price, Charlotte Baker Wakefield and others to be announced. There will be one show on September 18th at 8pm, with doors opening at 6pm. The ticket price is £15. A full dinner menu and bar are available. The Pheasantry is located at: 152 Kings Road London SW3 4UT. Phone: 020 7351 5031.

The Theater People Podcast Welcomes Tony-Winner Alice Ripley

On Monday, June 20th, the Theater People Podcast welcomes Tony Award-winner Alice Ripley. For the episode, Ripley discusses her work in the recent AMERICAN PSYCHO, why this was the right role to bring her back to Broadway after a nearly five year-break, and why she thinks the show struggled to find an audience.

BWW Blog: Bob Marks - Healthy Vocal Production at any Age

As one of the pianists for the original Broadway production of Annie, many of my voice teacher colleagues were horrified at the thought of little girls being asked to belt out songs such as "Tomorrow" and "Hard Knock Life." And yet, many of these teachers refused to accept those young girls as students! At that time, many voice teachers would not agree to teach students who had unchanged, prepubescent voices. They were under the impression that voice lessons could permanently damage a child's voice, which remained a widely accepted belief for many years. 

The Theater People Podcast Welcomes AMERICAN PSYCHO's Jennifer Damiano

On Monday, June 6, the Theater People podcast welcomes Tony nominee Jennifer Damiano. She made her Broadway debut at the age of 15 in the groundbreaking and Tony Award-winning musical SPRING AWAKENING. She went on to originate the role of Natalie in the Brian Yorkey and Tom Kitt musical NEXT TO NORMAL, for which she earned a Tony Award nomination.

Kelli Barrett, Jarrod Spector & More Will Join Michelle Collins for IMAGINE Benefit Concert

IMAGINE: A Celebration of Love, a benefit concert to raise funds to benefit Cancer Research through the Brian Werbel Memorial Fund at University Hospitals Seidman Cancer Center, will take place on Monday, June 13th at 8:00 pm City Winery (155 Varick St.).  All proceeds from the event will be donated to the Brian Werbel Memorial Fund. Tickets can be purchased at http://www.uhgiving.org/uh-giving/get-involved/events/imagine.

The Theater People Podcast Welcomes SPRING AWAKENING's Boniello, Mientus, Rodriguez

On Monday, May 23 the Theater People podcast welcomes Krysta Rodriguez, Andy Mientus, and Alex Boniello. The three sit down to discuss the Tony nominated Deaf West Theater production of SPRING AWAKENING in which they all starred. Topic discussed include how they each came to the production, the unique and exciting challenges of working in a Deaf West production, and how it feels for their show to have been nominated for a Tony Award.

BWW Blog: Bob Marks - The Importance of Posture in Your Singing

If you have ever attended a classical voice recital, you probably saw an elegantly dressed performer situated near the crook of a grand piano for the duration of the performance.  Traditionally, recitalists remain standing with "noble" posture throughout their program, and only gesture with their hands and body for extreme emphasis. 

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