Dr. Barbara Ann Teer's National Black Theatre NBT welcomes Roscoe Orman (Sesame Street, The Night Of) in Nambi E. Kelley's play 'Blood,' the first I AM SOUL PLAYWRIGHTS RESIDENT workshop. The show is directed by Elizabeth Van Dyke.
fruitlessmoon theatreworks will present the world premiere of AMERICAN CARNAGE: A LOVE STORY written and directed by Aimee Greenberg opening in November 2017 at City Heights Performance Annex in San Diego.
AMERICAN CARNAGE: A LOVE STORY by Aimee Greenberg - a world premiere presented by fruitlessmoon theatreworks. An unlikely love story - part sci-fi and part thriller in a future where high technology manifests organically within humans and manufactured beings. 'YML' is from an evolved species and events trigger feelings he didn't expect to have. . .it's a tale of alternate worlds examining the idea of what is human, where are the boundaries when senses have been removed. AMERICAN CARNAGE: A LOVE STORY presents a dystopian look at a future shaped by our current world.
In 'Follies in Titus,' Italy's Dario D'Ambrosi, originator of the theatrical movement called Teatro Patologico (Pathological Theater), re-imagines Shakespeare's 'Titus Andronicus,' retelling the bard's bloodiest and most violent work through the voices of the patients of a psychiatric hospital.
On Today, November 3, the Performing Arts Center at 32 Below in New Milford will open 2 By Fierstein: The International Stud (part one of the multiple Tony Award-winning Torch Song Trilogy) and On Tidy Endings (from the award-winning Safe Sex). Both one act plays are written by Connecticut local, Harvey Fierstein.
Dr. Barbara Ann Teer's National Black Theatre NBT announced today that Roscoe Orman (Sesame Street, The Night Of) will star in Nambi E. Kelley's play 'Blood,' the first I AM SOUL PLAYWRIGHTS RESIDENT workshop. The show will be directed by Elizabeth Van Dyke.
Yale Repertory Theatre presents NATIVE SON, the critically acclaimed new play by Nambi E. Kelley adapted from the iconic American novel by Richard Wright, directed by Seret Scott, November 24 December 16 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, November 30.
'We opened for an eight-week limited engagement and could not give a ticket away for three weeks.' That's how Harvey Fierstein described the giant leap of faith that, in 1981, brought a trio of his one-act plays that had each premiered separately on East 4th Street at the basement of Ellen Stewart's La MaMa, E.T.C., to an Off-Off-Broadway mounting on West 62nd Street, produced by John Glines' non-profit company, The Glines.
On Friday, November 3, the Performing Arts Center at 32 Below in New Milford will open 2 By Fierstein: The International Stud (part one of the multiple Tony Award-winning Torch Song Trilogy) and On Tidy Endings (from the award-winning Safe Sex). Both one act plays are written by Connecticut local, Harvey Fierstein.
Exciting developments at fruitlessmoon theatreworks . . . this dynamic new play has taken wing and metamorphosed from its chrysalis state. With some new cast members and the distinct refinements that come with first rehearsals AMERICAN CARNAGE: A LOVE STORY will challenge some concepts of the future. Each day we read in the papers articles about developments with robots - sexbot 'Harmony' is being built in North San Diego County while in Italy a robot is being developed that will have a 'brain' and learn new things like a human child. As the future world looms indefinitely and indistinctly ahead, this new play by Aimee Greenberg presents one possible scenario.
Eboni Booth, Will Connolly, William Jackson Harper, Ben Horner, Cristin Milioti, David Pegram, and Teresa Yenque comprise the cast of the LCT3/Lincoln Center Theater production of After the Blast, a new play by Zoe Kazan, to be directed by Lila Neugebauer.
Critically acclaimed company, Mind the Art Entertainment, celebrates their 10th season with a new production of their award-winning musical WHISKEY PANTS: THE MAYOR OF WILLIAMSBURG, set to open tonight, September 28th, at HERE.
Black Girl Magic Show! is an absurdist dance theatre lecture by playwright/performer nicHi douglas on Black female identity. Utilizing African Diasporan histories, Black feminist theory, and a lot of stuff douglas made up, she attempts to unpack, re-pack, and de-pack the Black female experience in America as witnessed by one Black woman - The Professor. As the audience follows The Professor, they discover what might happen if the one Black girl without 'Black Girl Magic' takes matters into her own hands. Before the show ends, the audience experiences a TED-type talk, modern dance, a magic routine, and a concert, often simultaneously. And they probably see at least 20 wigs.
On the occasion of the current exhibition Nicola L.: Works, 1968 to the Present, SculptureCenter will present a staged reading of The Banquet of the Beheaded, a performance work by Nicola L. originally mounted at La MaMa E.T.C. in New York in January 1999.
To open its 34th season, Undermain Theatre presents the World Premiere of so go the ghosts of mexico, part 2, Matthew Paul Olmos's second play in an epic trilogy of different stories examining the US/Mexico drug wars.
'If someone in the year 1916 told me that in 1917 I'd be in the army, I would have thought him insane,' said Charles Edward Dilkes (1887-1968).
WaxFactory presents a work-in-progress showing of PUT YOURSELF TOGETHER!, a modern, media-enhanced riff on Anton Chekhov's classic The Seagull.
Critically acclaimed company, Mind the Art Entertainment, celebrates their 10th season with a new production of their award-winning musical WHISKEY PANTS: THE MAYOR OF WILLIAMSBURG, set to open September 28th at HERE.
fruitlessmoon theatreworks will present the world premiere of AMERICAN CARNAGE: A LOVE STORY written and directed by Aimee Greenberg opening in November 2017 at City Heights Performance Annex in San Diego.
Eboni Booth, Will Connolly, William Jackson Harper, Ben Horner, Cristin Milioti, David Pegram, and Teresa Yenque will comprise the cast of the LCT3/Lincoln Center Theater production of AFTER THE BLAST, a new play by Zoe Kazan, to be directed by Lila Neugebauer.
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