On the heels of its wildly-successful production of The Wild Party, Bailiwick Chicago is pleased to continue its 2014-15 season with the world premiere of the fierce new play PRINCESS MARY DEMANDS YOUR ATTENTION by Resident Playwright Aaron Holland*, directed by Artistic Director Lili-Anne Brown*, playing tonight, January 15 - February 21, 2015 at Victory Gardens Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago.
On the heels of its wildly-successful production of The Wild Party, Bailiwick Chicago is pleased to continue its 2014-15 season with the world premiere of the fierce new play PRINCESS MARY DEMANDS YOUR ATTENTION by Resident Playwright Aaron Holland*, directed by Artistic Director Lili-Anne Brown*, playing January 15 - February 21, 2015 at Victory Gardens Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago.
On the heels of its wildly-successful production of The Wild Party, Bailiwick Chicago is pleased to continue its 2014-15 season with the world premiere of the fierce new play PRINCESS MARY DEMANDS YOUR ATTENTION by Resident Playwright Aaron Holland*, directed by Artistic Director Lili-Anne Brown*, playing January 15 - February 21, 2015 at Victory Gardens Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago. Tickets go on sale Friday, November 21, 2014 at www.victorygardens.org, by calling (773) 871-3000 or in-person at the Victory Gardens Box Office. The press opening is Friday, January 23 at 8 pm.
The Jeff-Recommended world premiere of Laura Jacqmin's Do-Gooder will extend through Saturday, March 1 at North Berwyn Park District's 16th Street Theater, 6420 16th Street in Berwyn. Directed by Artistic Director Ann Filmer, Do-Gooder is the first show in 16th Street's Season Seven 2014: How to Be Good.
The world premiere of Laura Jacqmin's DO-GOODER opens 16th Street Theater's Season Seven performing January 16 - February 22, 2014 at 6420 16th Street in Berwyn, with a press opening of Thursday, January 23 at 7:30 PM. Directed by Artistic Director Ann Filmer, Do-Gooder is the first show in 16th Street's Season Seven 2014: How to Be Good.
The Guthrie is proud to present Penumbra Theatre's production of Lorraine Hansberry's A Raisin in the Sun, directed by Lou Bellamy. A co-production with Arizona Theatre Company and The Cleveland Play House, this presentation marks the 50th anniversary of the show's groundbreaking Broadway opening, and arrives at the Guthrie on the heels of two highly-lauded regional runs in Ohio and Arizona. A Raisin in the Sun previews March 12, opens March 13 and plays through April 11, 2009 on the McGuire Proscenium Stage. Single tickets are priced from $24 to $60, with opening night prices ranging from $49 to $70. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.
A recent widow, Lena Younger (Franchelle Stewart Dorn) wants to use her husband's insurance money to buy a home for her family, freeing them from the cramped tenement in which she, her two children, daughter-in-law and grandson live. Her son, Walter Lee (David Alan Anderson), is determined to invest the money in a business - an opportunity for him to be his own man and not just the driver for his white boss. Lena refuses; in her eyes a house is a sturdy thing to build a dream on, one that can relieve the strains that poverty has put on the family. But when a white representative of the neighborhood 'welcoming committee' presents the Youngers with an offer to buy them out of their home to prevent integration in their community, the dream of the house quickly becomes a nightmare.
The title comes from the opening lines of 'Harlem,' a poem by Langston Hughes ('What happens to a dream deferred? / Does it dry up / like a raisin in the sun?'). Throughout the play, the idea of deferred dreams is a prominent theme, as each member of the Younger family attempts to find his or her place amidst a number of difficult situations. While their future neighbors resist the Youngers' move, Walter Lee for the first time begins to value what money can't buy, and in the process achieves a new level of self respect and pride.
The Guthrie is proud to present Penumbra Theatre's production of Lorraine Hansberry's A Raisin in the Sun, directed by Lou Bellamy. A co-production with Arizona Theatre Company and The Cleveland Play House, this presentation marks the 50th anniversary of the show's groundbreaking Broadway opening, and arrives at the Guthrie on the heels of two highly-lauded regional runs in Ohio and Arizona. A Raisin in the Sun previews March 12, opens March 13 and plays through April 11, 2009 on the McGuire Proscenium Stage. Single tickets are priced from $24 to $60, with opening night prices ranging from $49 to $70. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.
A recent widow, Lena Younger (Franchelle Stewart Dorn) wants to use her husband's insurance money to buy a home for her family, freeing them from the cramped tenement in which she, her two children, daughter-in-law and grandson live. Her son, Walter Lee (David Alan Anderson), is determined to invest the money in a business - an opportunity for him to be his own man and not just the driver for his white boss. Lena refuses; in her eyes a house is a sturdy thing to build a dream on, one that can relieve the strains that poverty has put on the family. But when a white representative of the neighborhood 'welcoming committee' presents the Youngers with an offer to buy them out of their home to prevent integration in their community, the dream of the house quickly becomes a nightmare.
The title comes from the opening lines of 'Harlem,' a poem by Langston Hughes ('What happens to a dream deferred? / Does it dry up / like a raisin in the sun?'). Throughout the play, the idea of deferred dreams is a prominent theme, as each member of the Younger family attempts to find his or her place amidst a number of difficult situations. While their future neighbors resist the Youngers' move, Walter Lee for the first time begins to value what money can't buy, and in the process achieves a new level of self respect and pride.
