Kim Brandstrup News

The Lyric Hammersmith has announced its new season running May 2017 to January 2018 including three major new productions: a UK premiere, a new adaptation of a classic and the return of the now traditional Lyric pantomime.

???????My Name is Peter Stillman is a brand new Virtual Reality (VR) experience created by 59 Productions and funded by The Space, inspired by Paul Auster's celebrated first novel, The New York Trilogy. It will open at HOME, Manchester and the Lyric Hammersmith, London this spring, alongside the stage production of City of Glass.

Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 Productions in a co-production with HOME, Manchester (4-18 March) and Lyric Hammersmith (20 April - 13 May).

Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 Productions in a co-production with HOME, Manchester (4-18 March) and Lyric Hammersmith (20 April - 13 May).

Always looking for new worlds to conquer, Gioachino Rossini wrote GUILLAUME TELL in French, as Paris became the center of the opera world. Despite his successes there, this was to be his operatic swan song, a story glorifying a revolutionary character--with a message that resonated, loud and strong, at the performance the night after the troubling American election.

A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde;  Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler. 

A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde;  Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler. 

New English Ballet Theatre's lucky number this year is FIVE!  The company returns to the Peacock Theatre in November to perform five new ballets to celebrate its fifth anniversary: QUINT-ESSENTIAL: FIVE NEW BALLETS will present new work by high profile UK-based names in the world of ballet: Daniela Cardim, Kristin McNally, Marcelino Sambe, George Williamson, and Valentino Zucchetti.

CITY OF GLASS, the first part of Paul Auster's landmark three-part novel, The New York Trilogy, will be brought vividly to life in spring 2017 in a dazzlingly original stage adaptation by Tony Award-winning 59 Productions (An American in Paris, War Horse, David Bowie Is) and Olivier Award-nominated playwright Duncan Macmillan (People, Places and Things, 1984). The production premieres at Manchester's HOME in March and then plays London's Lyric Hammersmith from April. It's one of two major theatre commissions for HOME's new season, the other being David Watson's version of Ibsen's GHOSTS, directed by Polly Findlay.

New York City Ballet will open its 2016-17 Season at Lincoln Center on Tuesday, September 20, and will continue for 21-weeks of performances, through Sunday, May 28, and feature a total of 77 ballets created by 24 different choreographers.

The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.  

Transfigured Night is a new work from award-winning choreographer Kim Brandstrup. This large scale ensemble work, loosely based on Richard Dehmel's poem and driven by Arnold Schoenberg's late romantic masterpiece, focuses on a pair of lovers meeting at moonlight where dark secrets threaten the foundations of their relationship. Four dancers perform intimate duets accompanied by Schoenberg's lyrical and emotive score, whilst the remaining dancers form a chorus that reflects the emotional landscape of the piece.

New York City Ballet will open its 2015-16 Season at Lincoln Center tonight, September 22 with eight performances of Peter Martins' production of Tschaikovsky's Swan Lake, through Tuesday, September 29, to launch the Company's 2015 Fall Season, which will continue for four weeks through Sunday, October 18.

The Autumn / Winter 2015 Season at Sadler's Wells launches tonight.

The Autumn / Winter 2015 Season at Sadler's Wells has just been announced.

New York City Ballet will open its 2015-16 Season at Lincoln Center on Tuesday, September 22 with eight performances of Peter Martins' production of Tschaikovsky's Swan Lake, through Tuesday, September 29, to launch the Company's 2015 Fall Season, which will continue for four weeks through Sunday, October 18.

New York City Ballet will open its 2015-16 Season at Lincoln Center on Tuesday, September 22 with eight performances of Peter Martins' production of Tschaikovsky's Swan Lake, through Tuesday, September 29, to launch the Company's 2015 Fall Season, which will continue for four weeks through Sunday, October 18.

In a production commissioned by the Finborough Theatre, and another in its acclaimed series introducing Canada's finest playwrights to the UK, the European premiere of Daniel Macdonald's Velocity opens at the Finborough Theatre for a limited run of nine Sunday and Monday evening and Tuesday matinee performances from Sunday, 27 April 2014.

The Rime of the Ancient Mariner by Samuel Taylor Coleridge and directed by Phyllida Lloyd, composed by Mel Mercier, with lighting design by Jean Kalman and Mike Gunning, set design by Chloe Obolensky and choreography by Kim Brandstrup, will play the BAM Harvey Theater (651 Fulton St), tonight, December 10 - 22, 2013 as part of the Next Wave Festival.

Tonight, November 23, Deborah Warner's new production of Tchaikovsky's Eugene Onegin, which opened the current Met season, will return with a new cast in the central roles.