The New York City Ballet Board of Directors announced today that an interim team has been appointed to oversee the artistic management of NYCB during Ballet Master in Chief Peter Martins' current leave of absence.
Lincoln Center for the Performing Arts announced today the 2018 class of Emerging Artists, recognizing diverse talents, from a choreographer bridging the worlds of classical Indian and contemporary dance to one of the new faces of indie film to world-class musicians. Each recipient was nominated by one of Lincoln Center's 11 resident organizations, acknowledging his or her extraordinary talent and budding career.
One of the most celebrated and highly regarded dance makers working today, Sadler's Wells Associate Artist Akram Khan announces a new production, XENOS, which will mark his final performances as a dancer in a full-length piece.
Paul Taylor has invited New York City Ballet Principal Dancer Sara Mearns to perform works by Isadora Duncan reconstructed by The Isadora Duncan Dance Company Artistic Director, Lori Bellilove during the 2018 Season of Paul Taylor American Modern Dance (PTAMD) at the David H. Koch Theater at Lincoln Center.
Artistic Director of Sheffield Theatres Robert Hastie today announced casting for three productions in his inaugural season - Of Kith and Kin, Desire Under the Elms and Uncle Vanya.
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky's opera, adapted from Pushkin's classic verse novel. Peter Mattei stars as the title character, who rejects Tatiana's love until it's too late. Eugene Onegin airs on Great Performances at the Met Sunday, August 13 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky's opera, adapted from Pushkin's classic verse novel.
It's getting near the end of the season at the Met in New York and it's nice to see that they're still bringing out their “A” game, with a splendidly cast run of Tchaikovsky's EUGENE ONEGIN, with the wonderful Met orchestra under the sensitive baton of Robin Ticciati, music director at the Glyndebourne Festival. The Met's chorus, under Donald Palumbo, was also in fine fettle.
The Lyric Hammersmith has announced its new season running May 2017 to January 2018 including three major new productions: a UK premiere, a new adaptation of a classic and the return of the now traditional Lyric pantomime.
???????My Name is Peter Stillman is a brand new Virtual Reality (VR) experience created by 59 Productions and funded by The Space, inspired by Paul Auster's celebrated first novel, The New York Trilogy. It will open at HOME, Manchester and the Lyric Hammersmith, London this spring, alongside the stage production of City of Glass.
Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 Productions in a co-production with HOME, Manchester (4-18 March) and Lyric Hammersmith (20 April - 13 May).
Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 Productions in a co-production with HOME, Manchester (4-18 March) and Lyric Hammersmith (20 April - 13 May).
Always looking for new worlds to conquer, Gioachino Rossini wrote GUILLAUME TELL in French, as Paris became the center of the opera world. Despite his successes there, this was to be his operatic swan song, a story glorifying a revolutionary character--with a message that resonated, loud and strong, at the performance the night after the troubling American election.
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
New English Ballet Theatre's lucky number this year is FIVE! The company returns to the Peacock Theatre in November to perform five new ballets to celebrate its fifth anniversary: QUINT-ESSENTIAL: FIVE NEW BALLETS will present new work by high profile UK-based names in the world of ballet: Daniela Cardim, Kristin McNally, Marcelino Sambe, George Williamson, and Valentino Zucchetti.
CITY OF GLASS, the first part of Paul Auster's landmark three-part novel, The New York Trilogy, will be brought vividly to life in spring 2017 in a dazzlingly original stage adaptation by Tony Award-winning 59 Productions (An American in Paris, War Horse, David Bowie Is) and Olivier Award-nominated playwright Duncan Macmillan (People, Places and Things, 1984). The production premieres at Manchester's HOME in March and then plays London's Lyric Hammersmith from April. It's one of two major theatre commissions for HOME's new season, the other being David Watson's version of Ibsen's GHOSTS, directed by Polly Findlay.
New York City Ballet will open its 2016-17 Season at Lincoln Center on Tuesday, September 20, and will continue for 21-weeks of performances, through Sunday, May 28, and feature a total of 77 ballets created by 24 different choreographers.
The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.
Transfigured Night is a new work from award-winning choreographer Kim Brandstrup. This large scale ensemble work, loosely based on Richard Dehmel's poem and driven by Arnold Schoenberg's late romantic masterpiece, focuses on a pair of lovers meeting at moonlight where dark secrets threaten the foundations of their relationship. Four dancers perform intimate duets accompanied by Schoenberg's lyrical and emotive score, whilst the remaining dancers form a chorus that reflects the emotional landscape of the piece.
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