BWW Reviews: No Gods but Plenty of Masters in DIE MEISTERSINGER at the Met
by Richard Sasanow
- Dec 12, 2014
I never ran a marathon, but I sure sat through one the other night at the Met. Richard Wagner's DIE MEISTERSINGER clocked in at six hours--a quarter of a day--without a god or flying horse in sight. And while the composer referred to this as a comedy, it's not exactly “I Love Lucy” (nor, for that matter, LE NOZZE DI FIGARO).
BWW Reviews: Soprano Sonya Yoncheva Brings Voluptuous Sound to Debut in Stellar Ensemble of Met BOHEME
by Richard Sasanow
- Dec 5, 2014
Puccini's LA BOHEME has that magical ability to change its shape depending on the cast. When Pavarotti sang, it became his opera, with a Mimi hard pressed to take the spotlight, even in her death scene. When Stratas, Carreras and Scotto (as Musetta) led the cast, it became a glittery ensemble of shooting stars. At this week's performance with rising star Bulgarian soprano Sonya Yoncheva as Mimi, there was no doubt that she was the evening's “it” girl, even though the other principal singers added mightily to the performance's success.
BWW Reviews: Jovial BARBIERE with Isabel Leonard Cuts the Mustard at the Met
by Richard Sasanow
- Dec 2, 2014
Bartlett Sher's production of Rossini's IL BARBIERE DI SIVIGLIA is one of the best of the Gelb years at the Met, with its sliding-doors set by Michael Yeargan and luscious costumes by Catherine Zuber. It was great when it opened with an all-star cast--headed Diana Damrau, Juan Diego Florez and Peter Mattei--and remains sturdy even when some of the casting is a little wobbly.
BWW Reviews: LADY MACBETH OF MTSENSK is 'Opera Noir' and Utterly Wonderful at the Met
by Richard Sasanow
- Nov 18, 2014
Compared to Dutch soprano Eva-Maria Westbroek as Katerina Ismailova in LADY MACBETH OF MTSENSK at the Met, Barbara Stanwyck and Lana Turner were couple of pikers in their film noir triumphs, “Double Indemnity” and “The Postman Always Rings Twice.” Westbroek kills her father-in-law with rat poison, strangles her husband with her lover's belt and, as the piece de resistence, drowns her lover's new girlfriend, while going under herself. And she has to do it all while effortlessly singing Shostakovich's demanding score.
What a dame!
BWW Interviews: Brandon Jovanovich Finds the Humanity in LADY MACBETH's Bad Boy
by Richard Sasanow
- Nov 13, 2014
“To be blunt, Sergei is not a nice guy,” says tenor Brandon Jovanovich, talking about his current role at the Metropolitan Opera in Dmitri Shostakovich's LADY MACBETH OF MTENSEK. “He's the kind of fellow who's jovial and friendly one minute…and then you hear he's robbed a store. He uses and abuses people--we all know someone like that, don't we?” he adds, laughing.
BWW Reviews: Met Takes New FIGARO in Marriage for Season Opener
by Richard Sasanow
- Sep 30, 2014
More than most stagings of Mozart's LE NOZZE DI FIGARO, the new Richard Eyre production that opened the season at the Met made it hard to remember that the miserable duo who head the household were the happy couple of Rossini's IL BARBIERE DI SIVIGLIA.
BWW Interview: FIGARO's Isabel Leonard -- The Girl, the Boy and the Voice
by Richard Sasanow
- Sep 29, 2014
'Cherubino is crazy in some ways, in good ways,' says Isabel Leonard, who is singing the role of the young male page in the Almaviva household in the Metropolitan Opera's new Richard Eyre production of LE NOZZE DI FIGARO. 'He sees everything in Technicolor, eyes wide open, taking everything in, not missing a second that he could possibly enjoy in his life.”'
Verdi's MACBETH to Screen Live in HD at The Ridgefield Playhouse, 10/12
by BWW News Desk
- Sep 12, 2014
How exhilarating are the operas broadcast Live in HD to The Ridgefield Playhouse, complete with behind-the-scenes tours and commentary by some of the genres' most revered stars. From the Met in New York City comes Verdi's masterpiece Macbeth on Sunday, October 12, at 12 p.m., with star soprano Anna Netrebko as Lady Macbeth and Željko Lu?i?'s as Macbeth.
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