Amelia has a job selling memberships to a charity that rescues kids in countries overseas. She's invested the rest of her life in her beloved television shows, which provide her an emotional haven.
Amelia has a job selling memberships to a charity that rescues kids in countries overseas. She's invested the rest of her life in her beloved television shows, which provide her an emotional haven.
Amelia has a job selling memberships to a charity that rescues kids in countries overseas. She's invested the rest of her life in her beloved television shows, which provide her an emotional haven.
Opening this Friday, Collaborative Artists Ensemble's production of 'Anatomy of a Hug' by Kat Ramsburg.
Amelia has a job selling memberships to a charity that rescues kids in countries overseas. She's invested the rest of her life in her beloved television shows, which provide her an emotional haven.
Members of the 'Pro99' movement of Actors' Equity Association have issued an open letter to AEA's newly elected president, Kate Shindle, in response to her victory and to her inaugural address as president of the national union for actors and stage managers. The open letter is signed by over 400 Equity members (listed below), including such notable names as Ed Asner, Francis Fisher, Sally Kirkland and Alfred Molina. The 'Pro99' movement formed in late 2014 in opposition to AEA's rollout of a new plan that will effectively force 'intimate theaters' in Los Angeles to pay Equity actors minimum wage, go 'non-union' or even close - despite an overwhelming vote against the plan by 66% of the Los Angeles membership on an advisory referendum. 'Pro99' members around the nation, who take their name from the current AEA '99 Seat Plan' that allows members to volunteer in smaller venues, oppose AEA's new promulgated plan. They are requesting that Equity leadership put a moratorium on the plan until local members' voices can be heard, and that the union work with its members to develop an alternative plan that will more realistically address the needs of the Los Angeles theater community.
The Classical Theatre Lab and the City of West Hollywood opened Moliere's 'The Misanthrope' to a sold-out house Saturday, July 11th at Kings Road Park in West Hollywood, CA. Scroll down for photos from the show!
The Classical Theatre Lab and the City of West Hollywood present Moliere's comic masterpiece The Misanthrope, freely adapted and directed by award-winning director Tony Tanner, produced by Suzanne Hunt and Alex Wells.
The Classical Theatre Lab and the City of West Hollywood present Moliere's comic masterpiece The Misanthrope, freely adapted and directed by award-winning director Tony Tanner, produced by Suzanne Hunt and Alex Wells.
THE ROAD THEATRE COMPANY at THE NOHO ARTS COLONY 10747 MAGNOLIA BLVD.NORTH HOLLYWOOD, CA 91601 (roadtheatre.org)joins the line-up of worldwide organizations that will present readings of 2012 OBIE Award-winning playwright Caridad Svich's new play. This work of intertwining monologues explores human rights and environmental issues around the world, especially in relationship to human-made tragedies and their aftermath. These readings are an initiative of NoPassport (www.nopassport.org) for Human Rights International reading scheme. THE ROAD THEATRE will present a reading (LIVE OR VIA VIDEO IN DIGITAL SEGMENTS ) which centers on stories from the United States, Nigeria, Syria, Malaysia, sub-Sahara, and Venezuela.
Jacob Sidney takes Shakespeare's Hamlet and turns it into HAMLET MAX for the Hollywood Fringe Festival, setting the production in a post-apocalyptic dystopian future that allows for a freer style of interpretation.
A housekeeper who hates cleaning prefers trying to dream up the funniest joke in the world, even though she's convinced it might kill her.
The Clean House - Sarah Ruhl's unpredictable and sublime rumination on the importance of laughter and mess in our lives. Four markedly different, yet intimately connected women grapple with order, cleanliness, and the messy ambiguities of life in a quirky and unexpectedly moving comedy about love, loss, and the power of a good joke.
A housekeeper who hates cleaning prefers trying to dream up the funniest joke in the world, even though she's convinced it might kill her.
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