In honor of its 150th anniversary Joshua William Gelb and company revive The Black Crook, the first ever American musical, at the Abrons Arts Center this fall. That is, if you believe the myth.
In honor of its 150th anniversary Joshua William Gelb and company revive The Black Crook, the first ever American musical, at the Abrons Arts Center this fall. That is, if you believe the myth.
We describe 10 shows we're are excited to see in September and then add 13 more shows in a lightning round. That's a lot of theater. Did we miss anything? Let us know on Twitter at Maxamoo, Jose, Jack, and Lindsay.
In honor of its 150th anniversary Joshua William Gelb and company revive The Black Crook, the first ever American musical, at the Abrons Arts Center this fall. That is, if you believe the myth.
The spectacular 19th Century production is traditionally regarded as the first American musical comedy.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."
Target Margin Theater presents The ICEMAN Lab, a radical new reimaging of The Iceman Cometh, with four diverse theater artists each tackling a separate act of the play. This fresh take on O'Neill's classic will give audiences the opportunity to see each act as a separate experiment or all together in a single sitting. The four acts of The ICEMAN Lab play a varied schedule at the HERE Arts Center (145 6th Avenue) beginning today, June 2 through June 25, with special marathon performances on June 11 and June 18.
Target Margin Theater presents The ICEMAN Lab, a radical new reimaging of The Iceman Cometh, with four diverse theater artists each tackling a separate act of the play. This fresh take on O'Neill's classic will give audiences the opportunity to see each act as a separate experiment or all together in a single sitting. The four acts of The ICEMAN Lab will play a varied schedule at the HERE Arts Center (145 6th Avenue) from June 2 through June 25, with special marathon performances on June 11 and June 18.
The Eugene O'Neill Theater Center, National New Play Network, The Kennedy Center American College Theater Festival, and Stage Directors and Choreographers Foundation jointly announce the selection of five directors from a nationwide pool of applicants for the National Directors Fellowship:
The University of the Arts' Ira Brind School of Theater Arts announces the 2016 lineup for Polyphone, a "festival of the emerging musical" on the UArts campus in Philadelphia. Running March 20-27, the 2016 the Polyphone festival produces staged concerts of new musicals and re-imagined canonical works offering professional composers, librettists and directors an opportunity to develop their work among the rich creative community of the Brind School at UArts. The festival will program five musicals, including both classical and new works, with three performances each.
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, today, May 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
Little Lord presents BAMBIF*CKER/KAFFEEHAUS at The Brick tonight, Mar. 5 - 21 and continues the company's exploration into the Jewish / Queer / Experimental / Fun / Campy arts.
Little Lord presents BAMBIF*CKER/KAFFEEHAUS at The Brick Mar. 5 - 21 and continues the company's exploration into the Jewish / Queer / Experimental / Fun / Campy arts.
Nutcracker: Part I, The Workshop: An immersive, dance-theatre reimagining of the classic ballet, performed in the cavernous Knockdown Center, depicts the life-story of a woman (and dancer) named Clara.
The Incubator Arts Project presents its fifth annual Other Forces, a festival of work from some of independent theater's most innovative artists. Other Forces will run today, January 9 - 26, 2014.
The Incubator Arts Project presents its fifth annual Other Forces, a festival of work from some of independent theater's most innovative artists. Other Forces will run January 9 - 26, 2014.
The legendary tennis star and equal rights pioneer Billie Jean King takes center stage as the subject of the new play SHE IS KING - conceived and created by Laryssa Husiak, directed by Katherine Brook - being given its NY premiere with performances January 10-26 at the Incubator Arts Project (inside St. Mark's Church, 131 E. 10 St. in Manhattan) as part of OTHER FORCES 2014, Incubator Arts' annual festival of work from some of independent theater's most innovative artists.
Joshua William Gelb and David McGee present PARTY IN THE USA, directed by Joshua William Gelb and written by David McGee, at the Incubator Arts Project, running tonight, July 19 through the 28th. The cast features: Featuring: John Gasper, Eric Clem, Laura Moss, Wil Petre, and Caleb Hammond.
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