San Francisco Ballet's latest mixed repertoire program, a?oeDance Innovations,a?? covers a lot of territory thematically and choreographically, and has a wealth of transcendent moments. Two of the ballets were made expressly for SFB, and the other is a classic from the mid-20th century.
Producing Artistic Director Carolyn Griffin is pleased to announce that Christmas at the Old Bull and Bush 2018 will be returning to MetroStage (Nov 29-Dec 30). The play, written and directed by Catherine Flye, had an acclaimed six year run at the Old Vat Room at Arena Stage (1997-2003) before debuting at MetroStage last season. Two members of the original Bull and Bush cast will be joined by some new members of a very eccentric British troupe to entertain audiences for the holidays.
Producing Artistic Director Carolyn Griffin is pleased to announce that Christmas at the Old Bull and Bush 2018 will be returning to MetroStage (Nov 29-Dec 30). The play, written and directed by Catherine Flye, had an acclaimed six year run at the Old Vat Room at Arena Stage (1997-2003) before debuting at MetroStage last season. Two members of the original Bull and Bush cast will be joined by some new members of a very eccentric British troupe to entertain audiences for the holidays.
The Women's Voices Theater Festival may be winding down in D.C. proper, but Alexandria's MetroStage is looking to keep the focus on female-centered stories with their Spring Solo Series. The second of these one-woman shows, George-Don't Do That: The Music and Magic of Joyce Grenfell, is a love-filled tribute to British comedienne Joyce Grenfell who became a global sensation in the mid-20th century thanks to her intellectual satire and good natured spirit. Despite clear adoration for the play's subject, the work doesn't properly explain who Ms. Grenfell is or why she became so famous, information which would be helpful for a modern American audience.
Back in the late 90's I went to the old Vat Room at Arena Stage to see this Christmas show that my Catholic University professor talked about. Being the grandchild of a British war bride, I had many British Christmases growing up, so I knew what to expect. What I didn't expect back then was how enjoyable that night would be. Sometimes you go to the theater to have fun and escape from the troubles of your day.
When Ghost the movie premiered in 1990, it became an instant sensation. The combination of romance, comedy and fantasy made for a movie going experience that men and women could relate to. Everyone wanted Demi Moore's haircut, pottery classes and the song Unchained Melody performed at proms and weddings.
Now in its 36th year, The In Series announces a diverse season of 'Opera & more'. The 2017-2018 season includes a new English adaptation of Mozart's The Magic Flute to be performed in DC's Scottish Rite Temple, a sizzling double-bill of Cuban zarzuela, and Viktor Ullmann's haunting Emperor of Atlantis. Popular and concert offerings include a Jacques Brel cabaret in French and English, a revue featuring the music of Jerome Kern, the family musical Duke Ellington's Neighborhood and Operetta Holiday, a staged-concert evening of light opera favorites.
Now in its 36th year, The In Series announces a diverse season of 'Opera & more'. The 2017-2018 season includes a new English adaptation of Mozart's The Magic Flute to be performed in DC's Scottish Rite Temple, a sizzling double-bill of Cuban zarzuela, and Viktor Ullmann's haunting Emperor of Atlantis. Popular and concert offerings include a Jacques Brel cabaret in French and English, a revue featuring the music of Jerome Kern, the family musical Duke Ellington's Neighborhood and Operetta Holiday, a staged-concert evening of light opera favorites.
MASTER CLASS is McNally's fictionalized and highly entertaining play where "La Divina" once again brings her passions to the stage, this time as a teacher of young opera students. For the production now lighting up MetroStage, Illona Dulaski embodies Callas in a tour de force performance.
Before ballet stages everywhere become crowded with nutcrackers and their gala holiday accouterments, there is still time for other sturdy folk tales of enchantment set to Russian music and popular with children with which to spin off imaginative ballets.
Now in its 35th year, The In Series opens its season with Who's The Boss?, a rollicking double bill of short comic opera, pairing Pergolesi's La Serva Padrona (in English) with Gilbert & Sullivan's Trial By Jury.
Now in its 35th year, The In Series opens its season with Who's The Boss?, a rollicking double bill of short comic opera, pairing Pergolesi's La Serva Padrona (in English) with Gilbert & Sullivan's Trial By Jury.
Lincoln Center at the Movies, the new cinema series recently announced by Lincoln Center in partnership with Fathom Events, will open in fall 2015 with Great American Dance presenting performances by four of America's leading companies: Alvin Ailey American Dance Theater, Ballet Hispanico, New York City Ballet, and San Francisco Ballet. Each event will be shown in select cinemas nationwide at nearly 400 locations.
I talk to Allison Miller, a dancer whose sparkling personality manages her sparkling performance, about Houston Ballet's THE NUTCRACKER.
In this Broadway World interview, I have a very serious conversation with Lauren Strongin, soloist for the Houston Ballet. Really folks, I just could not think of one joke. But, this interview doesn't need my comedy. Lauren and I discussed FROM HOUSTON TO THE WORLD, in which she dances in all four pieces, overcoming injury, and making the move from Sarasota, Florida to Houston, Texas.
Tonight, April 25 at 7:00 p.m. and Saturday, April 26 at 1:30 p.m., Houston Ballet II and the entire school will present its 2014 Spring Showcase in the Cullen Theater at Wortham Theater Center in downtown Houston.
On Friday, April 25 at 7:00 p.m. and Saturday, April 26 at 1:30 p.m., Houston Ballet II and the entire school will present its 2014 Spring Showcase in the Cullen Theater at Wortham Theater Center in downtown Houston. Tickets start at $28 and may be purchased by calling 713 227 ARTS (713 227 2787) or online at www.houstonballet.org. All proceeds raised by the performances will benefit Houston Ballet Academy.
Last night, Houston Ballet presented the American Premiere performance of David Bintley's spellbinding ALADDIN. The ballet, commissioned by National Ballet of Japan, had its World Premiere on November 15, 2008. For this opulent and mesmerizing theatrical treat, choreographer David Bintley pulls his inspiration from the original story; however, his ballet stills delivers everything fans of the 1992 Disney film expect from the story.
On Monday, February 24 from 10:30 a.m. to 12:30 p.m., costumed dancers from Houston Ballet's production of Aladdin will make a special visit to Texas Children's Cancer and Hematology Centers. This month, Houston Ballet will present eight performances of Aladdin at the Wortham Theater Center February 20 - March 2, and the dancers want to bring the magic of the performance to children who may not have the opportunity to see the production. Houston Ballet principal Melody Mennite, principal Joseph Walsh, soloist Nao Kusuzaki, soloist Lauren Strongin, and corps de ballet dancers Katelyn May, Aria Alekzander, and Aaron Sharratt will participate in this event.
From today, February 20-March 2, 2014, Houston Ballet presents the North American Premiere of David Bintley's Aladdin, the first work by the celebratEd English choreographer to enter Houston Ballet's repertoire.
