Elizabeth Bennett and Mr. Darcy have a date with destiny-and South Coast Repertory-in the season-opening production of Jane Austen's Pride and Prejudice, running Sept. 9 through Oct. 9 on the Segerstrom Stage.
Dominic Cuskern, producer of Gallery Players' production of The Tragedy of Macbeth, has announced the addition of a special guest talkback after the production's first Sunday matinee performance.
Dominic Cuskern, producer of Gallery Players' production of The Tragedy of Macbeth, has announced the addition of a special guest talkback after the production's first Sunday matinee performance.
South Coast Repertory's 48th season will offer audiences an exciting blend of new plays and modern-day classics. The season begins with an adaptation of Jane Austen's beloved Pride and Prejudice and will include works from some of theatre's master craftsmen: Horton Foote's touching The Trip to Bountiful, August Wilson's powerful Jitney, Donald Margulies' stimulating Sight Unseen and Suzan-Lori Park's gripping Topdog/Underdog. The new work includes the Southland debut of Molly Smith Metzler's comedy of class, Elemeno Pea, and the world premieres of three plays read at this year's Pacific Playwrights Festival: Catherine Trieschmann's pressure-cooker drama How the World Began, Steven Drukman's family comedy The Prince of Atlantis and Octavio Solis and Adam Gwon's emotional chamber musical, Cloudlands.
The works of Jane Austen have been read and adapted for almost two hundred years, but no adaptation has been more popular or illuminating than the recent translation to the stage of Pride and Prejudice by Joseph Hanreddy and J.R. Sullivan. This version captures Austen's cleverness and fervor in the telling of this witty, elegant, sharply observed and richly rendered love story. Even the most cynical among us have trouble resisting this story's most satisfying resolution.
Connecticut Repertory Theatre (CRT) will present Jane Austen's Pride & Prejudice, adapted by Joseph Hanreddy and J.R. Sullivan, Feb. 24 - Mar. 6, 2011 in the Nafe Katter Theatre on the Storrs campus. For tickets and information, call 860-486-4226 or visit www.crt.uconn.edu.
The works of Jane Austen have been read and adapted for almost two hundred years, but no adaptation has been more popular or illuminating than the recent translation to the stage of Pride and Prejudice by Joseph Hanreddy and J.R. Sullivan. This version captures Austen's cleverness and fervor in the telling of this witty, elegant, sharply observed and richly rendered love story. Even the most cynical among us have trouble resisting this story's most satisfying resolution.
Connecticut Repertory Theatre (CRT) will present Jane Austen's Pride & Prejudice, adapted by Joseph Hanreddy and J.R. Sullivan, Feb. 24 - Mar. 6, 2011 in the Nafe Katter Theatre on the Storrs campus. For tickets and information, call 860-486-4226 or visit www.crt.uconn.edu.
Actors who bear a substantial resemblance to a legendary celebrity or historical figure are often inspired to turn that stroke of luck into a one-person show. If Bern Cohen ever had any doubts about his resemblance to political activist Abbie Hoffman, they were certainly dissolved one evening in the 1970s when Ohio police arrested him and put him through a brutal interrogation under the assumption that he was the famous 'Clown Prince of the Revolution' who co-founded the Youth International Party (the Yippies), was a member of the 'Chicago Eight' who were charged with conspiracy and inciting to riot after disruptive demonstrations outside the 1968 Democratic National Convention and wrote a New York Times bestseller, even though it was titled Steal This Book.
THE PEARL THEATRE COMPANY (J.R. Sullivan, Artistic Director; Shira Beckerman, Managing Director) proudly presents Moliere's wryly personal comedy, The Misanthrope, translated into English verse by the renowned and prolific Richard Wilbur. The production begins performances on January 14 at New York City Center Stage II and is directed by the former Artistic Director of Milwaukee Repertory Theater, Joseph Hanreddy.
THE PEARL THEATRE COMPANY (J.R. Sullivan, Artistic Director; Shira Beckerman, Managing Director) proudly presents Moliere's wryly personal comedy, The Misanthrope, translated into English verse by the renowned and prolific Richard Wilbur
THE PEARL THEATRE COMPANY (J.R. Sullivan, Artistic Director; Shira Beckerman, Managing Director) proudly presents Moliere's wryly personal comedy, The Misanthrope, translated into English verse by the renowned and prolific Richard Wilbur. The production begins performances on January 14 at New York City Center Stage II and is directed by the former Artistic Director of Milwaukee Repertory Theater, Joseph Hanreddy.
This weekend brings the final events and performances of 2010 at the Peck School of the Arts. But we'll be back in 2011 with even more! Download the new Peck School of the Arts January-August 2011 Events Brochure to see what we have in store.
Main Attractions
Wed-Sun, Dec 8-12 - Mainstage Series: Lovers' Quarrels, Wed-Sat at 7:30pm; Sun at 2pm, Mainstage Theatre
Molière's second full-length play in verse, 'Lovers' Quarrels' is a complex comedy animated by deception and misunderstanding.
The Tony Award-winning Oregon Shakespeare Festival will celebrate its 75th anniversary this season, and while patrons will notice celebratory signs and banners as well as opportunities to sit in on historical lectures and talks throughout the season, the primary celebration is onstage. OSF has promised its audiences, to whom it has dedicated this milestone season that it will continue to focus energies on producing great plays this year.
THE PEARL THEATRE COMPANY (J.R. Sullivan, Artistic Director; Shira Beckerman, Managing Director) announces Lee Stark as the newest member of the Resident Acting Company. The 12th member of the ensemble, Stark will be featured in The Pearl's upcoming production of THE SNEEZE, Michael Frayn's adaptation of Chekhov's short stories and plays which begins performances this week.
The Tony Award-winning Oregon Shakespeare Festival will celebrate its 75th anniversary this season, and while patrons will notice celebratory signs and banners as well as opportunities to sit in on historical lectures and talks throughout the season, the primary celebration is onstage. OSF has promised its audiences, to whom it has dedicated this milestone season that it will continue to focus energies on producing great plays this year.