The Los Angeles LGBT Center's Lily Tomlin/Jane Wagner Cultural Arts Center has announced the world premiere of Hoodwinked, an original play created for the 2018 Hollywood Fringe Festival. Preview performances begin June 2, at 6:30pm with opening set for Saturday, June 9, at 8pm at the LGBT Center's Davidson/Valentini Theatre.
The Chamber Orchestra of Philadelphia (COP) continues our Improvisionaries season presenting trailblazing composer and electric violist, Martha Mooke. COP's fifth series program at the Kimmel Center, Mozart, Mooke, and Faure, will feature Mozart's brilliant Symphony No. 38 "Prague." This iconic work received its first performance in Prague during one of Mozart's most successful tours to the city. The "Prague" symphony will share the program with a new commission by Martha Mooke. Mooke's unique style crosses the classical, jazz, and rock genres with a compelling and singular musical voice. In addition to concert appearances worldwide, Mooke's work has been featured in recordings that often defy categorization, including David Bowie's Heathen CD.
The Martin E. Segal Theatre Center announces the fourth annual Segal Center Film Festival on Theatre and Performance (FTP). The program includes a roster of more than 35 features, shorts, and documentaries by artists from Argentina, Belgium, Canada, China, France, Germany, Israel, Italy, Lebanon, The Netherlands, Poland, Serbia, The United Kingdom, and the United States. The festival takes place on Thursday, March 1; Friday, March 2; and Saturday, March 3 at The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, NYC, 365 Fifth Avenue, at 34th Street.
FRIGID New York @ Horse Trade will present a limited encore run of Dandy Darkly's Myth Mouth! written and performed by Dandy Darkly and directed by Ian Bjorklund, at UNDER St. Marks.
FRIGID New York @ Horse Trade will present a limited encore run of Dandy Darkly's Myth Mouth! written and performed by Dandy Darkly and directed by Ian Bjorklund, at UNDER St. Marks.
On September 22 a collaborative education project with Cleveland Orchestra musicians and Cleveland School of the Arts (CSA) students centered around the music of Beethoven will culminate when the Orchestra and Music Director Franz Welser-Most perform a special Education Concert, "Beethoven & Prometheus: A Hero's Journey" at Severance Hall. During the spring of 2017,
An exclusive interview with Artistic Directors Rick Dildine, Christopher Ashley, Blake Robison, Jim Petosa, and Anne Hamburger for their insights on theatre's role in society today.
Los Angeles Chamber Orchestra (LACO), one of the nation's premier orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions, appoints David Grossman as Principal Bass and Michael Thornton as Principal Horn, announces LACO's Executive Director Scott Harrison. Both begin their new posts immediately and will also continue in their current positions. Grossman is Bass with the New York Philharmonic, which he joined as its youngest member in 2000, and Thornton is Principal Horn of the Colorado Symphony.
Dandy Darkly is New York City's cult, cabaret sensation. He is a masterful and mesmerizing storyteller who has astounded audiences at festivals and theaters on both sides of the Atlantic.
Celebrating its 5th anniversary with an amazing line up of shows, workshops and panels, Toronto's Soulo Theatre Festival runs May 25-28 with all events except the Opening Night taking place at the RED Sandcastle Theatre in Leslieville.
The Oregon Shakespeare Festival invites audiences to "be our guest" for a Falstaffian romp through merry old Windsor; a heroic, Homeric journey home to Ithaka; and a revelatory musical journey of self-discovery when its outdoor theatre opens the weekend of June 16-18. The Allen Elizabethan Theatre will feature The Merry Wives of Windsor, directed by Dawn Monique Williams; The Odyssey, adapted and directed by Mary Zimmerman; and Disney's Beauty and the Beast, directed by Eric Tucker. Previews begin June 6, and all three shows will run through the weekend of October 13-15.
Dandy Darkly is New York City's cult, cabaret sensation; a painted and pontificating performance artist with a masterful and mesmerizing style of immersive storytelling that has astounded critics and delighted audiences at Fringe festivals and theaters across the globe. Dandy's thrilled to mark his Florida debut with back-to-back performances of his critically acclaimed solo show, Dandy Darkly's Myth Mouth!, at the Tampa International Fringe Festival (May 12-14) and the Orlando Fringe Festival (May 18-28).
Celebrating its 5th anniversary with an amazing line up of shows, workshops and panels, Toronto's Soulo Theatre Festival runs May 25-28 with all events except the Opening Night taking place at the RED Sandcastle Theatre in Leslieville.
Schimmel Center presents New York Theatre Ballet (NYTB) Uptown/Downtown/Dance at Schimmel Center, 3 Spruce Street, NYC, on Friday and Saturday, April 28 and 29, 2017 at 7:30pm and The Alice-in-Wonderland Follies! on Sunday, April 30, 2017 at 3pm.
The Uptown/Downtown/Dance program will include an as-yet-untitled World Premiere from Martin Lawrance and the World Premiere of Painted Within by Zhong-Jing Fang, as well as a restaging of former NYTB resident choreographer Edward Henkel's ReVision, created in 1986, with music by Edvard Grieg, Holberg Suite op. 40 (1884). A 2013 NYTB commission, Short Memory by Pam Tanowitz, is set to live music by Lou Harrison and Henry Cowell and helps set up Ms. Tanowitz's brilliant use of stage space. The evenings include two more pieces by Ms. Tanowtiz: Light Moving, set to music by David Lang, and Double Andante, a 13-minute ballet for ten dancers set to the Andante movement of Beethoven's Sonata in D Major #15, which will be played live on piano two times at different tempos. Tickets are $29 and are available at SchimmelCenter.org.
This is the sixth post in my series about Apples and Oranges Studios' THEatre ACCELERATOR. THEatre ACCELERATOR utilizes new technology to develop musicals in a unique way. For a full explanation of THEatre ACCELERATOR, see my first post here.