Joseph Barron News

There are no supernatural women arriving on horseback to escort slain warriors to the afterlife--just a trio of mermaids, a couple of giants and a loveless dwarf, along with a bunch of gods, demi-gods and grotesque humans in Richard Wagner’s DAS RHEINGOLD, the first part of the composer’s Ring cycle (officially DER RING DES NIBELUNGEN). Saturday night’s audience stayed to cheer the opening of General and Artistic Director Tomer Zvulun’s production after nearly three intermission-less hours.

The Cleveland Orchestra announced updates to its inaugural Jack, Joseph and Morton Mandel Opera & Humanities Festival: The American Dream, which takes place this spring at Severance Music Center and with Cleveland partner organizations.

​​​​​​​ The Dallas Opera has announced guest performers and programming for the upcoming Linda and Mitch Hart Institute for Women Conductors Showcase Concert on Saturday, January 28, at 7:30pm at the Margot and Bill Winspear Opera House (2403 Flora St., Dallas, TX).

Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.

Opera Grand Rapids will present a classically-staged production of "The Marriage of Figaro," May 4 and 5, 2018 at DeVos Performance Hall.

Berkshire Opera Festival (BOF) is proud to present Giuseppe Verdi's masterpiece, Rigoletto for its third season, with performances August 25, 28, and 31 at the historic Colonial Theatre in Pittsfield.

Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.

Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.

Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.

Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.

THE MAGIC MARKSMAN (DER FREISHÜTZ) at George Mason University and present by Virginia Opera certainly offered a spectacle. Directed by Stephen Lawless, the show's well-crafted sets, designed by Benoit Dugardyn, brought you into the small German-esque town. The lighting, designed by Patricia Collins, was very interesting and truly set the scene. The music composition was absolutely beautiful; it was a great show to simply listen to.

Arizona Opera's production of Rigoletto, directed by Fenlon Lamb, is a noble and well-constructed effort in portraying the ironic misjudgments of its main characters. It is gifted with notable performances by Peter Volpe as Sparafucile, the assassin; Joseph Barron as Count Monterone; Beth Lytwynec as the assassin's sister; and Michael Corvino as Rigoletto. It is, however, Sarah Coburn, who defines and gives glory to this production in her sterling tour de force performance as Gilda.

Nicholas Muni gives a stylish yet peculiar take on an age-old story

Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, today, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.

Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.

The Metropolitan Opera today announced the names of eight finalists who will sing in the 2011 National Council Auditions Grand Finals Concert on March 13 at 3:00 p.m. with the Met Orchestra conducted by Patrick Summers. The finalists are: Joseph Barron, bass-baritone from Pittsburgh, PA; Deanna Breiwick, soprano from Seattle, WA; Sasha Djihanian, soprano from Montreal, Canada; Ryan Speedo Green, bass-baritone from Suffolk, VA; Michelle Johnson, soprano from Pearland, TX; Joseph Lim, baritone from Seoul, South Korea; Nicholas Masters, bass from New Canaan, CT; and Philippe Sly, bass-baritone from Ottawa, Canada.

The Metropolitan Opera today announced the names of eight finalists who will sing in the 2011 National Council Auditions Grand Finals Concert on March 13 at 3:00 p.m. with the Met Orchestra conducted by Patrick Summers. The finalists are: Joseph Barron, bass-baritone from Pittsburgh, PA; Deanna Breiwick, soprano from Seattle, WA; Sasha Djihanian, soprano from Montreal, Canada; Ryan Speedo Green, bass-baritone from Suffolk, VA; Michelle Johnson, soprano from Pearland, TX; Joseph Lim, baritone from Seoul, South Korea; Nicholas Masters, bass from New Canaan, CT; and Philippe Sly, bass-baritone from Ottawa, Canada.