As it celebrates 65 years of excellence in modern dance, the Paul Taylor Dance Foundation will be moving the 2019 Season of Paul Taylor American Modern Dance (PTAMD) from March to October/November. This change will allow better integrated creative, rehearsal, performance and touring schedules, and assure that the Lincoln Center Season remains the best modern dance in New York. The 2019 Season will continue the stellar collaboration with the Orchestra of St. Luke's, marrying spectacular live music to brilliant dancing.
»Tradition and innovation«: Managing Director Peter Theiler presents the programme for his first season at the Semperoper Dresden; twelve premieres, repertoire and lieder recitals with brilliant artists; Omer Meir Wellber appointed as the Principal Guest Conductor of the Semperoper.
It's 'deja vu all over again' goes the quip attributed to the NY Yankees pitcher Yogi Berra. But that's the feeling I had with Thomas Ades's THE EXTERMINATING ANGEL, with libretto based on the Luis Bunuel film, 'El angel exterminador,' by Tom Cairns and the composer. (Cairns also directed.) Not that the opera looks or sounds like anything else recently produced on the Met's stage, except perhaps for Ades's own TEMPEST. Rather, it's because it seems like the operatic arm of France's Nouvelle Vague, the New Wave, of the late '50s and '60s.
Thomas Ad s conducts the Metropolitan Opera premiere of The Exterminating Angel with eight performances from October 26 to November 21, 2017. The critically acclaimed opera, staged by the librettist Tom Cairns, is a co-commission and co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.
Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.
Let's get this straight. The pirates, who take pity on orphans, are really peers of the realm. The 21-year-old, who has sworn to put them behind bars, is really only five. And the policemen, whose lot is not a happy one, are really, really hopeless at foiling felons…
It is no secret that acclaimed film director Mike Leigh has a passion for Gilbert and Sullivan; his 1999 film Topsy-Turvy was an outright celebration of them and their music. In this first revival of his version of Pirates of Penzance, Leigh maintains and expands on that celebratory spirit in a colourful and vivacious production at the London Coliseum.
Composed when Shostakovich was just 21 years old, fresh from the conservatoire and still high on the success of his First Symphony, The Nose is a piece of musical rebellion - a fantasy of abrasive, rule-breaking joie de vivre whose absurd, anarchic rompings and musical shape-shiftings conceal a political switchblade under their brightly-coloured clothes. This is pantomime, certainly, but adult pantomime. Never before staged at the Royal Opera, the piece now makes a belated debut, and in the hands of Australian director Barrie Kosky it looks scarcely less radical now than it would have done back in 1928.
Strawberry Blonde Curls Theatre Company in partnership with City of Sanctuary presents 'TANJA.' Emily Ntshangase-Wood will play the lead role, a former Yarl's Wood detainee, whose inspiring story and similar stories of those who have been detained are at the heart of it.
Strawberry Blonde Curls Theatre Company in partnership with City of Sanctuary presents 'TANJA.' Emily Ntshangase-Wood will play the lead role, a former Yarl's Wood detainee, whose inspiring story and similar stories of those who have been detained are at the heart of it.
The Dallas Opera is thrilled to present six women conductors of international stature making music with The Dallas Opera Orchestra and a host of outstanding young artists in one great evening designed to showcase the work of the inaugural Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera.
The Dallas Opera is thrilled to present six women conductors of international stature making music with The Dallas Opera Orchestra and a host of outstanding young artists in one great evening designed to showcase the work of the inaugural Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera.
World-class opera returns to Canterbury next month. The Glyndebourne Tour 2015 brings three productions to The Marlowe Theatre, two of which transfer straight from the 2015 Glyndebourne Festival where they premiered this summer.
World-class opera returns to Canterbury next month. The Glyndebourne Tour 2015 brings three productions to The Marlowe Theatre, two of which transfer straight from the 2015 Glyndebourne Festival where they premiered this summer.
The Dallas Opera is proud to announce the names of the six distinguished professionals selected to participate in the inaugural session of the Institute for Women Conductors at The Dallas Opera:
