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Theater at Monmouth's A MIDSUMMER NIGHT'S DREAM Opens 7/23

William Shakespeare's magical comedy A Midsummer Night's Dream opens at Theater at Monmouth Friday, July 23 at 7:30 p.m. One of Shakespeare's most popular plays, A Midsummer Night's Dream follows the journey of four young lovers as they find their way through the forest and to each other. But as Lysander says "the course of true love never did run smooth." Full of madcap chases and mistaken identities, A Midsummer Night's Dream is an exploration of the mystery and madness of love.

Peterborough Players' INTIMATE EXCHANGES Begins Tonight

The Peterborough Players second play of the season is Alan Ayckbourn's comedy INTIMATE EXCHANGES. It debuts tonight, July 1st. Ayckbourn is regarded as England's Neil Simon with more than 70 plays spanning 5 decades. He is known for examining love, romance, marriage and relationships with comedy, wit and sharp dialogue. His plays include the award winning, Absurd Person Singular (produced twice by the Players in 1977 and  2013), The Norman Conquests. Bedroom Farce and A Chorus of Disapproval.

Tony Nominee Laura Osnes Makes Provincetown Debut This Weekend

Two Time Tony Nominee and star of Broadway's 'Cinderella' Laura Osnes will make her Provincetown debut tonight, June 27 and tomorrow, June 28 at 7:00 PM as she launches the star-studded 2015 Broadway @ The Art House season, with Sirius XM star Seth Rudetsky as pianist and host.

Peterborough Players' INTIMATE EXCHANGES Begins 7/1

The Peterborough Players second play of the season is Alan Ayckbourn's comedy INTIMATE EXCHANGES. It debuts Wednesday, July 1st. Ayckbourn is regarded as England's Neil Simon with more than 70 plays spanning 5 decades. He is known for examining love, romance, marriage and relationships with comedy, wit and sharp dialogue. His plays include the award winning, Absurd Person Singular (produced twice by the Players in 1977 and  2013), The Norman Conquests. Bedroom Farce and A Chorus of Disapproval.

Dramatists Guild of America to Host 'Writing the Changing World' in La Jolla

The Dramatists Guild of America is pleased to announce their Third National Conference, Writing the Changing World, which will be held from July 16-19, 2015 at the Hilton La Jolla Torrey Pines in La Jolla, CA. The conference will include keynote speeches, legal and business seminars, workshops, panels, and conversations with theatre elite. Participating Council and visiting artists include Lisa Kron, Stephen Schwartz, Kristen Anderson-Lopez, Carol Hall, Winnie Holzman, Georgia Stitt, Bobby Lopez, Marsha Norman, John Weidman, Julia Jordan, Amanda Green, and Linda Bloodworth-Thomason.

Tony Nominee Laura Osnes to Make Provincetown Debut, 6/27-28

 Two Time Tony Nominee and star of Broadway's "Cinderella" Laura Osnes will make her Provincetown debut on Saturday, June 27 and Sunday, June 28 at 7:00 PM as she launches the star-studded 2015 Broadway @ The Art House season, with Sirius XM star Seth Rudetsky as pianist and host. For tickets and information visit www.ptownarthouse.com  or call 800-838-3006.

Regional Roundup: Top 10 Stories This Week Around the Broadway World - 6/12; 'Phenomenal' JC SUPERSTAR in KC, RED in St. Petersburg and More!

This week, we go around our Broadway World to feature stories in Washington DC, St. Petersburg, Adelaide, and more. Check out our top 10 stories around our Broadway World below, which include an 'astonding' SCIENCE AND SOULMATES in DC, a 'phenomenal' JESUS CHRIST SUPERSTAR in Kansas City, and full coverage of the Adelaide Cabaret Festival, just to name a few.

BWW Reviews: John Logan's RED at American Stage

Extremely strong production of the Tony Award winning play about Abstract-Expressionist Mark Rothko that will be discussed long after you drive away from your parking space.

BWW Reviews: NEVER THE SINNER - Compelling Courtroom Drama

The true story of murderous teens Nathan Leopold and Richard Loeb has seen many iterations over the years, from thinly veiled derivatives like ROPE, COMPULSION or MURDER BY NUMBERS to direct accounts of their actions such as the musical THRILL ME, or the subject of this review, John Logan's NEVER THE SINNER.

BWW Tonys Special: Ultimate Guide to This Season's Cast Recordings

It's that time of year, and I can't help but wonder if your CD collection and iPod are Tonys ready. It's just a handful of hours until the 69th annual Tony Awards, which will be broadcast live on Sunday, June 7, 2015 at 8/7c on CBS. This Broadway season has some exciting contenders in the musical categories, and to get you ready for the big night, I'm recapping the albums you should be listening to (or at least pre-ordering).

Sting's THE LAST SHIP Will Play Norway, Sweden and Finland!

According to the New York Times, The Last Ship, for which Sting earned a 2015 Tony nomination, will play Norway, Sweden and Finland in the coming years. Sting's spokesperson Rick Miramontez told NYT that the musical will be performed in th native language of each country when it arrives in Oslo (2016) and in Stockholm and Helsinki in (2017).

BWW EXCLUSIVE: 5 SONGS BY... Sting On THE LAST SHIP

Today we continue the 5 SONGS BY... series by talking to 2015 Tony Award nominee and world renowned Grammy Award-winning recording artist Sting all about his score for the recent mainstage musical THE LAST SHIP, for which he composed music and lyrics. Besides describing the impetus behind the show itself and many of the standout musical selections, Sting also spotlights his creative process in crafting the at turns propulsive, jaunty and delicately romantic score for the new musical as well as sheds some light on material that did not make it into the final version of the show, directed by Tony Award winner Joe Mantello.

BWW Reviews: Circuit's SEMINAR Should Be Required Viewing

There's something intrinsically dramatic about a formidable artist/instructor who, because of whatever circumstances, finds that he or she has to step down a rung on the ladder of fame in order not to slip from that ladder altogether. It isn't necessarily a new theme that Theresa Rebeck tackles in the acid-etched comedy SEMINAR, directed by Irene Crist and currently running at Circuit Playhouse. While watching it, I was reminded of other works dealing with artists who, out of necessity, must share their genius (and sharpen their verbal talons) on eager, ambitious upstarts. Not too long ago, there was a production of John Logan's RED, about the artist Mark Rothko and his fictional assistant. Nor should we forget Terrence McNally's MASTER CLASS, with diva Maria Callas holding a voice master class with students trembling under her aura. Other, similar (if fictional) titles leap to mind: Consider that holy terror from THE PAPER CHASE, 'Professor Kingsfield' (John Houseman), intimidating Timothy Bottoms' frustrated law student. To these master instructors we can now add the imperious 'Leonard' (deliciously played by Michael Detroit, who, as a real-life instructor, has an innate understanding of the interplay between teacher and student), a famous novelist who has been to the well of inspiration once too often and is now (for $5000 per student) reluctantly willing to train his weary eyes on material that more often than not elicits blistering barbs of criticism; and a varied and pretentious lot they are - the affluent 'Kate' (whose spacious and expensive apartment furnishes the setting for the seminar meetings, and whose six-year struggle with a story is rather like a plane that bumps along a runway and can't quite take flight); the name-dropping 'Douglas,' who has written something fit for THE NEW YORKER (ordinarily an impressive feat - except when Leonard derides its 'detached intelligence'); the opportunistic 'Izzy,' who isn't beyond parlaying her particular affinity for sex into a form of self-promotion; and, finally, the disproving 'Martin,' whose intellectual probity causes him to roll his eyes at the pretentiousness of people like Douglas.

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