John Cage News

Helga Davis, the Isabella Stewart Gardner Museum's Visiting Curator of Performing Arts, has announced a daring series of performances in music, theater, dance, and other art forms this spring, using the Museum's collection as a catalyst to spark contemporary discussions through multidisciplinary expressions.

Freshly minted independent record label, Seattle-based and artist-led, specializes in classical music with an emphasis on new music

Baryshnikov Arts Center (BAC) announces Spring 2019 BAC Residencies, which will provide critical support to 16 artists developing projects and collaborations across disciplines. Three public events with Resident Artists include presentations by 2018-19 Cage Cunningham Fellows Tei Blow and Silas Riener, and a day of Studio Showings by BAC Space Resident Artists at BAC (450 West 37th Street, Manhattan). Tickets and reservations are available at bacnyc.org or 866-811-4111.  

Miro Magloire's New Chamber Ballet continues its series with the world premiere of  Sanctum, set to music by two major composers, Kaija Saariaho and Karin Rehnqvist, with guest singers Charlotte Mundy, Mary Mackenzie, and Elisa Sutherland of Ekmeles joining the resident Magloire ensemble of dancers and musicians.   Also on the program is Magloire's Morning Song, a solo to music by John Cage.   

Violinist Dan Auerbach and pianist Joshua Pierce, two exceptional players will share the stage in a joint debut performance on February 6, 8 PM at Weill Recital Hall at Carnegie Hall. Together they present an exclusive program featuring great classics: Mozart's Sonata No. 18 in G Major, K. 301, Brahms's Sonata No. 3 in D Minor, Op. 108 and Ravel's Sonata No. 2. in G Major, Op. 77. The Mozart, Ravel and Brahms sonatas are paired with the Currier's modern Aftersong and Bloch's Nigun from the Baal Shem Suite. Sarasate's Introduction and Tarantella is added to showcase violinistic display.

Facility Theatre continues it's 2018-2019 season with the Chicago Premiere of The Ruse of Medusa written by Erik Satie and directed by resident director Dado. The production features David Cerda, Brian Shaw, Jenni M Hadley, Laurie Roberts, Taylor Galloway, Wilson Tanner Smith, Nick Cuellar, Zach Hebert, Jordan Tragash and musical director, Sam Clapp.

Baryshnikov Arts Center (BAC) announces that Georgiana Pickett will step down as Executive Director of BAC. Ms. Pickett will remain in her position until April 26, 2019

Preludes and Nocturnes welcomes the listener into a sonic environment that evokes Bach and Chopin through to Philip Glass, Steve Reich and John Cage. A cascade of pieces - varying from one, two or three performers - unites with stunning visuals by projection artist Jim Walter in a breathtaking and transportive experience.

Spring activities for the Centennial, which continues through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, community programming, and new works by other artists in conversation with Merce Cunningham's work.

AILEEN PASSLOFF,  STEPPING FORWARD: One Foot (in front of the other) A program of dances by Aileen Passloff  with reconstructions of the choreographies of James Waring and Remy Charlip  And screenings of excerpts from two of Marta Renzi's films

The 92nd St. Y's Dig Dance will present AILEEN PASSLOFF, Stepping Foward: One Foot (in front of the other), a program of dances by Aileen Passloff, noted choreographer, dancer, director, actor and teacher, along with rarely seen works, reconstructed by Passloff, of James Waring and Remy Charlip, Thursday January 11 at 8 PM and Sunday January 13 at 3 PM.. Passloff will present dances choreographed in the early 1960s, when she was one of the pioneers of the early Judson Church modern dance scene, to new works receiving their world premieres. Pianists Doug Schultz, Michael Scales and Michael Cherry, and guitarist Arturo Martinez, will accompany most of the dances and provide short musical interludes during the performance.

Bard College announces the appointment of world-renowned composer, conductor, and artist Tan Dun as Dean of the Bard College Conservatory of Music. As dean, Tan Dun will guide the Conservatory in fulfilling its mission of teaching young musicians both new music and music history, while deepening an understanding of its connection to history, art and culture, and society. He will also help to build the synergy between Eastern and Western studies at the Conservatory, including its recently founded US-China Music Institute.

Baryshnikov Arts Center (BAC) announces the Spring 2019 season of dance, theater, music, and multimedia presentations, running January 30 through May 30. Tickets for BAC Presents performances are on sale now, and can be purchased at bacnyc.org and 866 811 4111. A complete lineup of BAC Residencies-to be announced in January-will provide residencies to artists across disciplines to create new works of dance, theater, music, and multimedia.  

The 92nd St. Y's Dig Dance will present AILEEN PASSLOFF, Stepping Foward: One Foot (in front of the other), a program of dances by Aileen Passloff, noted choreographer, dancer, director, actor and teacher, along with rarely seen works, reconstructed by Passloff, of James Waring and Remy Charlip Sunday January 13 at 3 PM.. Passloff will present dances choreographed in the early 1960s, when she was one of the pioneers of the early Judson Church modern dance scene, to new works receiving their world premieres. Pianists Doug Schultz and Michael Cherry, and guitarist Arturo Martinez, will accompany most of the dances and provide short musical interludes during the performance.

The New School's College of Performing Arts (CoPA) today announced a landmark partnership with the Philip Glass Ensemble (PGE) and long-time PGE member, Lisa Bielawa, around the work of Philip Glass, one of the world's preeminent composers, musicians, and authors, to form a new learning and creative center. Building on Glass's enduring contributions to modern culture, the Philip Glass Institute (PGI) will offer students, faculty, and the public the opportunity to immerse themselves in the work of Philip Glass, other important artists within his circle, and the work of the iconic Philip Glass Ensemble. Renowned composer and long-time vocalist for the PGE Lisa Bielawa will become the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute.

The New School's College of Performing Arts (CoPA) today announced a landmark partnership with the Philip Glass Ensemble (PGE) and long-time PGE member, Lisa Bielawa, around the work of Philip Glass, one of the world's preeminent composers, musicians, and authors, to form a new learning and creative center. Building on Glass's enduring contributions to modern culture, the Philip Glass Institute (PGI) will offer students, faculty, and the public the opportunity to immerse themselves in the work of Philip Glass, other important artists within his circle, and the work of the iconic Philip Glass Ensemble. Renowned composer and long-time vocalist for the PGE Lisa Bielawa will become the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute. 

Haunting, gentle spirits from far-flung worlds meet in the pulsing sphere of dreams and lullabies that is Angel Heart, a music storybook. With an original tale by best-selling children's fantasy writer Cornelia Funke, Angel Heart weaves an evocative original score by Luna Pearl Woolf with beloved songs by Irving Berlin, Lennon-McCartney, Jake Heggie, Engelbert Humperdinck, Gordon Getty, and others. An affecting narration by Academy Award-winning actor Jeremy Irons layers upon intoxicating performances by singers Frederica von Stade, Daniel Taylor, Lisa Delan, and Zheng Cao – all above a rich bed of cellos, Matt Haimovitz and his Grammy-nominated ensemble Uccello.

After a 16-month hiatus from full production, Boulder-based square product theatre returns in the New Year, with plans for two productions, including the Regional Premiere of London, UK-based theatre-maker Greg Wohead's "Celebration, Florida," and the World Premiere of "Everything was Stolen. ," an original work developed in London, UK by Emily K. Harrison, square product theatre producing artistic director.   Featuring two performers who have never met, "Celebration, Florida" is a quietly surreal show for anyone who has ever missed anyone or anything. Veering between reality and simulation, the piece orbits around ideas of surrogacy; a stand-in to replace a person you miss, a re-creation of an experience you can't stop thinking about, nostalgia for a place that perhaps never existed. Greg will speak to the audience through two performers using pre-recorded audio and headphones. They will know almost nothing about the show when they walk onstage.  

On April 16, 2019-the late, legendary American choreographer Merce Cunningham's 100th birthday-the largest Cunningham Event ever staged will take place in London, New York City, and Los Angeles.