a??a??a??a??a??a??a??Theater J, a program of the Edlavitch DCJCC and the nation's largest and most prominent Jewish theater, announces readings of five plays during the third year of its signature Yiddish Theater Lab: Golem Stories by Edward Einhorn on October 28, 2019; The Red Beads by Rinne Groff (adapted from a play by Osip Dymov) on December 2, 2019; A Hidden Corner by Peretz Hirschbein, translated by David S. Lifson, on February 3, 2020; One of Those by Paula Prilutski, adapted and translated by Allen Lewis Rickman, on April 6, 2020; and Miriam by Alix Sobler, freely adapted from Peretz Hirschbein's Miriam, date to be determined. Tickets are Pay-What-You-Choose and are available at www.theaterj.org or 202-777-3210. All readings are at 1529 16th Street NW, Washington, DC in
Weston Playhouse Theatre Company presents an ode to youth, life, love, and the strange beauty of human connectedness, I AND YOU (July 4 - July 21 | Walker Farm), Tues - Sat 7:30pm; Wed & Sat 2:00pm; Sun 3:00pm.
Theater J, the nation's largest and most prominent Jewish theater, continues its signature Yiddish Theater Lab with readings of two plays in May. The plays are The Rented Bridegroom by Rinne Groff (adapted from a play by Osip Dymov) on May 6 at Foundry Church and Yankl the Blacksmith by David Pinski on May 20 at the Goethe-Institut. These readings follow the first full production of the Yiddish Theater Lab,
Theater J Artistic Director Adam Immerwahr and Managing Director Jojo Ruf announce the 2019-2020 season, welcoming home audiences to a beautiful and refreshed theater located in the newly renovated Edlavitch DC Jewish Community Center on 16th Street. The season includes four plays and one musical, all being produced for the first time in DC, as well as the triumphant return of a recent Theater J hit. From an intoxicating new musical set in Tel Aviv based on the Song of Songs to the late-career masterpiece by multiple Pulitzer Prize-winner Edward Albee, Theater J's season celebrates journeys of every kind with a provocative and ambitious slate of plays. Of the six shows, three have future runs: two in New York City and one at Cincinnati Playhouse in the Park.
Join Keen Company for the first public reading of three new plays, developed through the Keen Playwrights Lab. The 2018 Playwrights Lab features playwrights Kia Corthron, Rinne Groff, and Edwin Sanchez. Tickets are FREE and open to the pubic! Space is limited, so reservations are a must.
Theater J's new production of Actually, which opened on Monday night, provides new voices to the issue of campus safety and sexual assault. Anna Ziegler's script undoubtedly has important things to say-and Actually is a crucial piece which dives into the intricacies of campus safety. It's tough material that suffers from some uneven pacing but one which, nevertheless, encourages continued engagement and thought.
Theater J announces a production of Anna Ziegler's Actually, a provocative new play that explores the timely subject of sexual consent between young people. This hot-button issue is appearing in the news cycle with extraordinary frequency in stories about people at the highest levels of the political arena and about students on college campuses throughout the nation. Theater J is producing Actually at Arena Stage at the Mead Center for American Theater from October 17 - November 18.
Theater J, the nation's pre-eminent professional Jewish theater, announces its 2018-2019 season, which will be presented "around town" in top cultural venues throughout the city as the historic Edlavitch DCJCC building undergoes major renovation. Artistic Director Adam Immerwahr has selected a diverse group of plays including an acclaimed one-woman show with music at the John F. Kennedy Center for the Performing Arts, a new contemporary drama by Anna Ziegler at Arena Stage, a period love story by Lanford Wilson at GALA Hispanic Theatre, and a new adaptation of a Yiddish theater classic at Georgetown University.
Theatre has always been a lens through which to view the current world. Productions such as RENT, illuminated issues like the AIDS crisis in ways that hadn't been seen before on a stage. Audiences confronted these issues in a very real way, and one would hope that they learned and grew from the experience. We're in another turning point in time right now, in the midst of the #MeToo and Time's Up movements. Women are standing up and resisting in droves. It's a powerful statement on the endurance and the drive of women. So it seems only fitting, that for the third year, Everyman Theatre is producing a SALON SERIES of readings of plays written by women, and directed by women, allowing the women of the company to "stretch that directing muscle" and take a step outside of their comfort zone.
Everyman Theatre's enormously popular Salon Series, celebrating the work of women playwrights, returns for its third edition with five powerful new plays, curated and directed by the women of Everyman Theatre's Resident Acting Company (Dawn Ursula, Beth Hylton, Deborah Hazlett and Megan Anderson), and hosted in the social setting of Everyman's second-floor rehearsal hall on select Monday evenings: February 5, February 19, March 5, March 19 and April 2, from 6:00 PM to 10:00 PM.
The Theater at the 14th Street Y continues to honor the edgy, diverse, and rich history of innovative culture making in the East Village with their 2017-2018 Season.
The Theater at the 14th Street Y continues to honor the edgy, diverse, and rich history of innovative culture making in the East Village with their 2017-2018 Season.
The Jewish Plays Project (David Winitsky, Artistic Director) is thrilled to announce the line-up for the 6th Annual OPEN: Festival of New Jewish Theater.
This is not a show about big issues; the pathos comes from the human condition, to the basic facts of which the play is usually true, even when operating as a well-tooled laughter-delivery-vehicle. If there can be said to be a moral to Silverman's story, it is simply that it is extremely hard to become close to someone, and even harder to stay close. A good thing to be reminded of, and especially in such an amusing way.
Hot off of the heels of its successful Humana Festival premiere, Jen Silverman's hilarious hit play The Roommate will make its East Coast debut at Baltimore's Everyman Theatre starting October 26th.
Hot off of the heels of its successful Humana Festival premiere, Jen Silverman's hilarious hit play The Roommate will make its East Coast debut at Baltimore's Everyman Theatre starting October 26th.
Everyman Theatre is excited to announce the return of the Salon Series Women's Voices in the 16/17 Season. Thanks to last season's overwhelming demand and sold-out performances, this year, the informal play reading series will increase from four to six plays and will take place over the entire 16/17 Season. The six plays of The Salon Series complement the Main Stage production and feature the work of female playwrights. These Salon readings will also be directed by the women of Everyman's Resident Acting Company and hosted by well-known and accomplished women in our area.
Everyman Theatre is excited to announce the return of the Salon Series Women's Voices in the 16/17 Season. Thanks to last season's overwhelming demand and sold-out performances, this year, the informal play reading series will increase from four to six plays and will take place over the entire 16/17 Season. The six plays of The Salon Series complement the Main Stage production and feature the work of female playwrights. These Salon readings will also be directed by the women of Everyman's Resident Acting Company and hosted by well-known and accomplished women in our area.
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