St. Ann's Warehouse, responding to extraordinary popular demand, has extended the American Premiere of the National Theatre/Headlong production of Duncan Macmillan's People, Places & Things, directed by Jeremy Herrin, to December 3.
Fairchild closed out his New York City Ballet career on Sunday afternoon, performing George Balanchine's Duo Concertant.
Today's subject Liam Mower is currently living his theatre life on tour with esteemed choreographer Matthew Bourne's production of The Red Shoes in the role of Ivan Boleslawsky. The production concludes a week-long engagement today at Kennedy Center's Opera House before continuing on to Charlotte, NC and New York, NY.
It seems to be the week for notable romcom two-handers. Joining Simon Stephens' Heisenberg and David Ireland's The End of Hope is David Eldridge's meditation on the loneliness and halting longing of modern relationships.
Saint George and the Dragon is a story you likely heard as a child. 'He's a picture in a storybook,' notes one of the characters, 'But that's not who we are anymore'. Neither is the audience at the National Theatre. Harking back to a golden age of storytelling, Saint George and the Dragon falls on deaf ears. Laden with heavy exposition, Rory Mullarkey's play tells but does not show.
It's the early hours of the morning and Danny's the last straggler at Laura's party. The flat's in a mess. And so are they. One more drink?
Into the story walks George: wandering knight, freedom fighter, enemy of tyrants the world over.
Labour of Love sees the return of MGC to the West End following Photograph 51 and their acclaimed 2013/14 season. Check out a first look at the show below!
With This House enjoying an acclaimed revival last year, and Almeida hit Ink now situated just metres away from new offering Labour of Love on St Martin's Lane, the West End currently belongs to the fantastically prolific playwright James Graham.
Saint George and the Dragon, a new play by Rory Mullarkey, will be directed by Lyndsey Turner. The show runs in previews from tonight 4 October, with press night 11 October, and continues in the repertoire until 2 December 2017 at the National Theatre. BroadwayWorld has a sneak peek at the company in rehearsal below!
Matthew Bourne and his New Adventures Company spell electricity from the getgo. When critics, actors and other fans heard that Bourne was bringing the premiere US production of The Red Shoes to the Ahmanson for two weeks only, it instantly became a hot ticket. Why? What he produces and directs supercedesballet; even wordless, it's as theatrical as you can get with visual images and musical sounds that are super exciting to watch and listen to...and the music of Bernard Herrmann accompanying this piece is one of the greatest treats imaginable.
Emily Stilson (Juliet Stevenson) is suspended in a void. She analyses this strange situation with wry perspicacity and occasional breathless panic. She's a prisoner, a specimen. She's fallen, trapped. She's flying.
The cast is set for the acclaimed Matthew Bourne / New Adventures production of "The Red Shoes." Presented by Center Theatre Group and Glorya Kaufman Presents Dance at The Music Center, the American premiere of "The Red Shoes" runs September 15 through October 1, 2017, with the opening set for September 19.
Saint George and the Dragon, a new play by Rory Mullarkey, will be directed by Lyndsey Turner. The show runs in previews from 4 October, with press night 11 October, and continues in the repertoire until 2 December 2017 at the National Theatre. BroadwayWorld has a sneak peek at the company in rehearsal below!
New Adventures presents the North American tour of Matthew Bourne's double Olivier Award-winning production of THE RED SHOES.
Good morning, BroadwayWorld! Today's big news: TIME AND THE CONWAYS begins previews, FROZEN opens in Denver, and more!
National Theatre Live broadcasts return to the McAninch Arts Center, located at 425 Fawell Blvd. on the campus of College of DuPage, as part of the MAC's 2017-2018 Season.
Ben Lewis's past work includes Forbidden Broadway and Candide at Menier Chocolate Factory, Annie Get Your Gun at Sheffield Crucible, and playing The Phantom in the original Australian production of Love Never Dies. He's now donning the mask again to lead the West End production of Phantom of the Opera.
Follies just opened at the National Theatre, let's see what the critics had to say!
Theatre has a long memory. Stephen Sondheim and James Goldman's 1971 musical has been through myriad incarnations, donning and shedding numbers, an interval, an ill-conceived upbeat ending, and yet the original vision has lingered. It comes to extraordinary life in a blockbuster National Theatre revival that proves Follies isn't just still here - it's thrilling, heartrending and utterly vital.
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