The National Theatre of Great Britain's production of WAR HORSE, presented by Lincoln Center Theater and the National Theatre of Great Britain in association with Bob Boyett, is now in previews at the Vivian Beaumont Theater (150 West 65th Street). WAR HORSE is based on the novel by Michael Morpurgo, adapted by Nick Stafford, with Handspring Puppet Company, and directed by Marianne Elliott and Tom Morris. Opening night is Thursday, April 14 at 7:00 pm. In the following video, Handspring WAR HORSE creators discuss the construction of their famous horse puppet on stage at this year's TED conference.
Matt Doyle, currently appearing in Lincoln Center Theater's WAR HORSE, has created a video blog taking you backstage behind the British story of a horse sent to serve in World War I and the boy who searches for him.
The National Theatre of Great Britain's production of WAR HORSE, presented by Lincoln Center Theater and the National Theatre of Great Britain in association with Bob Boyett, is now in previews at the Vivian Beaumont Theater (150 West 65th Street). WAR HORSE is based on the novel by Michael Morpurgo, adapted by Nick Stafford, with Handspring Puppet Company, and directed by Marianne Elliott and Tom Morris. Opening night is Thursday, April 14 at 7:00 pm.
Previews begin Tuesday, March 15 for the National Theatre of Great Britain's production of WAR HORSE, presented by Lincoln Center Theater and the National Theatre of Great Britain in association with Bob Boyett. WAR HORSE is based on the novel by Michael Morpurgo, adapted by Nick Stafford, with Handspring Puppet Company, and directed by Marianne Eliott and Tom Morris. Opening night is Thursday, April 14 at 7:00 pm at the Vivian Beaumont Theater (150 West 65 Street).
Casting has been announced for the upcoming production of the National Theatre of Great Britain's production of WAR HORSE to be presented this spring by Lincoln Center Theater and the National Theatre of Great Britain in association with Bob Boyett.
A tasteful performance Shaw afficionados will love does raise the question whether the passé quality of the ideas sets practical limits to the play's appeal
There are two things you should know about me: I am a musical theatre lover, and I love to schmooze with actors and composers. I am very fortunate to live in the DC area where our theatre community is growing by leaps and bounds. There are so many productions opening in September in DC, Maryland and Virginia theatres, my head is spinning trying to figure out which ones I will see.
