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Trinity Rep Announces Free Reading of JUST LIKE US

Trinity Rep, in partnership with Rhode Island Latino Arts (RILA), announces a free, public reading of Karen Zacar as' play Just Like Us on October 16, 2017 at 7:00 pm at Trinity Rep at 201 Washington St. in Providence. Just Like Us, a powerful play based on the real story of DREAMers , will be directed by Joe Wilson, Jr. and performed by the Trinity Rep resident acting company, local actors, students, and activists. To learn more or reserve free tickets to the reading, visit www.TrinityRep.com/LikeUs.

Trinity Rep Community Groups to Take the Stage in A CHRISTMAS CAROL

Trinity Rep announces a special addition to this year's 40th anniversary production of A Christmas Carol. As part of its ongoing efforts to forge deeper connections with The Rhode Island community, Trinity Rep has invited 18 different community groups to perform in every public performance of this year's production.Celebrating the community-driven spirit of Southern New England's favorite holiday tradition, co-directors Angela Brazil and Stephen Thorne are excited to invite these groups on stage to share in the spotlight. Each community group will perform in three consecutive performances throughout the course of the run of the show.  A Christmas Carol will run November 9 - December 31, 2017, with acting company member Joe Wilson, Jr. in the role of miserly businessman Ebenezer Scrooge. More information is available online at TrinityRep.com/Carol.

Trinity Rep 2017-18 Season Tickets On Sale Tomorrow

Trinity Rep announces tickets to its 2017-18 season will go on sale tomorrow, August 8, 2017. Tickets start at $25 and will be available for purchase by phone at (401) 351-4242, online at www.trinityrep.com, or in person at the theater's box office at 201 Washington Street, Providence.

BWW Review: Power to the People of FUENTE OVEJUNA

Like Sheep to Water, or Fuente Ovejuna, by Lope de Vega,  was written in the early 1600s, but has been largely unproduced in the United States.  Similar to a Shakespearean history, it's based on actual events that occurred in the Castilian region of Spain in 1476.  This production was translated and adapted by Trinity Rep Artistic Director Curt Columbus, and manages to stir up plenty of emotion while injecting much-needed moments of comic relief.  While the production, costumes and performances are excellent as they always are at Trinity Rep, the play itself is somewhat underwhelming despite containing classic themes of romance and triumph over oppression.

Trinity Rep Announces Casting for 2017-2018 Season

Tony Award-winning Trinity Repertory Company, under the artistic leadership of Richard L. Bready Artistic Director Curt Columbus, announces initial casting for its robust 2017-2018 season. 

Trinity Rep Closes Season with LIKE SHEEP TO WATER, OR FUENTE OVEJUNA

Trinity Rep concludes its 53rd season with the Golden Age drama, Like Sheep to Water, or Fuente Ovejuna by Lope De Vega, translated and adapted by Curt Columbus, directed by Mark Valdez. Like Sheep to Water, or Fuente Ovejuna runs May 11 - June 11, 2017. Tickets are on sale now by phone at (401) 351-4242, online at www.trinityrep.com, or in person at the theater's box office at 201 Washington Street, Providence.

BWW Review: Compelling THE MOUNTAINTOP at Trinity Rep

THE MOUNTAINTOP by Katori Hall, reimagines Martin Luther King's last night in a Memphis hotel room with an unexpected amount of humor and some magical realism.  It is daunting to take on the task of humanizing such a larger-than-life figure, but Joe Wilson Jr.'s portrayal is compelling, endearing and perfectly captures both the challenge and the pain that comes with being a public figure called to tackle a seemingly impossible task. This two-person production also stars Mia Ellis as Camae, the hotel maid who delivers coffee to King's room and who quickly becomes a friend and confidant. This is an intimate production that manages to avoid getting too preachy, delivering a night of excellent theatre.

Trinity Rep Presents Reprise Performance of THE EVERY 28 HOURS PLAYS

Trinity Rep invites the public to revisit the one-minute plays written on the ground in Ferguson, MO and performed at the theater in fall of 2015 to a second community-led performance of The Every 28 Hours Plays on Monday, October 17th at 7:30PM.

Trinity Rep Presents Reprise Performance of THE EVERY 28 HOURS PLAYS

Trinity Rep invites the public to revisit the one-minute plays written on the ground in Ferguson, MO and performed at the theater in fall of 2015 to a second community-led performance of The Every 28 Hours Plays on Monday, October 17th at 7:30PM.

BWW Review: Thrilling BEOWULF: A THOUSAND YEARS OF BAGGAGE

The thought of seeing a dramatic version of the epic poem Beowulf may make many people cringingly remember the sweaty days of undergrad and trying to parse meaning out of Olde English while being lorded over by a condescending professor and at least one overly enthusiastic classmate who won't shut up about it. Or maybe that's just me. The good news is that Tritnity Rep's production of BEOWULF: A THOUSAND YEARS OF BAGGAGE is not only hilarious, but 100% accessible even to those who have never read, and maybe don't want to read, the book.  This play is half academic lecture--but funny, and half manic musical fever dream, which come together beautifully to create a spectacle of light and sound.  Punctuated by dramatic, towering sets and scowling warrior maidens, it feels like Mad Max meets Bladerunner set in a wholly new dystopia.  This is a play that is fully immersive and unlike anything else out there.  It's so exciting to know the basic plot of a story, but still be surprised with what comes next, and this production is unexpected and unique in the best way.

Photo Flash: Trinity Rep Presents BEOWULF: A THOUSAND YEARS OF BAGGAGE

Trinity Rep opens its 53rd season Ghosts of the Past, Dreams of the Future with Jason Craig and Dave Malloy's Beowulf: A Thousand Years of Baggage directed by Artistic Director Curt Columbus.  Beowulf: A Thousand Years of Baggage runs through October 9, 2016.

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