Recently, Yankee Magazine, in their Editors' Choice Best of New England 2014 issue, awarded the title of "Best Intimate Theatre" to Rhode Island's own Sandra Feinstein-Gamm Theatre. The Gamm's home in Pawtucket is intimate, there's no argument about that, a perfectly sized and perfectly utilized theatrical space. Proximity with the audience can at times be a risky bet, a chance for a company to live or die by the sword of theater that is very up close and personal. In the case of the Gamm, it is a bet they always win. Just one example is this season's final play, Blackbird, which again showcases how the space's intimacy can and does make great theater even more powerful and impactful.
The Sandra Feinstein-Gamm Theatre presents Blackbird by David Harrower and directed by Tony Estrella. It stars Madeleine Lambert and Jim O'Brien and runs from May 1 to June 1. Tickets are available here. Scottish playwright David Harrower's most acclaimed and most controversial play, Blackbird 'is theater at its most elemental,' says The New York Times. In a littered factory break room, 55-year-old Ray and 27-year-old Una engage in a confrontation so real and raw that you feel you should look away. But how can you? Fifteen years earlier, the two had a sexual affair...when she was 12. Ray has assumed a new identity and a new life following his imprisonment, while Una has not stopped searching for answers to her conflicting emotions. What emerges from the recriminations and explanations is a complex relationship that blurs the boundaries between love and lust, obsession and abuse. Uncompromising, shocking and surprisingly tender, Blackbirdwill leave you hanging on every word and every uncomfortable silence.
For mature audiences only.
The Sandra Feinstein-Gamm Theatre (The Gamm) closes Season 29 with the Rhode Island premiere of Blackbird, Scottish playwright David Harrower's shocking drama that captivates audiences and leaves them breathless. Gamm Artistic Director Tony Estrella directs Madeleine Lambert (Anne Boleyn in Anne Boleyn) and Gamm Resident Actor Jim O'Brien (Salter in A Number, Thomas Cromwell in Anne Boleyn) in the discomfiting story of a tormented young woman who confronts a traumatic relationship from her childhood. Blackbird runs from May 1-June 1 at The Gamm Theatre, 172 Exchange St., Pawtucket, RI.
A double bill of provocative one-acts explores the perhaps not-so-distant future by way of science fiction and fable, keeping you firmly in its grip, in The Gamm's A NUMBER and FAR AWAY by Caryl Churchill. BroadwayWorld has photos from the productions below!
One of the many great aspects of Rhode Island's theater community is the presence of companies and artists who are willing to take some risks. They don't always play it safe. They don't just do shows that are easy or simple or uncomplicated. There are at least a few area theaters that frequently put on productios of complicated, difficult, disturbing or thought-provoking works. The Sandra Feinstein Gamm Theatre is one of those companies and they have begun their season with another complex and even puzzling production. This time, it's actually two plays, a double bill from English playwright Caryl Churchill, A Number and Far Away.
The Sandra Feinstein-Gamm Theatre(The Gamm) opens Season 29 with an exciting and provocative double bill of one-act plays by acclaimed British playwright Caryl Churchill (Top Girls, Cloud Nine). A Number, directed by Gamm Resident Director Judith Swift, and Far Away, directed by Gamm Artistic Director Tony Estrella, explore the perhaps not so distant future by way of science fiction and fable.
The Sandra Feinstein-Gamm Theatre(The Gamm) opens Season 29 with an exciting and provocative double bill of one-act plays by acclaimed British playwright Caryl Churchill (Top Girls, Cloud Nine). A Number, directed by Gamm Resident Director Judith Swift, and Far Away, directed by Gamm Artistic Director Tony Estrella, explore the perhaps not so distant future by way of science fiction and fable.
ESPN will offer more than 120 hours of TV and radio programming throughout Super Bowl XLVII week from the heart of the French Quarter in New Orleans, beginning today, Jan. 28.
ESPN will offer more than 120 hours of TV and radio programming throughout Super Bowl XLVII week from the heart of the French Quarter in New Orleans, beginning Monday, Jan. 28.
The Sandra Feinstein-Gamm Theatre (The Gamm) opens Season 28 with the Rhode Island premiere of After the Revolution by rising American playwright Amy Herzog (4,000 Miles, Belleville). Gamm Artistic Director Tony Estrella directs Herzog's engrossing contemporary drama about a loving clan of leftist 'idealists'. At the center is the story of Emma Joseph (Diana Buirski) and her father, Ben (Jim O'Brien), whose close bond, built on shared politics, is shattered by a family revelation.
The Sandra Feinstein-Gamm Theatre (The Gamm) opens Season 28 with the Rhode Island premiere of After the Revolution by rising American playwright Amy Herzog (4,000 Miles, Belleville). Gamm Artistic Director Tony Estrella directs Herzog's engrossing contemporary drama about a loving clan of leftist 'idealists'. At the center is the story of Emma Joseph (Diana Buirski) and her father, Ben (Jim O'Brien), whose close bond, built on shared politics, is shattered by a family revelation.
The Sandra Feinstein-Gamm Theatre (The Gamm) will stage the North American premiere of Paul, British playwright Howard Brenton's powerful and provocative play exploring the extraordinary phenomenon of faith. Brenton's secular dramatization of the famous conversion of Saul of Tarsus to Saint Paul and the resurrection of Jesus Christ played to critical acclaim as well as controversy at London's National Theatre in 2005.
The Sandra Feinstein-Gamm Theatre (The Gamm) will stage the North American premiere of Paul, British playwright Howard Brenton's powerful and provocative play exploring the extraordinary phenomenon of faith. Brenton's secular dramatization of the famous conversion of Saul of Tarsus to Saint Paul and the resurrection of Jesus Christ played to critical acclaim as well as controversy at London's National Theatre in 2005.