Arden Theatre Company opens its 2010/11 season with the world premiere of Michael Hollinger's Ghost-Writer. This marks the seventh Hollinger premiere at the Arden, and the first since Opus in 2006, which received the Barrymore Award for Best New Play and was one of the top ten most-produced plays in American regional theatre during the 2009/10 season.
Arden Theatre Company opens its 2010/11 season with the world premiere of Michael Hollinger's Ghost-Writer. This marks the seventh Hollinger premiere at the Arden, and the first since Opus in 2006, which received the Barrymore Award for Best New Play and was one of the top ten most-produced plays in American regional theatre during the 2009/10 season.
Arden Theatre Company opens its 2010/11 season with the world premiere of Michael Hollinger's Ghost-Writer. This marks the seventh Hollinger premiere at the Arden, and the first since Opus in 2006, which received the Barrymore Award for Best New Play and was one of the top ten most-produced plays in American regional theatre during the 2009/10 season.
The Wilma Theater concludes its 2009 - 2010 Season with the U.S. Premiere of Leaving, by Václav Havel. The first play in 20 years from playwright and former Czech President Havel, Leaving will receive its U.S. Premiere production under co-Artistic Director Jiri Zizka's direction, with Academy Award® nominee David Strathairn (Good Night, and Good Luck) starring in the role of ex-Chancellor Dr. Vil?m Rieger.
The Wilma Theater concludes its 2009 - 2010 Season with the U.S. Premiere of Leaving, by Václav Havel. The first play in 20 years from playwright and former Czech President Havel, Leaving will receive its U.S. Premiere production under co-Artistic Director Jiri Zizka's direction, with Academy Award® nominee David Strathairn (Good Night, and Good Luck) starring in the role of ex-Chancellor Dr. Vil?m Rieger.
The Wilma Theater concludes its 2009 - 2010 Season with the U.S. Premiere of Leaving, by Václav Havel. The first play in 20 years from playwright and former Czech President Havel, Leaving will receive its U.S. Premiere production under co-Artistic Director Jiri Zizka's direction, with Academy Award® nominee David Strathairn (Good Night, and Good Luck) starring in the role of ex-Chancellor Dr. Vil?m Rieger.
The Wilma Theater concludes its 2009 - 2010 Season with the U.S. Premiere of Leaving, by Václav Havel. The first play in 20 years from playwright and former Czech President Havel, Leaving will receive its U.S. Premiere production under co-Artistic Director Jiri Zizka's direction, with Academy Award® nominee David Strathairn (Good Night, and Good Luck) starring in the role of ex-Chancellor Dr. Vil?m Rieger.
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
The Wilma Theater will bring its 30th Anniversary Season to a spirited finish with the East Coast Premiere of Hysteria, written by Terry Johnson and directed by the Wilma's co-Artistic Director Jiri Zizka.
The Wilma Theater will bring its 30th Anniversary Season to a spirited finish with the East Coast Premiere of Hysteria, written by Terry Johnson and directed by the Wilma's co-Artistic Director Jiri Zizka.
The Wilma Theater continues its 30th Anniversary Season with the U.S. Premiere of Schmucks, directed by the Wilma's co-Artistic Director Jiri Zizka. A comic fantasy by Roy Smiles -who returns to the Wilma for a second consecutive season - Schmucks is a tale of a fictitious meeting between two comic icons, Groucho Marx and Lenny Bruce.
Despite the best efforts of Jiri Zizka and the Wilma Theater, Ken Ludwig's 'Shakespeare in Hollywood' fizzles under the weight of its own high concept.