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Plays About Lena Dunham, Vampire Cowboys and More Set for New Ohio Theatre's 2014 ICE FACTORY FESTIVAL, Running Now thru 8/2

Artistic Director Robert Lyons presents the 21st annual Obie Award-winning Ice Factory Festival. Ice Factory 2014 takes place at the New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City. Ice Factory 2014 will present six new works over six weeks, running from today, June 25 - August 2, 2014.

Photo Flash: Sneak Peek at THE UPPER ROOM and TOO MANY LENAS at the 2014 Ice Factory Festival

Artistic Director Robert Lyons presents the 21st annual Obie Award-winning Ice Factory Festival. Ice Factory 2014 takes place at the New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City. Ice Factory 2014 will present six new works over six weeks, running from June 25 - August 2, 2014. Scroll down for a sneak peek at two of this year's productions -- THE UPPER ROOM and TOO MANY LENAS!

Rachel Dickstein, Jeremy Bloom & More Chosen for Drama League's 2014 Artist Residency Program

The Drama League (Gabriel Shanks, Executive Director; Roger T. Danforth, Artistic Director) has announced the ten artists and theater ensembles chosen to develop new plays and musicals as part of the 2014 Artist Residency Program. The development of these works, which include two 2014 Artists In Residence, Rachel Dickstein/Ripe Time and Jeremy Bloom/Rady&Bloom, will be held at The Drama League Theater Center (32 Avenue of the Americas) in Tribeca from March-July 2014.

Center for Contemporary Opera to Open Line Tjornhoj's ORATION World Premiere, 7/26

The Center for Contemporary Opera (CCO), founded in 1982 and recognized as a leading proponent of new opera, will present the World Premiere of 'Oration' by Danish composer Ms. Line Tjørnhøj, July 26 & 27, 8 PM at the Cell Theatre, 338 West 23 Street. Music Director for 'Oration' is Lidiya Yankovskaya; Stage Director is Jeremy Bloom.

Center for Contemporary Opera to Present 3 New Opera's 'In Progress' July 20-27

The Center for Contemporary Opera (CCO), founded in 1982 and recognized as a leading proponent of new opera, will present the World Premiere of 'Oration' by Danish composer Ms. Line Tjórnhój, and three operas-in-progress at its July 20-27 season at NYC's Cell Theater, 338 West 23rd Street. Conductor/Music Director of CCO is Sara Jobin.

the cell Extends PETER/WENDY Through June 29

the cell, A Twenty First Century Salon, Founding Artistic Director Nancy Manocherian, and Artistic Director Kira Simring, have announced the extension of the world premiere production of PETER/WENDY adapted and directed by Jeremy Bloom from J.M. Barrie's 'Peter Pan and Wendy' and 'The Little White Bird' and scored by the indie band, The Books. PETER/WENDY has been playing a limited engagement at the cell (338 W. 23rd St NYC). Performances began Thursday, May 30 and will now continue through Saturday, June 29.

Ars Nova's ANT Fest Kicks Off Tonight with THOSE LOST BOYS

Ars Nova announces the lineup for its 6th Annual ANT Fest. This year's festival of All New Talent runs from today, June 3 - 29, featuring fresh new work from some of New York's most exciting emerging artists. From trapeze thrillers to hip-hop basketball musicals, 2013's ANT Fest heats up Ars Nova this summer with four weeks of comedy, music, theater and a fusion of all three you won't see anywhere else.

John McLaughlin and Jessie Shelton Star in PETER/WENDY at the cell, Beg. Tonight

the cell, A Twenty First Century Salon, Founding Artistic Director Nancy Manocherian, and Artistic Director Kira Simring, present the world premiere production of PETER/WENDY adapted and directed by Jeremy Bloom from J.M. Barrie's 'Peter Pan and Wendy' and 'The Little White Bird' and scored by the indie band, The Books.

Performance Schedule Announced for sound scape at the Brick

In the modern theater, unsung artists called Sound Designers are quietly engaged to flesh out theatrical productions with recordings of crickets, doorbells and phone rings. They fill your Tempests with winds, your Streetcars with street noise and your Vanyas with gunshots. They mix your incidental music with your offstage voices and invisibly support the director's vision. If they're doing their job correctly, you won't even notice their contribution.

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