Jennifer Tipton News

Segerstrom Center for the Arts presents the West Coast Premiere of American Ballet Theatre's spectacular production of The Nutcracker December 10 - 20, 2015.

Students from the American Ballet Theatre Jacqueline Kennedy Onassis School costumed for THE NUTCRACKER will appear at the Opening Bell ceremony at NASDAQ today, December 4 at 9:30 A.M.

Many of Orange County's finest elementary, intermediate and senior high school vocal and music ensembles will add special notes of holiday cheer prior to performances of American Ballet Theatre's The Nutcracker at Segerstrom Center for the Arts December 10 - 20.

Students from the American Ballet Theatre Jacqueline Kennedy Onassis School costumed for THE NUTCRACKER will appear at the Opening Bell ceremony at NASDAQ on Friday, December 4 at 9:30 A.M.

On Monday, November 30, playwright, novelist and songwriter Suzan-Lori Parks was awarded the 22nd annual Dorothy and Lillian Gish Prizeat The Public Theater in New York City.

The Wooster Group announces a one-week extension to their advance showings of THE ROOM by Harold Pinter at The Performing Garage in New York City. This limited engagement offers New York audiences an advance look at the Group's newest production before it opens in Los Angeles at REDCAT, February 4-14, 2016. THE ROOM will open in New York the following season.

The Wooster Group presents Harold Pinter's first play, THE ROOM, at The Performing Garage beginning tonight, October 28. This is a limited run of advance showings before THE ROOM premieres next February in Los Angeles at REDCAT.

CHICAGO - Lyric Opera of Chicago is proud to present a new exhibition TEN: A Season of Creative Women at Lyric, curated by Scott Marr and Michael Schoenig, at the Civic Opera House. The exhibit runs through May 22, 2016, over the course of Lyric's 61st season.

Russian baritone Dmitri Hvorostovsky hadn't even opened his mouth, as the Count di Luna, when the audience went wild at the season's premiere of Verdi's IL TROVATORE. It was as if he had just sung Sondheim's “I'm Still Here”--after announcing earlier this year that he had a brain tumor and was cancelling most of the TROVATORE performances--and was proving his perseverance in the face of mortality.

The Wizard of Oz is baked into our collective DNA for good reason; it's a great story with a strong spine. It's got all the right ingredients: remarkable characters, good, evil, love, hate, courage, fear, abundant symbolism -- and magic. The film version supplied our imaginations with gorgeous images and beautiful tunes. The Builders Association returns to Peak Performances with their 21st century You Tube-inspired take on this enduring classic. The fun begins with ELEMENTS OF OZ tonight, September 26th and runs through October 4th, 2015.

SEATTLE, WA – Pacific Northwest Ballet opens its 2015-2016 season with SEE THE MUSIC, a terrific triple-bill of repertory works. After an eight-year hiatus, PNB welcomes the return of George Balanchine's Prodigal Son, choreographed by the ballet master at the age of 25 for Diaghilev's Ballets Russes. Another relative youngster, Christopher Wheeldon (recent Tony Award-winner for An American in Paris), shares the bill with Mr. B., represented by his dramatic Tide Harmonic, created for PNB in 2013. The program comes to a comic close with Jerome Robbins' hilarious The Concert (or, The Perils of Everybody). SEE THE MUSIC runs for seven performances only, September 25 through October 4 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $30 and may be purchased by calling 206.441.2424, in person at the PNB Box Office at 301 Mercer Street, or online at PNB.org.

New York Theatre Ballet announces the 2015-16 season, which will include repertory performances at Schimmel Center at Pace University (September 19-20, 2015), Danspace Project (October 1-3, 2015), and New York Live Arts (February 24-27, 2016).

The Wizard of Oz is baked into our collective DNA for good reason; it's a great story with a strong spine. It's got all the right ingredients: remarkable characters, good, evil, love, hate, courage, fear, abundant symbolism -- and magic. The film version supplied our imaginations with gorgeous images and beautiful tunes. The Builders Association returns to Peak Performances with their 21st century You Tube-inspired take on this enduring classic. The fun begins with ELEMENTS OF OZ on September 26th and runs through October 4th, 2015.

Casting for American Ballet Theatre's The Nutcracker, co-presented by Segerstrom Center for the Arts and ABT, was announced today by Kevin McKenzie, ABT Artistic Director. Choreographed by ABT Artist in Residence Alexei Ratmansky, The Nutcracker will be given 14 performances at Segerstrom Center for the Arts, December 10-20, 2015.

There's no mistaking who's in charge in the Williamstown Theatre Festival's crackling production of A MOON FOR THE MISBEGOTTEN now running through August 23. As Eugene O'Neill's indomitable Josie Hogan, six-time Tony Award winner Audra McDonald stomps, kicks, shoves and brandishes a big stick as she asserts her dominance over her father Phil (Glynn Turman), her landlord and wannabe love interest James Tyrone (Will Swenson), and anyone else who gets in her way.

SEATTLE, WA – Pacific Northwest Ballet opens its 2015-2016 season with SEE THE MUSIC, a terrific triple-bill of repertory works. After an eight-year hiatus, PNB welcomes the return of George Balanchine's Prodigal Son, choreographed by the ballet master at the age of 25 for Diaghilev's Ballets Russes. Another relative youngster, Christopher Wheeldon (recent Tony Award-winner for An American in Paris), shares the bill with Mr. B., represented by his dramatic Tide Harmonic, created for PNB in 2013. The program comes to a comic close with Jerome Robbins' hilarious The Concert (or, The Perils of Everybody). SEE THE MUSIC runs for seven performances only, September 25 through October 4 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $30 and may be purchased by calling 206.441.2424, in person at the PNB Box Office at 301 Mercer Street, or online at PNB.org.

American Ballet Theatre opens its Fall season on Wednesday, October 21 at 6:30 P.M. with a special opening night Gala performance, highlighted by the New York City premiere of a new work by Mark Morris, with music by Johann Nepomuk Hummel (Septet in C Major, No. 2 'Military') and costumes by Issac Mizrahi, and the Company Premiere of Frederick Ashton's Monotones I and II set to music by Erik Satie with costumes by Ashton.

43rd season to feature the return of audience favorites Emergence, Roméo et Juliette, and Coppélia. Other highlights include works by Christopher Wheeldon, Jerome Robbins, and Twyla Tharp, and PNB premieres by Alejandro Cerrudo, Jessica Lang and Justin Peck. The line-up also includes the PNB premiere of George Balanchine's The Nutcracker, featuring new scenic and costume designs by Ian Falconer. September 2015 – June 2016 Marion Oliver McCaw Hall 321 Mercer Street, Seattle Center Seattle, Washington

Programming for American Ballet Theatre's 2015 Fall season at the David H. Koch Theater was announced today by Artistic Director Kevin McKenzie. Highlighting the season will be the New York City Premiere of a new work by Mark Morris and the Company Premieres of Frederick Ashton's Monotones I and II, George Balanchine's Valse-Fantaisie and AfterEffect by Marcelo Gomes. The 2015 Fall season at the David H. Koch Theater, October 21 through November 1, marks the conclusion of ABT's 75th Anniversary celebration.

Jerome Robbins choreographic masterpiece, Goldberg Variations, to Johan Sebastian Bach's musical masterpiece of the same name, was first on New York City Ballet's program on Wednesday evening, May 13, replete with many stars of the company. Pianist Susan Walters sat far left on stage level, playing beautifully. The curtain opened on Faye Arthurs and Zachary Catazaro, in Baroque costume, dancing the Theme. Catazaro, a soloist with NYCB, showed himself to be an ideal classical danseur noble. He is handsome, debonair, confident, and secure, dancing with subtle nuances to his movement, which enriches the experience for the audience, as well, no doubt, for his own pleasure. Part I Variations featured dancers wearing contemporary leotards and dance skirts. With a distinctly Robbins flair, they became a painting in motion, exuding feeling. Emilie Gerrity, corps de ballet, and Lauren Lovette, soloist, were captivating in their duet. Part II Variations offered several gems. Tiler Peck and Gonzalo Garcia were playful and fun to see. Amar Ramasar, who joined NYCB in 2001 and became principal dancer in 2009, continues to grow as he matures, with fully developed expression and superb partnering. Maria Kowroski's long lines filled the stage. There was a cornucopia of beauty and joy via this coupling of dancers and choreography. Only the second group of corps de ballet in blue seemed to misunderstand the Robbins' spirit, particularly in their runs with knees bent, kicking back. Towards the end of Part II, the dancers changed into Baroque style costumes. Arthurs and Catazaro then returned in contemporary costumes. Finally, there was a group salute to the pianist, unusual and fitting.