Jennifer Damiano News

54 BELOW, Broadway's Supper Club, presents Jennifer Damiano, Barrett Wilbert Weed and more in A Taylor Swift Love Story.

54 BELOW, Broadway's Supper Club, presents Jennifer Damiano, Barrett Wilbert Weed and more in A Taylor Swift Love Story.

Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.

Today we continue the 2014 edition of our annual BroadwayWorld feature series spotlighting the very best Tony Awards-related moments of all time with a special focus on one of the most recent big battles for Best Musical with BILLY ELLIOT versus NEXT TO NORMAL.

On June 16, 54 Below will present an all-star concert version of Paul Scott Goodman's rock musical Bright Lights, Big City, based on the novel by Jay McInerney.Bright Lights, Big City follows a week in the life of Jamie, a successful young writer who loses himself in the chaos of 1980s New York City.

Hi BroadwayWorlders!

BWW takes a look back at some of the most memorable live performances throughout Letterman's years on the air. Which was your favorite?

Meet Charlie H. Ray and Maggie Jorgenson, who are playing the roles of Gabe and Natalie in Next to Normal. Find out why they're in love with the show, and what it's been like to live inside the dream that is Next to Normal!

Yesterday, Jan. 4, high-flying theater spectacle SPIDER:MAN: TURN OFF THE DARK took its final flight, with Billy Crystal's 700 SUNDAYS, the revival of ANNIE, BETRAYAL with Daniel Craig and Rachel Weisz, and FIRST DATE with Zachary Levi and Krysta Rodriguez following suit today, Jan. 5.

In today's edition of 'SPIDER-MAN Swings Off Broadway,' check out the show's FULL history from it's inception in 2007 to future plans for a run in Las Vegas.

Today's final edition of 'SPIDER-MAN Swings Off Broadway' chronicles the production's three-year run, eclipsing the expectations of critics and naysayers that claimed Spidey would fail to weave his web on the Great White Way. From Taymor's notorious legal battle with the show's producers, to an official closing notice, SPIDER-MAN has managed to remain at the Foxwoods night after night, providing audiences with a never-before-seen evening of theatre - and the promise of a Las Vegas venture in the near future.

Today's edition of 'SPIDER-MAN Swings Off Broadway' showcases the show's highly anticipated and much-delayed opening night on the Great White Way. Spidey first 'officially' wove his web for an all-star audience on June 14, 2011 - over five months behind schedule - with an altered book, additions to the electric rock score, and a slew of new high-flying aerial feats, in hopes of puting an end to the criticism once and for all.

Today's edition of 'SPIDER-MAN Swings Off Broadway' features Spidey's time in previews, recalling the show's journey from its first performance in November 2010, until the revamped edition opened on Broadway 183 previews Later. From late 2010 through June 2011, all eyes were on the Foxwoods, as numerous actors sustained severe injuries, and on-and-offstage drama between the creative team and producers emerged, eventually forcing visionary Julie Taymor to walk away, and leave SPIDER-MAN: TURN OFF THE DARK in the hands of others.

Today's edition of 'SPIDER-MAN Swings Off Broadway' focuses on the show's beginnings, recalling Spidey's journey from its inception in April 2007, until previews began at the Foxwoods Theater on November 28, 2010. For over three years, rumors circulated about the comic book hero's trip to Broadway, and after a major cast shuffle and a few initial production delays, the first version of the musical at last performed for Broadway audiences.

Janine Sobeck, dramaturg for Utah Repertory Theater's upcoming production of Rodgers and Hammerstein's CAROUSEL, has a number of impressive credits to her name, including working on the pre-Broadway engagement of NEXT TO NORMAL at Arena Stage. She graciously spoke with BroadwayWorld to discuss her career and share her insights about CAROUSEL.

The Public Theater's new Public Lab musical VENICE, with book by Eric Rosen, music by Matt Sax, lyrics by Matt Sax and Eric Rosen, additional music by Curtis Moore, and choreography by Chase Brock, directed by Eric Rosen, will end its extended run today, June 30th, 2013. Venice began performances on May 28th and was originally scheduled to close on June 23rd. Broadwayworld brings takes you through VENICE's journey off-Broadway below!

The argument for using the pop music method of 'slant rhyming' (frowned on by musical theatre lyricists as 'false rhyming' or using 'sound-a-likes') is that by not limiting lyricists to using perfect rhymes it greatly expands the number of ideas that can be expressed.  If that's so, the number of slant rhymes used in Venice, the new hip-hop/rock musical riff on Shakespeare's Othello, could potentially contain enough ideas to fill up a First Folio.

HIGHLIGHTS OF THE WEEK: Broadway celebrates its biggest night, the Public brings back PENZANCE, CINDERELLA gets a cast album and so much more!

?Let's see what the critics had to say...

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) recently announced a one week extension today for the new Public Lab musical Venice, with book by Eric Rosen, music by Matt Sax, lyrics by Matt Sax and Eric Rosen, additional music by Curtis Moore, and choreography by Chase Brock. Directed by Eric Rosen, Venice began performances on Tuesday, May 28 and was originally scheduled to close on Sunday, June 23. It will now run an additional week through Sunday, June 30. BroadwayWorld brings you photos from opening night below!