Obie-Winning YOU GOT OLDER to Make Chicago Debut at Steppenwolf This Winter
Steppenwolf Theatre Company presents the Chicago premiere production of the Obie Award-winning play You Got Older, written by Clare Barron and directed by Jonathan Berry.
Steppenwolf Theatre Company presents the Chicago premiere production of the Obie Award-winning play You Got Older, written by Clare Barron and directed by Jonathan Berry.
Steppenwolf Theatre Company announces an exciting new promotional deal in time for the 2017 holiday season.
Colt Coeur and WP Theater (formerly Women's Project Theater) announce casting for the fourth annual Parity Plays Festival reading series, celebrating the work of female and trans playwrights and directors.
The Board of Trustees, Executive Artistic Director and Managing Director of Diversionary Theatre have announced they have reached an agreement with the San Diego Human Dignity Foundation (SDHDF) to purchase the building on 4545 Park Blvd back from the Foundation.
Steppenwolf Theatre Company presents the world premiere production of BLKS by award-winning poet and playwright Aziza Barnes and directed by Nataki Garrett.
Long Wharf Theatre's Contemporary American Voices Festival, an annual celebration of adventurous, innovative new plays, will take place October 20-22 on Stage II.
Antic Face and Nik Holttum Productions today announce the UK premi re of award-winning American Playwright Jen Silverman's play Collective Rage: A Play in Five Betties.
The Playwrights' Center's annual PlayLabs new play festival runs Monday, October 23, through Sunday, October 29, 2017.
Among the bleakest of moors, two spinster sisters dwell in their aggressively gloomy mansion with their brother, their mastiff and their maid-in-waiting.
The last time Jane Kaczmarek acted on the Los Angeles stage, she transformed into the morphine-addicted Mary Tyrone in Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT at the Geffen Playhouse.
Atlantic Theater Company recently announced its 2017-2018 Amplified Reading Series selections, presenting six bold new plays throughout Atlantic's season with an expanded rehearsal process for more meaningful engagement with the material and the playwright.
Interrobang Theatre Project, dedicated to producing rarely seen shows with relevant themes and raw emotions, has announced its eighth season, featuring three plays that examine the fine line between reality and perception.
In response to overwhelming demand and critical acclaim, Ars Nova, in association with Ma-Yi Theater and Woodshed Collective, extends the world premiere of KPOP until October 21.
Long Wharf Theatre's Contemporary American Voices Festival, an annual celebration of adventurous, innovative new plays, will take place October 20-22 on Stage II.
Atlantic Theater Company has announced its 2017-2018 Amplified Reading Series selections, presenting six bold new plays throughout Atlantic's season with an expanded rehearsal process for more meaningful engagement with the material and the playwright.
The Playwrights Realm has announced that Sebastian Chacon will join the cast for the final performances in the Realm's World Premiere production of Michael Yates Crowley's acclaimed The Rape of the Sabine Women by Grace B.
With its 2017-2018 Writing Fellowship, The Playwrights Realm is proud to grant a career-propelling honor to four tremendously talented playwrights exhibiting drive and commitment to the form.
The Eugene O'Neill Theater Center announced today that is now accepting script submissions for the 2018 National Playwrights Conference.
Steppenwolf Theatre Company announces full casting for its upcoming productions of BLKS by poet Aziza Barnes (December 7, 2017 - January 28, 2018); You Got Older by Clare Barron (January 25 - March 11, 2018); and Steppenwolf for Young Adults' production of The Burn by Philip Dawkins (February 14 - M
Of the 70+ new plays developed at the Playwrights' Center each year, eight are selected to be part of the public season, giving playwrights expanded workshop time with collaborators and the chance to see their new work on its feet in front of two different audiences.