Twenty of the finest young opera singers in the United States will be competing in the 29th Annual Dallas Opera Guild Vocal Competition presented, jointly, by The Dallas Opera and The Dallas Opera Guild.
Last April, the George London Foundation for Singers concluded the 20th year of its celebrated George London Foundation Recital Series with a gala featuring some of opera's most prominent American and Canadian stars. The foundation has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971, and the annual series presents pairs of outstanding opera singers, many of whom were winners of a George London Award, the prize of the foundation's annual vocal competition.
Upon the conclusion of the 20th year of its celebrated recital series, which was marked with a gala in April featuring some of opera's most prominent American and Canadian stars, the Foundation announces its 2016-17 season of events.
The winners of the 45th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of an audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.
Long before there was “American Idol” or “The Voice,” there were the Metropolitan Opera's National Council Auditions. A 62-year tradition in the opera world, it comes to a head at the National Council Auditions Finals Concert, which took place this year on Sunday afternoon. It was the culmination of a months-long series of competitions at the district, regional and national levels. And while it's not glitzy and not performed before an audience of millions, well, it's at the Met. Enough said.
After a months-long series of competitions at the district, regional, and national levels, five young singers have been named the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions.
The Academy of Vocal Arts performed an updated version of Mozart's comic opera that makes sense in its handling and boasts some fine performances
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