Jamie Barton News

Alan Gilbert and the New York Philharmonic (photo: Chris Lee) In 2009, the year Alan Gilbert took over as Music Director of the New York Philharmonic, Alex Ross wrote in the New Yorker: “Simply put, the orchestra is playing better than it has in the seventeen years that I've been a critic in New York.” The intervening years have seen Gilbert go from strength to strength, with critics and audiences alike responding with generous enthusiasm to the superb quality of the performances and to the new initiatives that transformed the orchestra into “a force of permanent revolution” (New York magazine).

In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.

Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Bartonis the heroic Fenena. Russell Thomas is Ismaele, nephew to the King of Jerusalem and Dmitry Belosselskiy is the stentorian voice of the oppressed Hebrew people.

The legendary Plácido Domingo brings another new baritone role to the Met as the title king in Nabucco, under the baton of his longtime collaborator James Levine on GREAT PERFORMANCES AT THE MET Sunday, May 7 at 12 p.m.on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)

Some of today's greatest singers got their start in the Metropolitan Opera National Council Auditions including Jamie Barton, Stephanie Blythe, Lawrence Brownlee, Renée Fleming, Susan Graham, Thomas Hampson, Angela Meade, Eric Owens, and Frederica von Stade.

After a months-long series of competitions at the district, regional, and national levels, a panel of expert judges named six young singers as the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions. Each winner receives a $15,000 cash prize and the prestige and exposure that come with winning the competition that launched the careers of many of opera's biggest stars.

Asia Society Texas Center will host Representation and 21 st Century Responsibilities in the Performing Arts, a free panel discussion and public forum in collaboration with Houston Grand Opera (HGO) on Friday, March 31, at 7 p.m.

Following yesterday's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2017 National Council Auditions, America's most prestigious vocal competition.

Houston Grand Opera presents Gotterdammerung (Twilight of the Gods), the final installment of Wagner's epic Ring cycle, featuring a new generation of leading Wagnerians including Simon O'Neill as Siegfried and Christine Goerke as Brunnhilde, starting April 22.

The Warner Theatre's 2016-17 Met Opera: Live in HD Season continues with an encore presentation of Dvo?ak's RUSALKA held in the Main Theatre on Saturday, March 4 at 12:55 pm.  A complimentary 45-minute pre-opera lecture by Jeffrey Engel will be offered to all ticket holders in the Main Theatre at 11:00 am.  

The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.

Anyone arriving at a performance of the Met's new RUSALKA, in Mary Zimmerman's production, thinking that there's going to be an evening of Disney-type fun from this distant cousin of THE LITTLE MERMAID, will be in for a big disappointment. But for those seeking beautiful music (including one of opera's great arias), a game cast and good singing, RUSALKA, with soprano Kristine Opolais in the title role, offers a musically satisfying evening.

Kristine Opolais stars in the role that helped launch her international career, the mythical Rusalka, who sings the haunting "Song to the Moon." Mary Zimmerman brings her wondrous theatrical imagination to Dvo?ak's fairytale of love and longing, rejection and redemption. Brandon Jovanovich, Jamie Barton, Katarina Dalayman, and Eric Owens complete the all-star cast, and Mark Elder conducts.  The Ridgefield Playhouse and Craig's Fine Jewelry Live in HD Series presents an encore performance of The Met Opera in HD Dvo?ak's Rusalka on Sunday, February 26 at 12 p.m.  In the depths of a lively lake, Rusalka, water nymph and daughter of the ruling water sprite, bemoans her fate. Her eye has been caught by a dashing prince, but being a nymph she cannot have him. Going against the wishes of her father, she consults with the witch Jezibaba, who teaches her a spell to become mortal. The only caveat; she will be mute and, therefore unable to express her love. If the Prince betrays her, they'll both be damned for eternity. Of course, she takes her chances, which throw her into an adventure of jealousy, exile, love and redemption that will change her forever more.

Houston Grand Opera (HGO) will present Das Barbecu, a fast-paced and raucous retelling of Wagner's epic Ring cycle, on April 23at Jackson Street BBQ, and April 30 at Neon Boots Dancehall & Saloon. Five actors play over 30 roles in this comic take on opera's most spectacular saga, complete with mismatched lovers, a double shotgun wedding, and family feuds, all wrapped up in a Texas-sized heap of Wild West fun. Songs run the gamut from Broadway to Texas swing, from jazz to twangy country and western. Ticket prices include a BBQ feast and drink. Doors open at 6:30 p.m. for dinner, with performances beginning at 7 p.m. 

“RUSALKA is an operatic fairytale with a strong message about the consequences of over-reaching--an appropriate, cautionary tale for our times,” said Peter Gelb, the Metropolitan Opera's General Manager, introducing a panel at the Guggenheim Museum's Works & Process series that included director Mary Zimmerman and conductor Mark Elder. The new production opens at the Met on February 2--“and that's not an 'alternative fact,'” said Gelb--starring soprano Kristine Opolais as Rusalka, tenor Brandon Jovanovich as the Prince, mezzo Jamie Barton as Jezibaba (the witch), and bass-baritone Eric Owens as the Water Gnome (Rusalka's father).

Kristine Opolais stars in her first Met performances of her breakthrough role, the title character in Dvo?ak's Rusalka, in a new staging, directed by Mary Zimmerman and conducted by Sir Mark Elder, opening at the Met February 2.

Kristine Opolais stars in her first Met performances of her breakthrough role, the title character in Dvo?ak's Rusalka, in a new staging, directed by Mary Zimmerman and conducted by Sir Mark Elder, opening at the Met February 2.

Houston Grand Opera (HGO) announced today the winners of the 299h annual Eleanor McCollum Competition for Young Singers that took place on the evening of January 27 at the Wortham Theater Center's Cullen Theater. For the first time, the Concert of Arias was streamed live on Facebook, and viewers were able to cast their votes for an Online Viewers' Choice Award. The winner was announced during the second portion of the program, along with the other winners.

Houston Grand Opera (HGO) has chosen eight finalists for the 29th annual Eleanor McCollum Competition for Young Singers Concert of Arias, to be presented in the Cullen Theater at the Wortham Theater Center on January 27, at 7 p.m.

Houston Grand Opera (HGO) has chosen the semifinalists for the 29th annual Eleanor McCollum Competition for Young Singers Concert of Arias, to be presented in the Cullen Theater at the Wortham Theater Center on January 27, at 7 p.m.