James Levine News

Tonight (March 10) Laura Osnes will assume the role of Ensign Nellie Forbush replacing Kelli O'Hara and David Pittsinger will again take over the role of Emile de Becque.

Tomorrow night (March 10) Laura Osnes will assume the role of Ensign Nellie Forbush replacing Kelli O'Hara and David Pittsinger will again take over the role of Emile de Becque.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

New York City Opera's acclaimed VOX: Showcasing American Opera series marks its 10th anniversary on Friday, May 1, and Saturday, May 2, at the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University. New York City Opera's annual VOX series demonstrates the company's commitment to the development of American opera, giving a free-of-charge platform to new or previously unperformed American operas. The final excerpt presented on Saturday, May 2, will mark the 100th opera presented by VOX.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.

A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with 'The Inner 'I': How Artists See Themselves,' a conversation with Lotfi Mansouri, celebrated opera director and the general director emeritus of the San Francisco Opera; Judy Kaye, the Tony Award-winning star of A.C.T.'s Souvenir; and the internationally acclaimed mezzo-soprano Frederica von Stade. Moderated by A.C.T. Artistic Director Carey Perloff, the conversation will focus on the different ways artists view themselves and how these self-images affect their work. 'The Inner 'I' is presented in conjunction with A.C.T.'s production of Stephen Temperley's Souvenir, which tells the story of Florence Foster Jenkins, a New York socialite and tone-deaf diva who thought she was a great soprano. The conversation will be followed by a Q&A session with the audience. The hour-long event is free and open to the public and takes place on the A.C.T. stage on Monday, February 23, 2009, at 5:30 p.m. Doors will open at 5 p.m. For more information, please visit www.act-sf.org/koret.

A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.

Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).

Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.

Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.

This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company. Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12. A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast. About the performers

Kirsten Chavez will sing the role of Orfeo in Gluck's Orfeo ed Euridice at the Met on January 14, replacing Stephanie Blythe, who is ill.

Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.

After an absence of 82 years, Puccini's bittersweet romance La Rondine returns to the Met in a new production with a gala premiere performance on New Year's Eve. La Rondine stars Angela Gheorghiu as Magda, the Parisian socialite, and Roberto Alagna as Ruggero, her lover. Lisette Oropesa, Marius Brenciu, in his Met debut, and Samuel Ramey are the other principal singers. Marco Armiliato conducts.

The Metropolitan Opera will release the DVD of its abridged, English-language production of Mozart's The Magic Flute, the inaugural transmission of the company's Emmy award-winning Live in HD series from December 2006. The first self-produced DVD by the Met, The Magic Flute DVD will retail for $25.00. It will be available exclusively at the Met Opera Shop beginning December 18, timed to performances of The Magic Flute on the Met stage beginning December 22.

George Street Playhouse is celebrating the December holidays in a big way with a series of musical performances for a special Holiday Cabaret. The musical celebration will feature the talents of Tony Award nominee Robert Cuccioli, who is currently performing at George Street Playhouse in Conor McPherson's The Seafarer. Mr. Cuccioli received a Tony Nomination and is perhaps best known for playing the title role in Broadway's Jekyll & Hyde. Joining Mr. Cuccioli will be fellow Tony nominee Sally Mayes from the recent Broadway revival of She Loves Me. Christopher Howatt will serve as musical director and performer for the revue. Performances take place Saturday, December 20 at 2 and 8PM, and Sunday, December 21 at 2PM.