California Shakespeare Theater continues its 2013 season with Oscar Wilde's comedy, Lady Windermere's Fan, directed by Oregon Shakespeare Festival company member Christopher Liam Moore in his Bay Area directorial debut. Lady Windermere's Fan plays at the Bruns Amphitheater, tonight, August 14 through September 8.
California Shakespeare Theater continues its 2013 season with Oscar Wilde's comedy, Lady Windermere's Fan, directed by Oregon Shakespeare Festival company member Christopher Liam Moore in his Bay Area directorial debut. Lady Windermere's Fan plays at the Bruns Amphitheater August 14 through September 8.
This spring, at Berkeley Repertory Theatre, Obie Award-winning director Mark Wing-Davey brings the Bard back with a bang. William Shakespeare's Pericles, Prince of Tyre is currently in previews on the intimate Thrust Stage and opens April 17, running through May 26 in a production conceived by Wing-Davey with Jim Calder. BroadwayWorld has a first look at the cast in action below!
American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced today two additional productions for the company's 47th subscription season: Glen Berger's acclaimed solo drama, Underneath the Lintel, starring Emmy Award winner and Academy Award nominee David Strathairn, and Beatrice Basso and Linda Alper's new translation of Eduardo De Filippo's poignant Italian comedy, Napoli!, featuring A.C.T. favorites Marco Barricelli and Stratford Festival star Seana McKenna. These two productions join the previously announced 1776, A Christmas Carol, Major Barbara, Venus in Fur, and The Orphan of Zhao. The final production for the 2013-14 season will be announced at a later date.
Join the Theatre Bay Area for the 2013 Faces of Theatre Bay Area Celebration today, March 4, 2013 at the new home of the SF Playhouse (450 Post Street, San Francisco) for another fantastic evening celebrating Bay Area theatre.
Join the Theatre Bay Area for the 2013 Faces of Theatre Bay Area Celebration on March 4, 2013 at the new home of the SF Playhouse (450 Post Street, San Francisco) for another fantastic evening celebrating Bay Area theatre.
If you watch Samuel Beckett's "Waiting For Godot," you're going to want to think about it. Don't. In the words of the classic play's title, wait. The key to appreciating this much-debated work comes in the audience's willingness to take it as is. Vladimir and Estragon sit by a bare tree, looking for ways to pass the time while they wait for a man named Godot. Time has given us the advantage in that we already know Godot will never appear. You're going to be tempted to dwell on why he doesn't appears and what he represents, and when you actually experience the play for the first time, you're going to want to know who these ridiculously unrealistic characters really are.
Marin Theatre Company begins 2013 and the second half of its critically acclaimed 46th Season with Samuel Beckett's modern classic, Waiting for Godot, which runs from January 24 to February 17. MTC's artistic director Jasson Minadakis directs, returning to "this greatest of 20th-century plays" (The New York Times) over a decade after he first directed an "excellent, electrifying" (The Cincinnati Enquirer) production at Cincinnati Shakespeare Festival. MTC's production features a talented cast: Oregon Shakespeare Festival company member Mark Bedard, popular Bay Area actors James Carpenter and Mark Anderson Philips and Cirque du Soliel and Ringling Bros. clown Ben Johnson, as well as two local southern Marin youths. Opening night is on Tuesday, January 29.
Cutting Ball Theater opens its 14th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh.
Cutting Ball Theater opens its 13th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose.
Featuring a lively cast of dozens, delightful music, gorgeous costumes, and those deliciously spooky ghosts, the Bay Area's favorite holiday tradition returns with American Conservatory Theater (A.C.T.)'s celebrated production of the Charles Dickens classic A Christmas Carol. Now in its 36th year, this version of A Christmas Carol, adapted by Paul Walsh and Carey Perloff, stays true to the heart of Dickens's timeless story of redemption and brings a playful sensibility to his rich language. A Christmas Carol runs November 30-December 24, 2012, at A.C.T.'s Geary Theater (415 Geary Street, San Francisco). Press night is Tuesday, December 4, at 7 p.m. VIP seating is available for all performances, and VIP ticket holders enjoy the best seats in the house and complimentary drinks during intermission. Tickets (ranging in price from $20-$95), are available by calling the A.C.T. Box Office at 415.749.2228 or online at www.act-sf.org. Groups of 15 or more save up to 50% and enjoy free tickets for group leaders. Call Edward Budworth at 415.439.2473 for group sales.
Cutting Ball Theater opens its 14th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh.
Cutting Ball Theater continues its 2012 celebration of August Strindberg's centennial with the first installment of this season's Hidden Classics Reading Series today, August 19, 2012, at 1 p.m. One of Strindberg's best known plays, THE FATHER, like Strindberg's Miss Julie, is an intense look at the power struggles between men and women.
Cutting Ball Theater opens its 13th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose.
Cutting Ball Theater continues its 2012 celebration of August Strindberg's centennial with the first installment of this season's Hidden Classics Reading Series on August 19, 2012, at 1 p.m. One of Strindberg's best known plays, THE FATHER, like Strindberg's Miss Julie, is an intense look at the power struggles between men and women.
Magic Theatre has announced that audiences will have an additional week to experience Linda McLean's Any Given Day. Originally scheduled to close April 22, Any Given Day adds an additional 7 performances and will now close April 29.
San Jose Repertory Theatre received a total of 22 nominations in the large theatre category (venues over 300 seats) from the San Francisco Bay Area Theatre Critics' Circle (SFBATCC) for outstanding productions during 2011. San Jose Rep Artistic Director Rick Lombardo received three best director nominations for his work on the world premiere of Love in American Times, the theatrical classic The Dresser and the musical Spring Awakening.