Jack Rosenthal adapted his award winning 1976 TV play (British Academy Best Play Award and Broadcasting Press Guild Best Play Award), for the musical stage with America's Oscar and Tony award composer Jule Styne and lyrics by Oscar and Tony award winner Don Black in BAR MITZVAH BOY.
As we increasingly entrust others with our personal information and data, how can we ensure that our data is safe and protected from abuse and misuse? UNCENSORED: Information Antics, an all media art exhibition, will bring together local DC artists to explore the myriad of roles that data collection and visualization play regarding issues of privacy, participation, and location of the self. UNCENSORED: Information Antics will be on display at the Martin Luther King Jr. Memorial Library from September 24 - October 22 to celebrate Banned Books Week, an annual national celebration of the freedom to read, express and create. Through photography, video, installation and sound the artists participating in UNCENSORED: Information Antics investigate the complexity of an intensely networked milieu with thoughtfulness and humor.
As we increasingly entrust others with our personal information and data, how can we ensure that our data is safe and protected from abuse and misuse? UNCENSORED: Information Antics, an all media art exhibition, will bring together local DC artists to explore the myriad of roles that data collection and visualization play regarding issues of privacy, participation, and location of the self. UNCENSORED: Information Antics will be on display at the Martin Luther King Jr. Memorial Library from September 24 - October 22 to celebrate Banned Books Week, an annual national celebration of the freedom to read, express and create. Through photography, video, installation and sound the artists participating in UNCENSORED: Information Antics investigate the complexity of an intensely networked milieu with thoughtfulness and humor.
With our countless devices, we're always connected to a constant flow of data and information. But, what happens when this information is misused or misplaced? This fall, the DC Public Library will explore that question by examining the intersection of data and design through UNCENSORED: Information Antics – a temporary, public art event that celebrates Banned Books Week - the national book community's annual celebration of the freedom to read, express and create.
Mary Chase's Pulitzer Prize-winning comedy HARVEY directed by Lindsay Posner, will open at Birmingham Repertory Theatre on 6 February, running until 21 February. First produced on Broadway in 1944 where it ran for four years, this new production stars James Dreyfus as Elwood P. Dowd and Maureen Lipman as his sister, Veta.
Maureen Lipman will be joining James Dreyfus in Lindsay Posner's new production of Mary Chase's Pulitzer Prize-winning comedy HARVEY, which will open at Birmingham Repertory Theatre on 6 February, running until 21 February, prior to a UK Tour and the West End. Maureen Lipman will be playing Veta, who tries to get her brother, Elwood P. Dowd played by James Dreyfus, committed rather than risk the family's reputation.
According to the Daily Mail, James Dreyfus will play 'Elwood P. Dowd' in HARVEY at Birmingham Repertory Theatre next year before the show launches a UK tour to Richmond, Bromley and Malvern. Mary Chase's play (which recently appeared on Broadway starring Jim Parsons) is being produced by Don Gregory, who told the Mail he plans on transferring the production to the West End.
59E59 Theaters welcomes Pegasus Theatre with the US premiere of BEWARE OF YOUNG GIRLS: KATE DIMBLEBY SINGS THE DORY PREVIN STORY, created and performed by Kate Dimbleby, accompanied by Naadia Sheriff on piano. Written with Amy Rosenthal, and directed by Cal McCrystal, BEWARE OF YOUNG GIRLS begins performances on Tuesday, December 16 for a limited engagement through Sunday, January 4. Press opening is Thursday, December 18 at 7:15 PM. The performance schedule is Tuesday - Thursday at 7:15 PM; Friday at 8:15 PM; Saturday at 5:15 PM & 8:15 PM; and Sunday at 3:15 PM & 7:15 PM. Please note, there is no performance on December 25; the performances on December 24 and December 31 are at 6:15 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $35 ($24.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.
Friends, today is a sad day. INTRUDERS, the creepy, paranormal series that reminds other shows in the genre that sophisticated writing and directing actually meshes really well with blood and gore, comes to an end. But if we've learned anything from tonight's episode, it's that “In the end, there is no end.” (Thanks for that wisdom, Richard.) So instead of wondering how we're going to fill our Saturday nights, let's have faith that there will be a season two (there better be a season two), take a walk down memory lane, and reminisce about tonight's season finale.
If you're still reeling from the revelation that Amy, Jack's once-loving wife, is Rose, the head honcho calling all the shots for Qui Reverti, you're not alone. INTRUDERS dropped that bombshell on us at the end of last week's episode and hasn't looked back since. There hasn't yet been an episode this emotionally intense. Relationships are tested, bonds are broken, drama runs rampant, and you can't help but be drawn in and feel every little thing right alongside the characters.
Former guitarist with Rhys Chatham and Band of Susans (among others) and now a hematologist/oncologist affiliated with New York University Hospital, Karen Haglof released her long-overdue debut solo album Western Holiday a little earlier this Summer.
Today we are talking to a remarkably accomplished writer and director who has amassed numerous top entertainment trophies over the course of his long and distinguished career, including multiple Emmy Awards, Tony Awards and even a Grammy - the uniquely talented Martin Charnin. Sharing his thoughts on the forthcoming big screen adaptation of his hit musical property ANNIE as well as previewing what we can expect from the forthcoming 2014-2015 national tour, Charnin also reflects on the original production of the classic Depression-era musical and analyzes why it remains a continual cultural touchstone for generations new and old while also looking ahead to a potential Broadway production of the sequel, written with original composer Charles Strouse, ANNIE WARBUCKS. Also, Charnin touches upon his time as a member of the original cast of iconic musical WEST SIDE STORY and recounts working alongside legends such as Leonard Bernstein, Stephen Sondheim, Arthur Laurents and more. Additionally, Charnin sheds some light on his illustrious string of collaborations with recently deceased composer Mary Rodgers Guettel, ranging from more than 50 songs written as a team to a string of special TV musicals as well as working together on the stage musicals HOT SPOT and THE MADWOMAN OF CENTRAL PARK WEST. Besides of all of that, Charnin also looks back to his heyday as a TV variety special helmer, having created award-winning tributes to a slew of Broadway's best composers and lyricists including George Gershwin, Harold Arlen, Cole Porter and many more. Plus, Charnin shares his thoughts on GLEE, how show business has changed, the possible future life for TWO BY TWO and much, much more in this wide-ranging chat with a major Broadway notable.
The Leonia Chamber Musicians continues its 40th season celebration with the second concert of its three part series on February 9, 2014, 4 p.m., at the Leonia High School, 100 Christie Heights Street, in Leonia, New Jersey. The family-friendly event will feature members of the Leonia Chamber Musicians as soloists in the Bach Brandenburg Concerto No. 4 and the Haydn Sinfonia Concertante, joined by the Leonia High School Student Orchestra.
Now, to celebrate today's (November 26) release of Walker's lost studio session from 1970, and his first solo guitar record with vocals, 'Has Anybody Seen Our Freedoms?', on Delmore Recording Society, he is proud to announce that he will be making his first NYC area live performance in seven years (and only show this year) on 12/18 at Union Pool in Brooklyn.
Now, to celebrate today's (November 26) release of Walker's lost studio session from 1970, and his first solo guitar record with vocals, 'Has Anybody Seen Our Freedoms?', on Delmore Recording Society, he is proud to announce that he will be making his first NYC area live performance in seven years (and only show this year) on 12/18 at Union Pool in Brooklyn.
Peter Walker is an American original, as eclectic and enigmatic as the songs he writes.
Peter Walker is an American original, as eclectic and enigmatic as the songs he writes.
Venture Wolf Productions will present William Shakespeare's Julius Caesar at The London Theatre from today the 19th to 24th of November at 8pm (5:00 pm Sunday 24th ). The London Theatre, 443 New Cross Road, London, SE14 6TA.
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