The Neighborhood Playhouse School of the Theatre presented an invite-only Red Door Reading of Prodigal Son, the deeply personal and resonant drama by Pulitzer Prize–, Tony Award–, and Academy Award–winning writer John Patrick Shanley. Check out photos of the event.
The Neighborhood Playhouse School of the Theatre will present the first-ever Sanford Meisner Awards, honoring the extraordinary achievements and legacy of Mary Steenburgen and Pamela Moller Kareman, at their 2025 Benefit Gala. Learn more!
The Office of the City Council will honor Sanford Meisner and The Neighborhood Playhouse School of the Theatre will be recognized with a Proclamation in honor of their 90th Anniversary. The Proclamation will be presented by NYC Council Member Ben Kallos at The Neighborhood Playhouse School of the Theatre (340 East 54th Street) on Thursday, October 18th at 2 pm.
On Monday, May 21 at 7:00 p.m., come to the Sheen Center for Thought & Culture (18 Bleecker Street, at the corner of Elizabeth Street) for Inside 'Heavenly Bodies: Fashion and the Catholic Imagination,' a conversation with curators about the largest exhibition in the history of The Costume Institute at The Metropolitan Museum of Art, featuring a significant loan of papal robes and accessories from the Vatican's Sistine Chapel Sacristy. Tickets are $20 and available at SheenCenter.org, by phone at (212) 925-2812, or in-person at The Sheen Center box office.
Commissioned for the 100th Anniversary of the Abrons' Playhouse, SISTERS' FOLLIES: BETWEEN TWO WORLDS is a spooktacular musical extravaganza direct from the unlimited imagination of Basil Twist and stars the legendary Downtown icons Joey Arias (Arias With A Twist, Lincoln Center's AmericanSongbook) and Julie Atlas Muz (Beauty and the Beast).
(New York, September 8, 2015) — Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that Harold Koda, who has been Curator in Charge of The Costume Institute since 2000, will step down on January 8, 2016. Campbell also announced that Andrew Bolton, currently a Curator in the department, will become Curator in Charge of The Costume Institute upon Mr. Koda's departure.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Abrons Director in 2006, Jay Wegman has done much more than maintain 'one of the last standing locations for avant-garde performance downtown' (The New York Times, 2009). He has created an arts venue that is unique on the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City.
Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that the Museum will designate the space occupied by The Costume Institute as the Anna Wintour Costume Center. The complex has been completely redesigned and renovated and will reopen on May 8 with the inaugural exhibition Charles James: Beyond Fashion. The Anna Wintour Costume Center will house the Department's exhibition galleries, library, conservation laboratory, research areas, and offices. The curatorial department itself will continue to be called The Costume Institute.
Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that the inaugural exhibition of the newly renovated Costume Institute in spring 2014 will examine the career of legendary 20th-century Anglo-American couturier Charles James (1906–1978). Charles James: Beyond Fashion, on view from May 8 through August 10, 2014 (preceded on May 5 by The Costume Institute Benefit), will be presented in two locations–The Costume Institute's new galleries as well as special exhibitions galleries on the Museum's first floor. The exhibition will explore James's design process and his use of sculptural, scientific, and mathematical approaches to construct revolutionary ball gowns and innovative tailoring that continue to influence designers today.