As previously reported by BroadwayWorld, the Encores! cast of GENTLEMEN PREFER BLONDES went into the recording studio last month to put a cast record together. As per Megan Hilty's official website, the recording is set to be released September 4, and is now available to preorder on Amazon.com.
His Girl Friday, John Guare's inspired combo of Ben Hecht and Charles MacArthur's original play The Front Page and the screen version His Girl Friday, began previews Sunday at The Shaw's Festival Theatre
Turner Classic Movies (TCM) is celebrating this week's premiere of TNT's all-new series DALLAS by unveiling a 10-gallon list of the Top 10 Texas Movies.
Masterworks Broadway will release the Encores! cast recording of Gentlemen Prefer Blondes. The album will be recorded in New York City this week, and will feature "A Little Girl From Little Rock," "Bye Bye Baby," and of course, the classic made famous by Marilyn Monroe, "Diamonds Are A Girl's Best Friend."
El reconocido director estadounidense, Howard Hawks, lanza en 1953 "Los caballeros las prefieren rubias". En esta comedia Marilyn Monroe y Jane Russel buscan al hombre perfecto. El musical se basa en la novela de Anita Loos y en la obra de Broadway tambien de Loos y Joseph Fields.
Del 23 de febrero al 15 de marzo tendrá lugar en el Círculo de Bellas Artes la proyección de las mejores películas musicales del cine americano en VOSE dentro del Ciclo LA EDAD DE ORO DEL MUSICAL AMERICANO. Entre otras, se podrán disfrutar joyas como Un Día En Nueva York, Siete Novias para Siete Hermanos o West Side Story. Las entradas cuestan 5 euros y para socios, mayores de 65 o carnet joven, 3.40.
The Museum of Modern Art is a place that fuels creativity, ignites minds, and provides inspiration.
Never more apparent than at this very moment in history, the operatic emotions, over-the-top theatrics and outrageous outspokenness of the 1983 SCARFACE, new on Blu-ray this week, burst forth from screens both large and small, depending on your preferred venue. And, with the fiery, ferocious fearlessness that Brian DePalma so astutely and assuredly weaves his web of debauchery and demons of the soul, heart and mind with - its apotheosis residing in Al Pacino's legendary essaying of the title role - the world finally seems ready to see SCARFACE for what it really is: a classic American film. No, there are not many modern day classics and there certainly have not been over the last thirty years since its release, but SCARFACE is unquestionably now part of the great pantheon of American films - just as much as CITIZEN KANE, CABSABLANCA and THE GODFATHER before it - and with Fathom's re-release of the film in movie theaters for one night only last week, the impact of the film as felt in its true artistic home was something akin to transcendental. Indeed, I was lucky enough to check out the HD print in a showing in Ithaca, NY, last week, which was also accompanied by an ultra-informative and revealing behind-the-scenes look at the production and subsequent legacy of the near-thirty-year-old film which is also available in an even more expanded form on the new Blu-ray - including new interviews with Brian DePalma, Al Pacino, Steven Bauer, Robert Loggia, Martin Bregman, as well as comments from fellow filmmakers and fans like Eli Roth (who shares a particularly hilarious anecdote about reciting Lopez's monologue for classmates in sixth grade). The new Blu-ray is packed to the brim with Special Features - including this brand new hour-long making-of documentary to go along with the hours of bonuses ported over from many of the prior DVD releases. Yet, above all of these other virtues, the reason you must own SCARFACE on Blu-ray is not just because the HD remastering of the image is pristine, the 7.1 sound is perfect and the Special Features are overwhelmingly enjoyable, but - most of all - it is because SCARFACE is American movie-making at its finest - and most emotionally, visually and outwardly operatic. It sings. And stings. And zings. And, bring it - all.
Six films on CAPA's 2011 Summer Movie Series at the Ohio Theatre will offer audio description for visually impaired patrons at no extra charge.
The CAPA Summer Movie Series, the longest-running classic film series in America, celebrates its 41st anniversary in 2011 with an impressive assembly of classics, cult favorites, and much beloved films.
Film critic Dave Kehr's new book When Movies Mattered: Reviews from a Transformative Decade, published by the University of Chicago Press, is a collection of his reviews written between 1974 and 1986 in the Chicago Reader.
Accompanying the gallery exhibition of the same name, this series explores the influence of music on contemporary art practices, focusing on New York in the 1980s and 1990s and the birth of 'remix culture.' These films and videos examine the birth of hip-hop; new articulations of feminism; AIDS activism; the artistic development of music videos; and the rise of the digital domain.
An appearance by internationally acclaimed film director Peter Bogdanovich will help mark a historic occasion at Indiana University Bloomington -- the formal dedication of the new IU Cinema on Jan. 27.
An appearance by internationally acclaimed film director Peter Bogdanovich will help mark a historic occasion at Indiana University Bloomington -- the formal dedication of the new IU Cinema on Jan. 27.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
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